David Guterson's first novel, Snow Falling on Cedars, was a true ensemble piece, in which even a high-stakes murder trial seemed like a judgment passed on the community at large. In his eloquent second novel, however, the author swings dramatically in the opposite direction. East of the Mountains is the tale of a solitary, 73-year-old Seattle widower. A retired heart surgeon, Ben Givens is an old hand at turning isolation to his advantage, both professionally and personally: "When everything human was erased from existence except that narrow antiseptic window through which another's heart could be manipulated--few were as adroit as Dr. Givens."
Now, however, Ben has been dealt a problem entirely beyond his powers of manipulation: a diagnosis of terminal cancer. With just a few months to live, he sets out across the Cascades for a hunting trip, planning to take his own life once he reaches the high desert. A car crash en route puts an initial crimp in this suicide mission. But the ailing surgeon presses onward--and begins a simultaneous journey into the past. Between present-tense episodes, which demonstrate Ben's cranky commitment to his own extinction, we learn about his boyhood in Washington's apple country, his traumatic war experience in the Italian Alps, and the beginning of his vocation.
Guterson narrates the apple-scented idyll of Ben's childhood in a typically low-key manner--and orchards, of course, are seldom the stuff of melodrama. Still, many of his ambling sentences offer miniature lessons in patience and perception: "They rode back all day to the Columbia, traversed it on the Colockum Ferry, and at dusk came into their orchard tired, on empty stomachs, their hats tipped back, to walk the horses between the rows of trees in a silent kind of processional, and Aidan ran his hands over limbs as he passed them with his horse behind him, the limbs trembling in the wake of his passing, and on, then, to the barn." The wartime episodes, however, are less satisfactory. Clearly Guterson has done his research down to the last stray bullet, but there's a second-hand feeling to the material, which seems less a token of Ben's detachment than the author's.
There is, alas, an additional problem. Begin a story with a planned suicide, and there are exactly two possible outcomes. It would be unfair to reveal Ben's fate. But as the forces of life and death yank him one way, then another, Guterson tends to stack the deck--particularly during a bus ride toward the end of the novel, when Ben's fellow passengers appear to have wandered in from a Frank Capra film. Yet East of the Mountains remains a beautifully imagined work, in which the landscape reflects both Ben's desperation and his intermittent delight. And Guterson knows from the start what his protagonist learns in painful increments: that "a neat, uncomplicated end" doesn't exist on either side of the mountains. --James Marcus
From Publishers Weekly
A good and decent man's passage through life as reflected in his memories and his experiences on what he intends to be his last day on earth is the burden of Guterson's (Snow Falling on Cedars) deeply felt, honest and quietly powerful new novel. Dr. Ben Givens, a 73-year-old retired thoracic surgeon in Seattle, has terminal colon cancer, a fact that he has kept from his daughter and grandson. Widowed recently after a loving marriage, he decides to forgo the ordeal of dying in stages, and instead to commit suicide in what will look like an accident during a day of quail hunting in the apple-growing country where he was born. But fate interferes with Ben's plan. His van is wrecked when he runs off a slick road, and he is rescued in the first of several encounters that turn into a two-day ordeal. During the cold October night in the sagebrush desert, the narrative rises to a harrowing crescendo when Ben's two dogs are the victims of a marauding pack of Irish wolfhounds. With subtle symmetry, Guterson uses Ben's darkly picaresque misadventure to provide graceful segues into the events of his past. A series of poignant memories occur in flashback?Ben's mother's death; his tender courting of Rachel, who became his wife; his soul-lacerating experiences in combat in WWII and his life-defining epiphany at an army field hospital in Italy?which chart the growth of a man with a strong sense of humanity and responsibility and a steadfast work ethic. The novel begins slowly, and at first one fears that Guterson's attempt to establish a sense of place will result in a dense recital of geographical names. But his unsparingly direct, beautifully observed and meticulously detailed prose creates an almost palpable atmospheric background. At the end of his journey, Ben achieves an understanding about the meaning of life and the continuity of commitment. Wise and compassionate about the human predicament, Guterson's second novel confirms his talent as a writer who delves into life's moral complexities to arrive at existential truths. Agent, Georges Borchardt. 500,000 first printing; $500,000 ad/promo; Literary Guild main selection; author tour; rights sold to U.K., Germany, France, Italy, Japan, Holland, Norway, Finland, Sweden and Denmark; simultaneous release by BDD audio. (Apr.) 1999.
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