Product Details

• Actors: Cora Miao, Russell Wong, Victor Wong, Siu-Ming Lau, Eric Tsang
• Directors: Wayne Wang
• Writers: Judith Rascoe, Louis Chu
• Producers: John Chan, Lindsay Law, Patricia Chong, Tom Sternberg
• Format: Color, NTSC
• Rated: PG-13 (Parental Guidance Suggested)
• Number of tapes: 1
• Studio: Sony Pictures
• VHS Release Date: October 22, 1996
• Run Time: 102 minutes
• Average Customer Review: 3.1 out of 5 stars  See all reviews (10 customer reviews)
• ASIN: 6301574591
• Amazon Best Sellers Rank: #335,641 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Director Wayne Wang is in his appealingly low-key groove with this wry comedy-drama, a precursor to his later success with The Joy Luck Club. It's set in the aftermath of World War II, when the restrictive U.S. immigration laws had finally been relaxed. WWII vet Russell Wong is a young Chinese-American hepcat, strong-armed by his dad (the wonderfully gnarled character actor Victor Wong) into an arranged marriage with a Chinese girl (Cora Miao). The trip to China, and the atmosphere of New York's Chinatown, are neatly mounted. The film's central joke, and metaphor, is the bridegroom's impotence after marriage; he's cowed by the expectations of his traditional culture, which don't necessarily match his own ideas. In its quiet way, Eat a Bowl of Tea examines the larger issues of ethnic identity while poking affectionate fun at its floundering characters--a distinctly modern attitude for a 1940s story. --Robert Horton

Customer Reviews

Most Helpful Customer Reviews

21 of 26 people found the following review helpful:

4.0 out of 5 stars Amiable counter-clash comedy with a dark undertow., February 25, 2002

By 

darragh o'donoghue - See all my reviews

This review is from: Eat a Bowl of Tea [VHS] (VHS Tape)

Although it never deadens itself with too much period detail, you can almost touch the 1940s atmosphere in Wayne Wang's film, the dark rooms and grey streets occasionally filtered by cold sunlight. 'Eat A Bowl Of Tea' recreates a crucial moment in Chinese-American history - the relaxing of inequitable immigration laws that had prevented Chinamen bringing their women into the country, and the subsequent influx of young female life into the sterile world of old men - with little historical fanfare, and maximum attention to human experience. Wah Gay is a successful club owner who hasn't seen the wife he left behind in 20 years, and who despairs at ever seeing his frivolous son, who served in the US Army during the war (the mass of Chinese who had done so causing the laws to be repealed) ever settling down and continuing his line. He sends him back home to marry a friend's daughter, bring her back, take a good job and start a family. All these pressures, unfortunately, make the young man impotent, and his frustrated wife is forced to take a lover.

As the film starts, with its wisecracking Greek chorus, its warm 40s look and its 40s jazz standards on the soundtrack, you might almost be watching a Chinese Nora Ephron film. The struggles of individuals against the community begins to take a starker turn as the film progresses, and characters become alienated from each other. The film is full of images and situations in which Chinese and American cultures confront one another, sometimes to harmonious effect, but just as often clashing. For instance, during the arranged courtship in China, the couple's first moment alone on screen is against the backdrop of an open-air projection of 'Lost Horizon', a famous American film about the Orient, whose English is translated by the village sage (the media and representations are important elements in 'Eat'). When the couple holiday in Washington to try and escape the pressures of community and finally make love, the familiar American landmarks are overlaid with Chinese music. The very real human problems - family, marriage, impotence, work - are shown to be indistinguishable from crises over identity; Ben Loy's impotence, his failure to continue the line and complete the Oedipal process, is a sign of his inability to unite Chinese and American, old wisdom and new entrepreneurialism, communal expectation and private desires.

The increasing sobriety of the film's themes is matched in Wang's style, in which the camera rarely moves, as in the cinema of Ozu, another Eastern film-maker who dealt with tensions of family and modernity. Wang doesn't seek Ozu's serenity, however, and the still camera is countered by great movement within the frame, stylised compositions and frequent cuts. Like a Sirk melodrama, the surface realism is undercut by artificial tableaux that encourage us to read against what we see.

19 of 25 people found the following review helpful:

2.0 out of 5 stars more emasculation of Asian-American men, October 18, 2002

By 

Jeffery Mingo (Homewood, IL USA) - See all my reviews
(REAL NAME)   

This review is from: Eat a Bowl of Tea [VHS] (VHS Tape)

This film is important and needed for three reasons. One, you get to see supa-fine Russell Wong. Two, rarely do you see a movie with so many Asian-American men. Three, this movie illustrates that Asians did live in the US before 1965's liberalization of immigration laws. Still, in this movie, when Russell is a gigolo for a white female client, he's sexually active. However, when he has a cute Chinese wife, he's impotent. This seems like some disturbing white-worshipping to me. It's kinda anti-Asian woman too. Haven't we seen and heard enough of historical stereotypes of Asian men as not true masculines?! Then, the end is too fast and illogical. This movie had so much potential that it did not meet.

6 of 7 people found the following review helpful:

1.0 out of 5 stars Be Warned - Different Version, June 11, 2008

By 

arbekeal (Los Angeles, California United States) - See all my reviews

Amazon Verified Purchase

This review is from: Eat a Bowl of Tea (DVD)

I am very disappointed. I purchased this DVD assuming that it is the same version as the one I saw many years ago on TV, and that original movie highly reflect what my grandfather told me what life was like for him back then. Some of scenes were changed. The biggest change is the scenes when Russell Wong was arrested by the police. The original version I saw didn't have the Russell's father cutting off the ear of the adulterer and the police come to arrest Russell for the crime. In the original movie, the problem is handled by the Wang Family Association, where a couple of tough looking guys spoke quietly to the adulterer and ask him to leave town and never come back. The Chinese Americans back then normally don't report their problems to the police, because the police don't care. That goes with the rest of the American society. Another example is the banks. Back then, Chinese Americans don't go to the bank to borrow money. They go to their Family Association or the Chinese American Association instead.

There are other scenes that have been changed, all to down play the injustice and inequality that the white Americans assert to the non-white minority, and in this movie the Chinese Americans. After watching this DVD, I throwed it away.