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13 of 13 people found the following review helpful:
4.0 out of 5 stars "If you want to portray a character succinctly... describe the way he eats."


I found the concept of this collection intriguing: "Writers know that if you want to portray a person succinctly, tellingly, you describe the way he eats." Or so opines editor Amanda Hesser, author and food writer for the New York Times Magazine since 2004, who has assembled "food inspired recollections" of America's leading writers, the best essays from the...
Published on November 21, 2008 by Luan Gaines

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3 of 15 people found the following review helpful:
3.0 out of 5 stars Interesting, but. . .
An interesting collection of essays about mealtimes, dinnertimes, snacktimes, food everything. I admit to not giving it full star rating for one thing only (I'm biased, so here it is): I wanted to use these essays in my classroom (I teach Freshman Comp) for one of their assignment in writing about their family. I found I couldn't use any of them because the point of...
Published on August 12, 2009 by LetterPress


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13 of 13 people found the following review helpful:
4.0 out of 5 stars "If you want to portray a character succinctly... describe the way he eats.", November 21, 2008
This review is from: Eat, Memory: Great Writers at the Table: A Collection of Essays from the New York Times (Hardcover)


I found the concept of this collection intriguing: "Writers know that if you want to portray a person succinctly, tellingly, you describe the way he eats." Or so opines editor Amanda Hesser, author and food writer for the New York Times Magazine since 2004, who has assembled "food inspired recollections" of America's leading writers, the best essays from the magazine's "Eat, Memory" column. The submissions are from twenty-six novelists, playwrights, poets, screenwriters and others who have bridged that vast emotional territory of food, experience and the creative process. The result is a series of essays that explore food and memory in related, emotionally-charged chapters: "Illusions", "Discovery", "Struggles", "loss" and "Coming Home".

The combinations are infinite, the connections of food and memory profound, at least in the words of the authors in this unique book: Dorothy Allison, Chang-Rae Lee, Billy Collins, Yiyun Li, Patricia Marx, Tucker Carlson, Kiran Desai, Pico Iyer, Manil Suri, Allan Shawn. Like recipes, these essays are deeply personal, filled with the ebb and flow of emotional nuance and the way memory inserts itself into life and writing in the most intimate manner. Like any complexity, food is loaded with emotion, smell evoking a stream of long-buried associations, sometimes comforting, occasionally painful. By sharing their recollections with readers, we have an opportunity to open our imaginations and embrace these experiences, to add them to the words that form the stories of our society, human connections that seek to include rather than isolate.

In "Expatriate Games" (Loss), John Burnham Schwartz writes of Sunday dinners that became a weekly ritual: "Between feasts and sometimes during- life-altering decisions were made, hearts broken, songs badly sung." In "Turning Japanese" (Coming Home), Heidi Julavits confides: "Two months later I am spiritually annihilated by contentment. I haven't had a craving in months, and... I forget to worry about my uncertain future." RW Apple's "The Dining Room Wars (Discoveries) takes an eclectic perspective, food from everywhere, from New York to Saigon to Africa: "I am neither High Church or Low- or rather I am both at the same time." And poet Billy Collins confronts "The Fish" (Illusions): "and thus my dinner in an unfamiliar city... was graced not only with chilled wine and lemon slices but with compassion and sorrow." Bon appetite. Luan Gaines/ 2008.
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3 of 15 people found the following review helpful:
3.0 out of 5 stars Interesting, but. . ., August 12, 2009
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This review is from: Eat, Memory: Great Writers at the Table: A Collection of Essays from the New York Times (Hardcover)
An interesting collection of essays about mealtimes, dinnertimes, snacktimes, food everything. I admit to not giving it full star rating for one thing only (I'm biased, so here it is): I wanted to use these essays in my classroom (I teach Freshman Comp) for one of their assignment in writing about their family. I found I couldn't use any of them because the point of view in these wanders from first to second to third person--very frustrating, esp. since I teach them formal essay writing. Because of this, none of them were usable. Whatever happened to the formal voice? Okay, rant over.

You may enjoy them for their details, the spirit of good living they provide. Just don't use them in the classroom!
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Eat, Memory: Great Writers at the Table: A Collection of Essays from the New York Times
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