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Eat a Peach Original recording remastered, Live


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Audio CD, Original recording remastered, Live, October 14, 1997
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Ain't Wastin' Time No More 3:40$1.29  Buy MP3 
listen  2. Les Brers In A Minor 9:03$1.29  Buy MP3 
listen  3. Melissa 3:54$1.29  Buy MP3 
listen  4. Mountain Jam33:38$1.29  Buy MP3 
listen  5. One Way Out 4:58$1.29  Buy MP3 
listen  6. Trouble No More 3:43$1.29  Buy MP3 
listen  7. Stand Back 3:25$1.29  Buy MP3 
listen  8. Blue Sky 5:09$1.29  Buy MP3 
listen  9. Little Martha 2:07$1.29  Buy MP3 

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Product Details

  • Audio CD (October 14, 1997)
  • Number of Discs: 1
  • Format: Original recording remastered, Live
  • Label: Capricorn
  • ASIN: B000003CMC
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (232 customer reviews)
  • Amazon Best Sellers Rank: #1,744 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Amazon.com

Having firmly established themselves as "The Grateful Dead of the South" via their enormously successful 1971 Live at the Fillmore East double album, the Allman Brothers had just begun work on a new studio collection when slide guitarist Duane Allman died in a motorcycle accident. Undaunted, the group rallied together and completed Eat a Peach, which, via inclusion of the 34-minute-plus "Mountain Jam," blossomed into a double LP. While keyboardist-singer Gregg Allman shone on tracks like Sonny Boy Williamson's "One Way Out" and his own "Melissa," it was second guitarist Dickey Betts who came out from under the departed Allman's shadow with his lead vocal on "Blue Sky" and his incendiary playing throughout. --Billy Altman

Customer Reviews

If you're a fan of music you will buy this album.
A. Short
The sound quality of this disc is damned good, just a shade less than the original Fillmore recording, but hardly noticeable, I'd say.
Cactus Ed
If Fillmore East is the greatest live album ever recorded, then Eat a Peach has got to be the best all-around Allman Brothers album.
Steve S.

Most Helpful Customer Reviews

67 of 69 people found the following review helpful By D. Allen on July 3, 2006
Format: Audio CD
...in the muddy and muffled sound of ALL previous reissues and remasters of Eat a Peach, including the MFSL release, you're in luck. This edition finally fixes those issues, and I must say that it truly sounds beautiful. They either found a much better tape or they did a sonic restoration job on it, because there's no comparison to anything that has come before it. If you like (or love) this album, you won't regret buying this. To top it all off, it includes the entire June 27, 1971 Fillmore East concert, and it sounds great too, even though the mixing is a little questionable.
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77 of 81 people found the following review helpful By Richard B. Luhrs on February 25, 2006
Format: Audio CD Verified Purchase
Released in February 1972, less than four months after Duane Allman's death, EAT A PEACH gathers together the final tracks laid down by the original Allman Brothers Band, the only studio documentation of the short-lived five-man, one-guitar ABB lineup and the remaining performances from the concerts which had yielded the epochal AT FILLMORE EAST album. Far from being a stereotypical posthumous odds and ends collection, however, EAT A PEACH is a treasure trove containing much of the Brothers' best work, and stands right beside FILLMORE at the very apex of their stupendous body of recordings.
Opening with the post-Duane tracks, EAT A PEACH demonstrates from its very first notes that there was - and is - far more to the ABB than one amazing guitarist. Brother Gregg's "Ain't Wastin' Time No More," though written before Duane's crash, is an effective and all-too-poignant rumination on uprushing mortality with excellent playing from the whole quintet. Dickey Betts, tossed into the unenviable position of sole guitar player in rock's most celebrated two-guitar band, more than holds his own here, contributing top-notch picking on every track - most notably his own thunderstorm instrumental, "Les Brers in A Minor," which starts out as a grinding tribute to amplification before morphing into a Santana-esque Latin funk workout liberally spiced with impressive displays of chops all around. "Melissa," a beautiful old ballad co-written by Gregg which the Brothers had first recorded with their previous group the Hourglass, is by contrast epitomally delicate and genuinely moving; Dickey's ethereal lead is a dream.
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37 of 37 people found the following review helpful By Cactus Ed on March 7, 2008
Format: Audio CD Verified Purchase
Man oh man oh man - THIS is the best of the best, the best remaster of the best of The Masters of American Rock/Jazz/Blues ever, The Allman Brothers Band when they were at their peak. The sound engineering on this CD has to be heard to be believed, but take my word for it, it is freaking excellent! Eat A Peach, when I first bought the album as a heartbroken junior in High School, was a great testament to the band and to their fallen leader, the greatest guitarist ever, Duane Allman. Of course the stuff Duane played on was excellent, but what we fans were ultimately saved by were the new recordings they made without him. They were so damn good with Duane, and yet the band was still damn good without him ( or should I say, without Duane's guitar playing, for he was certainly there in spirit when they recorded these songs.). And this superb remastering makes it all sound awesome. AND: added to all this is the second disc which features the entirety of the Brother's performance at the closing of the legendary Fillmore East. The sound quality of this disc is damned good, just a shade less than the original Fillmore recording, but hardly noticeable, I'd say. It's great to hear Duane talking between songs, great to hear his mind-altering guitar playing, great to hear Berry still playing the best bass in the world, and man does Greg sound good here. And of course Dickey Betts is awesome, and Jaimoe and Butch laying down the great double-beat...Jesus Christ! What a band they were! So glad they were with us while they were, but so damn sad Duane and Berry were gone so soon after these recordings. This CD is the best way to remember what was the greatest American rock band ever. Amen!
Now here are some more words a couple of months later.
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85 of 94 people found the following review helpful By grego on November 1, 2004
Format: Audio CD
Many thanks are due to whoever is responsible for this fan favorite being mixed to multi-channel SACD. It sounds great! Both the multi-channel and stereo mixes represent a significant advance over the way this disc sounded before.

.

I guess we should start by thanking Jeff Glixman who most folks know as the producer/engineer for KANSAS. He certainly has endeared himself to this Allman Brothers fan for his excellent work in mixing "Eat a Peach" to hi-resolution 5.1.

.

I compared the new SACD to the most recent edition of the CD - the remastered one released a few years back. I listened to the SACD and the CD simultaneously with the CD in Pro Logic II mode (Denon CD player), while the SACD was played back in a Pioneer universal DVD player. Switching back and forth with volume levels matched, it was easy to hear the improvement.

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The new 5.1 mix has Gregg's voice spread out across all 3 front channels, and the soundstage is much wider than before with the 2 drummers clearly separated between left and right. Soundstage depth is amazing considering that not very much is going on in the surround speakers. Low frequency extension is excellent and fans of Berry Oakley's bass playing will revel in the seismic bottom end. Acoustic guitars sounded like they were being played right there in my living room, while cymbals and other high frequency sounds also sounded like they were being played in my room.

.

This new sense of "presence" can be thought of another way. During "Mountain Jam" for example, I felt transported OUT of my living room and right onto the stage with the band.
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