Restored and Remastered
The Starlight, a decrepit hotel run by Judd (Neville Brand), receives few customers. Perhaps its the remote location in the Texas bayous. Perhaps its the owner's violent mood swings. Or perhaps its the man-eating crocodile in the backyard. But one dark steamy night finds the Starlight visited by a runaway prostitute (Roberta Collins, Death Race 2000), a young couple (Marilyn Burns and William Finley) and their child (Kyle Richards, Halloween), a dying father and his daughter (Mel Ferrer and Crystin Sinclaire), and sex-obsessed Buck (Robert Englund, A Nightmare on Elm Street), all of whom will experience an unforgettable night of terror at the hands of Judd and his pet croc.
A raw, violent, and bizarre portrayal of madness run amok in rural America, Eaten Alive was director Tobe Hooper's follow-up to the international hit, The Texas Chain Saw Massacre. Dark Sky Films proudly presents this two-disc special edition which features a brand new transfer from long-lost vault materials and never-before-seen bonus features.
Bonus Features Include:
Feature-length audio commentary w/ producer Mardi Rustam, actors Roberta Collins, William Finley and Kyle Richards, & make-up artist Craig Reardon
"The Gator Creator: Tobe Hooper"
"My Name is Buck: Robert Englund
"The Butcher of Elmendorf: The Legend of Joe Ball"
"5ive Minutes with Marilyn Burns"
Theatrical Trailers (x7)
TV Spots (x2)
Radio Spots (x2)
Still Gallery Slideshow (motion)
Alternate Credits and Title Sequences (x2)
A wild mix of surreal fantasy and grindhouse splatterfest, Tobe (The Texas Chainsaw Massacre
) Hooper's 1976 sophomore feature pits an all-star cast against the homicidal owner of a backwoods hotel and his pet crocodile, with expectedly bloody results. Veteran character actor Neville Brand gives a memorably eccentric performance as the deranged hotelier, whose unpredictable rages frequently end in the violent death of his guests; Mel Ferrer is the inquisitive father of one victim, Robert Englund is a lusty local yokel, and William Finley and Marilyn Burns (Chainsaw
's heroine) are a married couple on the verge of a meltdown who make the mistake of renting a room from Brand. Naturally, Brand's homicidal impulses get the better of him, and the film's finale nicely echoes the sheer bedlam of Chainsaw
's final act, with all parties (including Stuart Whitman as a very
laid-back sheriff) struggling to escape Brand and his croc with all body parts intact. While Eaten Alive
never hits the same nerve-jangling heights of terror as its predecessor, Hooper does bring considerable style and verve to its crazy-quilt story, most notably in its garish lighting scheme, which suggests the exaggerated panels of '50s horror comics. And horror fans who don't mind a dash of black humor with their grue will appreciate Brand's stream of consciousness mutterings, as well as the cat-and-mouse game conducted by Finley and Burns' daughter (Kyle Richards) and the monster croc under the hotel. The impressive double-disc set includes a widescreen presentation of the original feature taken from vault materials (the picture was available under a variety of titles, each with different running times); disc one also offers commentary by Finley, Richards, producer Mardi Rustam, and makeup artist Craig Reardon. Hooper is profiled on disc two in an interview that details how he became involved in the project, and the difficulties encountered in bringing it to the screen. Englund and Burns are also interviewed about their careers and participation in the film, and a short documentary titled "The Butcher of Elmendorf: The Legend of Joe Ball" sheds like on the obscure real-life crime that in part inspired the movie. The extras are rounded out by a battery of behind-the-scenes photos, theatrical trailers and radio spots for Eaten Alive
's numerous retitlings (including a preview from Japan), and two alternate credit and title sequences. The most amusing extra, however, comes in the form of comment cards filled out by test screening viewers, which run the gamut from disgusted to enthralled. -- Paul Gaita