In Eats, Shoots & Leaves, former editor Truss dares to say, in her delightfully urbane, witty, and very English way, that it is time to look at our commas and semicolons and see them as the wonderful and necessary things they are. This is a book for people who love punctuation and get upset when it is mishandled. From the invention of the question mark in the time of Charlemagne to George Orwell shunning the semicolon, this lively history makes a powerful case for the preservation of a system of printing conventions that is much too subtle to be mucked about with.
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Editorial Reviews
From Publishers Weekly
Who would have thought a book about punctuation could cause such a sensation? Certainly not its modest if indignant author, who began her surprise hit motivated by "horror" and "despair" at the current state of British usage: ungrammatical signs ("BOB,S PETS"), headlines ("DEAD SONS PHOTOS MAY BE RELEASED") and band names ("Hear'Say") drove journalist and novelist Truss absolutely batty. But this spirited and wittily instructional little volume, which was a U.K. #1 bestseller, is not a grammar book, Truss insists; like a self-help volume, it "gives you permission to love punctuation." Her approach falls between the descriptive and prescriptive schools of grammar study, but is closer, perhaps, to the latter. (A self-professed "stickler," Truss recommends that anyone putting an apostrophe in a possessive "its"-as in "the dog chewed it's bone"-should be struck by lightning and chopped to bits.) Employing a chatty tone that ranges from pleasant rant to gentle lecture to bemused dismay, Truss dissects common errors that grammar mavens have long deplored (often, as she readily points out, in isolation) and makes elegant arguments for increased attention to punctuation correctness: "without it there is no reliable way of communicating meaning." Interspersing her lessons with bits of history (the apostrophe dates from the 16th century; the first semicolon appeared in 1494) and plenty of wit, Truss serves up delightful, unabashedly strict and sometimes snobby little book, with cheery Britishisms ("Lawks-a-mussy!") dotting pages that express a more international righteous indignation.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.
From Booklist
This impassioned manifesto on punctuation made the best-seller lists in Britain and has followed suit here. Journalist Truss gives full rein to her "inner stickler" in lambasting common grammatical mistakes. Asserting that punctuation "directs you how to read in the way musical notation directs a musician how to play," Truss argues wittily and with gusto for the merits of preserving the apostrophe, using commas correctly, and resurrecting the proper use of the lowly semicolon. Filled with dread at the sight of ubiquitous mistakes in store signs and headlines, Truss eloquently speaks to the value of punctuation in preserving the nuances of language. Liberally sprinkling the pages with Briticisms ("Lawks-a-mussy") and moving from outright indignation to sarcasm to bone-dry humor, Truss turns the finer points of punctuation into spirited reading. Joanne Wilkinson
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.
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More About the Author
Lynne Truss is a writer and journalist who started out as a literary editor with a blue pencil and then got sidetracked. The author of three novels and numerous radio comedy dramas, she spent six years as the television critic of The Times of London, followed by four (rather peculiar) years as a sports columnist for the same newspaper. She won Columnist of the Year for her work for Women's Journal. Lynne Truss also hosted Cutting a Dash, a popular BBC Radio 4 series about punctuation. She now reviews books for the Sunday Times of London and is a familiar voice on BBC Radio 4. She lives in Brighton, England.
Customer Reviews
Most Helpful Customer Reviews
149 of 163 people found the following review helpful
Format:Hardcover
Readers, check your reaction to the following sentence:
Lynne Truss, an English grammarian is bloody fed up with sloppy punctuation.
Does that sentence leave you feeling confused, irritated, or angry? Do you feel you have to second-guess the author of the sentence, forced to ascertain whether s/he was writing to Lynne Truss or about Ms. Truss?
But that sort of thing is almost the norm these days, on both sides of the Atlantic. Of course, we Americans have been struggling for years with FRESH DONUT'S DAILY and Your Server: "MILLY" -- not to mention the archy-and-mehitabel school of e-mail that neither capitalizes nor punctuates and reading through this kind of sentence really gets confusing i think it does at least do you too?
Turns out that even the British--including the elite "Oxbridge" inteligentsia--are wildly ignorant of punctuation's rules and standards. Lynne Truss, an English grammarian and author of EATS, SHOOTS & LEAVES, is bloody fed up with it! So she wrote this handy little book that is ever-so-correct but not condescending, sometimes savage but not silly, full of mission and totally without mush.
Think of Truss as punctuation's own Miss Manners, a combination of leather and lace, with maybe a bit more emphasis on the leather. (She advocates forming possees to paint out incorrect apostrophes in movie placards.) But her examples of bad punctuation serve a purpose: bad punctuation distorts meaning. EATS, SHOOTS & LEAVES includes numerous hilarious backfires of punctuation -- statements and missives that use the exact same words but convey totally opposite messages due to inappropriate punctuation.
Do commas go where they go for breathing, as the do-it-naturally school of non-grammar so many of us were exposed to would have it? Or were they for Medieval chanting or, more analytically, for grammar? Truss explains that it's a mish-mosh of all three, and proceeds to make useful sense of it all. Along the way she confesses she would have gladly borne the children of the 15th-Century Italian typographer who invented Italics and the forward-slash.
With its blend of high dudgeon and helpfulness, Truss steers the reader through the shoals of possession and apostrophes, quotations (British use is a bit differerent from North American, but only a bit, and she notes the difference), the useful if forlorn semicolon, the mighty colon, the bold and (mea culpa) overused dash and other interrupters like parenthesees and commas.
It's important to note that Truss, while something of a true believer, is a believer who lives in the 21st Century. She does not advocate turning back the clock to the 1906 version of Fowler's MODERN ENGLISH USAGE; she is not a snob; she does not overwhelm us with technical terms of grammar and punctuation for their own sake. Just good, common-sense English prescriptive lessons in grammar. People who know they don't know their stuff will learn the right stuff there. People who felt that "the rules" have somehow become archaic in the last thirty years will be happy to see that there are still rules, and while they have become more fluid and pragmatic, they haven't changed inordinately. "It's" still means "It is" and "Its" is still a possessive: "It's a wise publisher that knows its public," say.
Best of all, the teaching is conveyed with wit, bite, and in a snappy tome easy to carry and inexpensive. I'm a former English teacher and I couldn't help but learn and laugh. Highly recommended.
Oh, John Updike? He uses comma faults all that time, that's a sentence like this that splices main clauses together with a comma, maybe using semicolons or starting a new sentence would be better. For us mere mortals, though, standard punctuation fits the norm: once we become world-famous, then we can punctuate at will.
73 of 79 people found the following review helpful
Format:Hardcover
"If there is one lesson that is to be learned from this book, it is that there is never a dull moment in the world of punctuation." Perhaps that is hyperbole, but there is never a dull moment in _Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation_ (Gotham Books) by Lynne Truss. Surely the book will not be the sensation it was in Britain, but it is witty, informative, and entertaining; you can't ask for more from a punctuation manual. And if you do not yet think that punctuation is important, you will after you see all the misunderstandings a little comma can cause. Take the peculiar title, which is from a joke: A panda goes into a café, orders a sandwich, eats it, takes out a revolver, fires it into the air, and goes out. When the waiter calls to ask what is going on, the panda plunks a badly punctuated wildlife manual onto the table and growls: "Look me up." The waiter finds the entry: "PANDA. Large, black-and-white, bear-like mammal native to China. Eats, shoots and leaves." Oh, let's have one more. There was an American actor playing Duncan in _Macbeth_, listening with concern to the battle story of a wounded soldier, who cheerfully called out: "Go get him, surgeons!" Misplaced comma; it should of course be: "Go, get him surgeons!" Another story related here, a true one, shows that a comma can literally be a life-or-death matter.
The book is zero tolerance indeed. Truss says it doesn't matter if you have a PhD and have read all of Henry James twice, "If you still persist in writing, 'Good food at it's best', you deserve ..." and she lists some ghastly punishments. Such militantism surely qualifies her for the Apostrophe Protection Society, a real organization that (along with Truss) is horrified by commercial signs that announce "Antique's" or "Apple's". The recent film _Two Weeks Notice_ gives her recurrent fits. She wants to know if they would have called it _One Weeks Notice_. She suggests that we enlist in the apostrophe war, arming ourselves with correction fluid, stickers to cover superfluous apostrophes, and markers with which to insert omitted ones. But best of all, she gives, simply and generously, the rules that will guide one in any apostrophic situation. Plus there is history. In Shakespeare's time, the apostrophe only indicated omitted letters, as it still does in "doesn't." Then in the 17th century printers put it in front of singular possessive "s," and in the 18th they put it after the plural possessive "s," and here we are.
You can turn to this little volume for guidance on the dash, hyphen, colon, semicolon, and more. The rules are here. American readers should note that theirs is a reprint of the British edition, without changes to spelling or punctuation. Often Truss mentions the differences, but she would vehemently deny that this shows that punctuation rules are arbitrary. Punctuation "... is a system of printers' marks that has aided the clarity of the written word for the past half-millennium." The conventions evolved slowly, in conversation between printers and readers. Truss worries that printing will decline in our e-age. A printed book has been edited and fussed over, but e-mail often does not even bother with capital letters. Truss thinks that since punctuation represents an effort of a considerate writer to guide a reader into a correct interpretation, the lack of e-punctuation has lead to clumsy explanations, like "Just kidding!" or even "JK!" having to be added to get a tone across, or the (to her) grievous incorporation of her beloved punctuation into emoticons or smileys. "Punctuation as we know it... is in for a rocky time," she says. But her book is a call to sticklers like herself: "I am all the more convinced we should fight like tigers to preserve our punctuation, and we should start now." This delightful style manual has been turned into a manifesto by an author in love with her subject.
52 of 55 people found the following review helpful
Format:Hardcover|Amazon Verified Purchase
Here's a small book you'll want to stuff in your pocket for that next flight or train trip to pass the time and avoid the embarrassment of having to explain to people you know that you're chuckling over a book on punctuation. Oddly enough the quite funny joke on which the title is based only appears on the dust jacket. But there is enough deadpan humor, historical trivia, and useful information in this modest work to make up for the lapse. If you think punctuation is just a collection of gratuitous furbelows with strict rules intended to keep grade school teachers, snobs, and compulsive personalities preoccupied, take a deep breath. To be sure our author Lynne Truss is a punctuation vigilante and does not take these matters lightly. Offenses to the language put her into a royal snit. Her temperament inclines to "zero tolerance", but in practice Truss recognizes the need for flexibility. The written presentation of our language is dynamic and continues to evolve. The preservation of punctuation rather than a fussy observance of rules is her goal. Maybe just maybe that preservation motive explains her regret at not mothering the children of the 16th century Venetian printer, Aldus Manutius the Elder, for whom we have to thank for italics and semicolons.
Our present day punctuation began with Greek dramatists providing actors with cues for their onstage delivery. With the development of printing, printers became the innovators for this notational art. Over time conventions developed governing their use and were codified as rules. Creative types bristle at most forms of restraint. Gertrude Stein thought commas to be "servile", semicolons "pretentious", and question marks "completely uninteresting". George Bernard Shaw called apostrophes "uncouth bacilli". Contrast these punctuation anarchists with 18th century essayist Joseph Robertson who saw the "art" of punctuation to be of "infinite consequence" in writing. In the interent age Truss sees email and text messaging posing a significant threat to punctuation. Writers become "senders" with idiosyncratic phrases (e.g."CU B4 8"), emoticons (viz. smiley faces), and other hasty expediences. Truss can only shake her head to where this may be leading.
Truss makes a serious point simply enough. Punctuation provides the traffic signals that keep words from banging into one another. In a complicated, poetic, and dangerous world punctuation can help render thoughts with clarity. Punctuation is both the sign and the cause of clear thinking. In legal, political, and personal matters this should be remembered. Hmm...maybe it's the neurotics' obsession for detail that keeps us all on track.
Most Recent Customer Reviews
A grammatical stickler's delight
The author of this book, Lynne Truss, truly feeds the soul of each of us grammatical sticklers. Before this book, I never even imagined it possible for a book to discuss grammar... Read more
Published 5 days ago by Sean.K
Most people who paid attention in a North American high school will...
There was nothing overtly bad about this book, but nothing terribly interesting.
I have a feeling that this book *really was* meant for British readers (rather than... Read more
I have a feeling that this book *really was* meant for British readers (rather than... Read more
Published 14 days ago by Lemas Mitchell
I am a Stickler
A fun read for anyone who loves proper grammar and punctuation! It's really nice to know that I'm not the only person out there who cringes at misplaced apostrophes.
Published 1 month ago by Teen at Heart
Handy
This little book proves to be a handy one for quick desktop references regarding punctuation. Love the sense of humor it employs too.
Published 1 month ago by Recie
Improve your bad English a bit
As a daily user of the popular language, bad English, I find it useful to think of the language every now and then. I may even make mine slightly less bad. Read more
Published 3 months ago by JT
Not what I expected
I bought this book on the advice of a co-worker thinking it would be a reference book for writers; I was surprised to find it to be more a personal story with writing references... Read more
Published 3 months ago by Frank
Well written
This is a very popular book, because it does something one would think is almost impossible - it make grammer interesting.
Published 3 months ago by Geoffrey Lefavi
Do you have a favorite mark of punctuation?
If you were one of the quirky folks who actually enjoyed diagramming sentences as a child (like me) or if you get irritated when you see apostrophe mistakes (like me), you will be... Read more
Published 4 months ago by Debnance at Readerbuzz
One Laugh After Another
I have never laughed more (out loud, with regularity) than while reading this gem. As a punctuation freak, I identified with all of the author's points, and her writing style is... Read more
Published 4 months ago by Mrs4444
Don't shun this one!
This book is made for the well spoken and the colloquial alike. For the former, it will reinforce practices cultivated by steady discipline; or, if you are a greenhorn of words... Read more
Published 4 months ago by Michael S. Vaught
Inside This Book
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Browse and search another edition of this book.
Browse and search another edition of this book.
First Sentence:
Either this will ring bells for you, or it won't. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
punctuation system Key Phrases - Capitalized Phrases (CAPs): (learn more)
Aldus Manutius, Opal Fruits, Lord Fellamar, Tom Jones, Gertrude Stein, Apostropher Royal, Elton John, Eric Partridge, Virginia Woolf, Fowler's Modern English Usage, George Bernard Shaw, John Updike, Kingsley Amis, Martin Amis, Point There, The Guardian, The Merchant of Venice, Two Weeks Notice, Warner Brothers New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Either this will ring bells for you, or it won't. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
punctuation system Key Phrases - Capitalized Phrases (CAPs): (learn more)
Aldus Manutius, Opal Fruits, Lord Fellamar, Tom Jones, Gertrude Stein, Apostropher Royal, Elton John, Eric Partridge, Virginia Woolf, Fowler's Modern English Usage, George Bernard Shaw, John Updike, Kingsley Amis, Martin Amis, Point There, The Guardian, The Merchant of Venice, Two Weeks Notice, Warner Brothers New!
Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Back Cover | Surprise Me!
Citations (learn more)
This book cites 51
books:
See all 51 books this book cites
5
books
cite this book:
- Oxford Fowler's Modern English Usage Dictionary by H. W. Fowler on 5 pages
- You Have a Point There: A Guide to Punctuation and Its Allies by Eric Partridge on 4 pages
- Mind the Stop (Penguin Reference) by Gordon Vero Carey on 4 pages
- Usage and Abusage: A Guide to Good English (Penguin Reference Books) by Eric Partridge on page 11, page 16, and Back Matter
- The Elements of Style, Fourth Edition by William Strunk Jr. on page 198, page 200, and Back Matter
See all 51 books this book cites
- Forbidden Words: Taboo and the Censoring of Language by Keith Allan in Back Matter
- Get Get Set for Computer Science (Get Set for University) by Alistair Edwards in Back Matter
- How to Write by Alastair Fowler in Back Matter
- Legal Writing by Lisa Webley on page 89
- A Glossary of English Grammar (Glossaries in Linguistics) by Geoffrey Leech in Back Matter
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