An Echo of Heaven [Hardcover]

Kenzaburo Oe (Author), Margaret Mitsutani (Author, Translator)

Book Description

Publication Date: April 1996

From Nobel Prize winner Oe comes the story of Marie Kuraki, a Japanese woman with a smile like Betty Boop's, who has become a saint to a group of Mexican farm workers. Although Marie is an unbeliever in search of spiritual peace, she embarks on a journey prompted by a series of personal tragedies, including the deaths of her husband and sons.

Editorial Reviews

Amazon.com Review

In An Echo of Heaven, Nobel Prize winner Kenzaburo Oe tells the riveting story of Marie Kuraki, a seductive, perverse intellectual whose two young sons, one retarded and one crippled, commit suicide. Thus begins Marie's intellectual, spiritual, and sexual journey to find meaning in this horrific tragedy. Oe, who draws a provocative but sympathetic portrait of Marie, supplements his narrative with old letters and journal entries from those whose lives she influenced.

Oe's prose (as translated by Margaret Mitsutani) is cold and precise, perhaps to maintain emotional distance since Oe himself has a mentally handicapped son. The description of Marie's quest also affords him the opportunity to engage in profound reflections on faith, sin, death, sexuality, heaven, and hell. --Madeline Crowley

From Publishers Weekly

A preponderance of symbolism weighs down Oe's first novel to appear stateside since he won the 1994 Nobel Prize for Literature. K., the author's double, has been asked to write the story of an acquaintance of his, Marie Kuraki, a woman of great charm and intellect whose life is torn apart after her two disabled sons throw themselves into the sea. Like many of Oe's previous protagonists, Marie goes on a quest for meaning, searching for an alternative to her grim reality. She joins a radical cult that eventually moves to California. When this group dissolves, she hesitantly takes up the offer to become a symbol of fortitude and saintliness in a small Mexican farming village. The two boys' fatal tumble into the water seems to represent the two atomic bombs that disrupted Japan from its past, sending it reeling into a postwar period of great uncertainty with misguided leaders not unlike those who rule over Maria's altogether fragile sects. Unfortunately, the prose (possibly due in part to the translation), which strives for restraint, is more stilted than subtle. The works of many great writers, from Balzac to Flannery O'Connor, are mentioned throughout, which, along with the weighty symbolism, gives the novel a somewhat didactic mood. Nevertheless, Oe's imagery, from Marie's Betty Boop appearance to the sight of the boys making their way to the edge of the cliff, is strange and engaging, the work of a writer unafraid to tackle the fundamental theme of spiritual hunger.
Copyright 1996 Reed Business Information, Inc.

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Product Details

• Hardcover: 204 pages
• Publisher: Kodansha Amer Inc; 1st Us Edition edition (April 1996)
• Language: English
• ISBN-10: 4770019866
• ISBN-13: 978-4770019868
• Product Dimensions: 9 x 6.1 x 1 inches
• Shipping Weight: 1 pounds
• Average Customer Review: 3.8 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #2,596,088 in Books (See Top 100 in Books)

Customer Reviews

Most Helpful Customer Reviews

4.0 out of 5 stars An Echo of Sickness, July 26, 2010

By 

Insert Pen Name Here (Louisville, KY) - See all my reviews

This review is from: An Echo of Heaven (Paperback)

Oe Kenzaburo is an immaculate writer. His humble, honest and beautiful prose is as lucid as ever, and his ability to convey the tragic inner madness of Kuraki Marie is disturbing.

This nonfiction book is a biopic of Oe Kenzaburo's friend, Kuraki Marie. Kuraki Marie is a stalwart an outspoken person, one in which her personality will make the reader either love her or hate her. There is very little middle ground, as she is openly confrontational about her beliefs and what is appropriate for herself and, to a lesser extent, those around her. While I do not want to tell future readers exactly what kind of tragedy befalls Kuraki, I will say that it is a tragedy involving her family that one can easily see as making a person descend into a despair that one may very well never climb out of. . .

While tragic novels are not typically something I shy away from (I think Dostoevsky's "The Idiot" is a masterpiece) I cannot truly love this nonfiction novel. For me, and this may just be my personal taste, I find Kuraki Marie distasteful. Even before her tragedy occurs she has the makings of a person who prizes theatrics in speaking to consciously create her own character. A case in point is when she is describing how Flannery O'Conner's short stories have played a central role in how she interprets the world. It is not that O'Conner's works are bad, because in reality they are brilliant, it is how she speaks in a manner which leaves others with the impression that she is trying to forcefully make you want to read O'Conner's works to understand the world. (Hell, even Oe Kenzaburo started reading O'Conner afterwords.) If you think of how a christian zealot comes onto you, it is a little more subtle than that, but essentially it leaves you with the same bitter aftertaste.

As for Kuraki Marie after the tradgedy involving her family, she takes misery to an extreme level. I am not trying to lessen her tragedy, because you can tell from her letters to Oe that she is indeed suffering a world of pain which has no end, yet her personality makes me have little sympathy for her. She takes what emotions she has and projects them onto others surrounding her, almost in a way that makes me believe that she wants others to sink into her miasma as well, not just to illicit sympathy. And once again, her tragedy is a play, as if she cannot detract her true sorrow from the theatrical airs she puts on.

All in all, I find that this is a valid novel, one in which Oe must have felt some disquiet, almost like a reflection of what was going on in his soul during the writing process. It left me feeling reflective in an uncomfortable way, and I think that may have been Oe's intent. I give this novel 4 stars because whether I found it entertaining is not the goal of this novel. I think that the purpose was to make the reader reflect on how he or she acts in front of others. Do we say what we truly mean, or do we use theatrics to get our meaning across? Maybe that is why I disliked Kuraki, because her mannerisms are a reflection of the ugliness inside of me which I want to shy away from.

4 of 7 people found the following review helpful:

5.0 out of 5 stars Echo of Heaven, March 27, 2000

By 

Noriko Meade (United States) - See all my reviews

This review is from: An Echo of Heaven (Hardcover)

Kenzaburo Oe is one of the best writers I have ever read. In Echo of Heaven, we see some of Oe himself in his dealings with Marie Kuraki. Marie's experiences are unimaginable, and yet she somehow continues on in life. Oe's true brilliance comes out in his most recent work. I found that the more I read about Marie and her life, the more anxious I would become and want to continue reading. I was totally mystified with Kenzaburo's words, and most importantly,in his description of his dreams of Marie. Oe humored me in the way he views Marie with her Betty Boop lips. His descriptions are unforgettable. Though Marie eventually lives out her life as a saint we feel her pain throughout her life. What is important is the impact that Oe produces when describing Marie's experience. I recommend this book to anyone who enjoys modern literature.

4 of 7 people found the following review helpful:

4.0 out of 5 stars A story about a woman's loss and how (& why) she lives on., April 25, 1998

By A Customer

This review is from: An Echo of Heaven (Hardcover)

The author writes about a woman named Marie Kuraki. Marie suffers the worst kind of losses imaginable. Yet, she never gives up on life. She is devoted and relentless in the pursuit of her beliefs -- a modern day saint. Despite her reputation for selflessness, she refuses to succomb to her image as a saint and steadfastly presents herself as a woman -- a human being at all times. Oe presents her story in a detailed, loving, and non-glorifying manner.
It's a great read, but brace yourself, Marie's losses are devastating.