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An Echo of Hooves
 
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An Echo of Hooves

June TaborAudio CD
5.0 out of 5 stars  See all reviews (7 customer reviews)

Price: $16.69 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 11 Songs, 2006 $8.99  
Audio CD, 2003 $16.69  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.
                                                                                                                                                                                                                                                                                                                                         

Samples
Song Title Time Price
listen  1. Bonnie James Campbell 3:41$0.99 Buy Track
listen  2. The Duke of Athole's Nurse 4:22$0.99 Buy Track
listen  3. The Battle of Otterburn 5:54$0.99 Buy Track
listen  4. Lord Maxwell's Last Goodnight 4:20$0.99 Buy Track
listen  5. Hughie Graeme 3:24$0.99 Buy Track
listen  6. The Border Widow's Lament 5:58$0.99 Buy Track
listen  7. Fair Margaret & Sweet William 5:47$0.99 Buy Track
listen  8. Rare Willie 3:15$0.99 Buy Track
listen  9. Young Johnstone 6:22$0.99 Buy Track
listen10. The Cruel Mother 6:10$0.99 Buy Track
listen11. Sir Patrick Spens 7:06$0.99 Buy Track


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Product Details

  • Audio CD (October 21, 2003)
  • Number of Discs: 1
  • Label: Topic Records
  • ASIN: B0000C3IDU
  • In-Print Editions: MP3 Download
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #171,371 in Music (See Top 100 in Music)

 

Customer Reviews

7 Reviews
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 (7)
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Average Customer Review
5.0 out of 5 stars (7 customer reviews)
 
 
 
 
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22 of 22 people found the following review helpful:
5.0 out of 5 stars BRILLIANT, October 25, 2003
By 
This review is from: An Echo of Hooves (Audio CD)
June Tabor makes a short written statement on the back of her current CD that says, "For me, the Ballads of the English (and Scots) speaking peoples are storytelling at its stark, urgent best. As you listen- for these are songs in which poetry and music are equally important - feel the wind and rain, see the Hunter's moon rise and catch an echo of hooves on the night air."

After listening to this brilliant performance, one senses that Ms. Tabor wrote the above as a mission statement regarding the making of this recording, since her stated beliefs are exactly what she accomplishes. Simply put, this may well be considered Tabor's best work ever.

The entire collection is a selection of old Ballads of the British Isles. Thus one must be prepared that the "stories" sung here are not happy ones. But Tabor and company ( Huw Warren, Mark Emerson, Tim Harries, Martin Simpson, and Kathryn Tickell) create a tapestry of sounds for these songs by varying the combinations of instruments used for accompaniment and by making choices about tempos and moods. In a showcase of her magnificent voice Tabor even goes it alone ("Rare Willie") in a move that would put most other singers to shame. The recording shows that these people know this music and they were well aware of what they were going to do with it from the outset. It plays itself out with complete confidence and self-assuredness.

Tabor is extremely engaging in her singing. For those who have found her recent offerings a little mannered or "icy", you'll be happy to find Tabor quite the opposite here. She's often bold and forthright and yet when need be she sings with extreme pathos. Her voice is like no other. She grabs on to these Ballads and breathes life into them making them relevant for today's listener.

It's hard to pick a favorite from this collection, since they are all of great merit. But I would certainly single out "The Border Widow's Lament" for its sheer beauty and sadness. Also noteworthy is "The Cruel Mother" which is a gruesome story. Tabor imbues it with sense of tragedy by simply using her voice to give it an almost hypnotic reading. She glides over the gruesome details of the poem as if she were singing it from somewhere within her that doesn't even take notice of the grotesqueness of the tale. It's that approach to the song that makes it all the more chilling and disturbing.

This recording is truly an amazing effort and Tabor fans (and hopefully others) should fall completely in love with it. This is certainly one of the largest of the jewels in Tabor's crown. However, I don't think Tabor is looking for any personal "jewels" here. Her goal seems to be to give these Ballads respect, dignity and renewal. And she accomplishes that in a manner that no other artist can approach.

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8 of 8 people found the following review helpful:
5.0 out of 5 stars Elegantly dramatic, February 21, 2004
This review is from: An Echo of Hooves (Audio CD)
If you already love June Tabor I suspect you'll love this - an album of well chosen (mainly Scottish borders) traditional folk songs.

The musical accompaniments are understated while June sings with much expressiveness within her somewhat formalistic styling: this serves to allow the lyrics prominence and they tend to the typically melodramatic as you would expect of such ballads.

That said I would also love to hear these songs sung a little looser by other singers and instrumentalists. But.... I adore Tabor's style so for me this CD is essential.

The beautiful insert booklet has all lyrics plus notes on the events on which some songs are based and/or something of the provenance of the tunes and words.

So for Tabor lovers: highly recommended -my favourite of hers along with Angel Tiger. (And "Cruel Mother" with Appalachian sources for tune and lyrics is stunning and almost worth the admission price by itself).

If you don't know Tabor beware - try to sample her first as I know people who dislike her singing.
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8 of 8 people found the following review helpful:
5.0 out of 5 stars songs of long ago and far away, October 28, 2003
By 
Jerome Clark (Canby, Minnesota) - See all my reviews
(REAL NAME)   
This review is from: An Echo of Hooves (Audio CD)
The Echo of Hooves represents a welcome return to June Tabor's roots in pure English and Scottish traditional music. Her singing, often mannered and aloof in her recordings of recent years, is restrained, even intimate by Tabor standards. One would never imagine her singing, like an authentic source singer, on a front porch in a rural backwater -- her classical training is always in evidence -- but even so, she inhabitants the often tragic, hundreds-of-years-old narratives in a way that never fails to persuade. Stark and impeccably executed, the arrangements never get in the way of singer, song, or story. None of the melodies are the standard ones that an experienced listener would associate with, say, such familiar ballads as "Bonnie James Campbell," "The Cruel Mother," or "Hugh Graeme." The program perfectly concludes with a moving reading of the magnificent "Sir Patrick Spens."
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