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Echo Objects: The Cognitive Work of Images
 
 
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Echo Objects: The Cognitive Work of Images [Hardcover]

Barbara Maria Stafford (Author)
3.0 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

0226770516 978-0226770512 June 15, 2007 First Edition
Barbara Maria Stafford is at the forefront of a growing movement that calls for the humanities to confront the brain’s material realities. In Echo Objects, she argues that humanists should seize upon the exciting neuroscientific discoveries that are illuminating the underpinnings of cultural objects. In turn, she contends, brain scientists could enrich their investigations of mental activity by incorporating phenomenological considerations—particularly the intricate ways that images focus intentional behavior and allow us to feel thought.
           
As a result, Echo Objects is a stunningly broad exploration of how complex images—or patterns that compress space and time—make visible the invisible ordering of human consciousness. Stafford demonstrates, for example, how the compound formats of emblems, symbols, collage, and electronic media reveal the brain’s grappling to construct mental objects that are redoubled by prior associations. In contrast, she shows that findings in evolutionary biology and the neurosciences are providing profound opportunities for understanding aesthetic conundrums such as the human urge to imitate and the role of narrative and nonnarrative representation.
           
 Ultimately, she makes an impassioned plea for a common purpose—for the acknowledgement that, at the most basic level, these separate projects belong to a single investigation.
 
“Heroic. . . . The larger message of Stafford’s intense, propulsive prose is unassailable. If we are to get much further in the great puzzle of ‘binding’—how the perception of an image, the will to act on intention, or the forging of consciousness is assembled from the tens of thousands of neurons firing at any one moment in time—then there needs to be action on all fronts.”—Science
(20080104)

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Editorial Reviews

Review

Echo Objects: The Cognitive Work of Images, is a spectacular effort of thinking outside discipline boundaries, a sort of interdenominational bible of arts and neuroscience. It is all the more remarkable since the book appears to have required no effort at all, so smoothly and seamlessly it flows from Barbara Stafford’s well-informed mind and dizzying pen.”—Antonio Damasio, author of Descartes’ Error, Looking for Spinoza, and The Feeling of What Happens
(Antonio Damasio, author of The Feeling of What Happens )

“Inspiring and rewarding, Echo Objects displays great learning and an uncommon ability to straddle genres and disciplines, often to kaleidoscopic effect. At the center of all that colorful flux lies Barbara Stafford’s acute critical intelligence, snuggled like a sniper in a jungle. Cognitive scientists, as well as those working in the arts and humanities, have much to learn from this unique and thought-provoking work.”—Andy Clark, author of Natural-Born Cyborgs: Minds, Technologies, and the Future of Human Intelligence

(Andy Clark, author of Natural-Born Cyborgs: Minds, Technologies, and the Future )

Echo Objects is an erudite, sophisticated, pioneering exploration of the ways in which modern neuroscience illuminates the world of images, and of the insights that careful, critical analysis of images can provide to neuroscience. It makes many compelling observations, and opens up numerous questions for further investigation and debate.”—William J. Mitchell, author of Placing Words: Symbols, Space, and the City
(William J. Mitchell, author of Placing Words: Symbols, Space, and the City )

Echo Objects argues vigorously for a new understanding of images: one that regards them not simply as products of mental operations but as constitutive of such operations and cognitive processes. This book bristles with ideas and innovative connections that draw together cultural, material, and biological analyses of thought and cognition to prod the reader into rethinking the uses and significance of images. Echo Objects is a book to wrestle and argue with. It will draw each reader into a conversation that will prove important, and for many transformative—a conversation that goes to the heart of the importance of the arts and humanities and to the role they play in understanding science, cognition, and images themselves.”The Word of God and the Languages of Man>

(James J. Bono, author of The Word of God and the Languages of Man )

"A heroic book that inlays biology and culture within each other. . . . Echo Objects challenges scientists to leap to more engaging conclusions, by offering them access to the tools of visual analysis, close reading, and reception theories that art history has honed for over a century. . . . The larger message of Stafford’s intense, propulsive prose is unassailable. If we are to get much further in the great puzzle of ''binding''—how the perception of an image, the will to act on intention, or the forging of consciousness is assembled from the tens of thousands of neurons firing at any one moment in time—then there needs to be action on all fronts."—Caroline A. Jones, Science
(Caroline A. Jones Science )

"A contribution to the growing set of literature expounding the crucial importance of the contemporary neurosciences to scholarship in the humanities."—History & Philosophy of Life Sciences
(History & Philosophy of Life Sciences )

"Stafford''s aim is to ''insert the cognitive work of images more centrally'' into the enterprise of cognitive science. She achieves her goal and a great deal more besides."—Susan Stuart, Journal of Consciousness Studies
(Susan Stuart Journal of Consciousness Studies )

"In conception, Echo Objects is easily the most exciting demonstration yet of how a neuroaesthetics might shape up. Crucially, this is a thrilling book to look into: reaching for an astonishing range of often recherché visual material, Stafford thinks with an artist''s eye abou the cross-cultural affinities that indicate patterns of thought common to the whole human species."
(Julain Bell London Review of Books )

“The wealth of ideas in this book, which sometimes seem disconnected, turns out to be a beautiful chain of up-to-date-cum-ancient jewelry. . . . Echo Objects proves to be a creative, innovative, very interesting, and rewarding work.”—Pragmatics & Cognition

(Pragmatics & Cognition )

About the Author

Barbara Stafford is the William B. Ogden Distinguished Service Professor at the University of Chicago. She is the author of seven books, including, most recently, Visual Analogy, and a coauthor of Devices of Wonder.

Product Details

  • Hardcover: 296 pages
  • Publisher: University Of Chicago Press; First Edition edition (June 15, 2007)
  • Language: English
  • ISBN-10: 0226770516
  • ISBN-13: 978-0226770512
  • Product Dimensions: 10.2 x 8.7 x 0.8 inches
  • Shipping Weight: 2.4 pounds (View shipping rates and policies)
  • Average Customer Review: 3.0 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #930,302 in Books (See Top 100 in Books)

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Average Customer Review
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26 of 32 people found the following review helpful:
5.0 out of 5 stars Echo Objects exceeds my expectations., June 22, 2007
This review is from: Echo Objects: The Cognitive Work of Images (Hardcover)
Echo Objects exceeds my expectations. I first learned of the impact of Barbara Maria Stafford's work through a 1984 NYTimes review of her Voyage Into Substance: "This is a book that has a permanent effect on one's way of looking at things." Every 5 years or so, Stafford has been picking an interface between philosophy, imaging, broadly taken, and visual studies (which she is given credit for creating) and such disciplines as cultural geography, history of science or medicine, architectural history, and body studies, and has written a book opening new areas. Each of her past seven books, and often each chapter, has dozens of ideas for dissertations or for re-examining how one thinks about one's own work.

Echo Objects moves well beyond Stafford's past work by engaging modern neuroscience and cognitive research. Arguably, only she could have written this book. It identifies key issues for the brain sciences as well as pointing out how research -especially image-based research--in the humanities could enrich scientific inquiry. Echo Objects maps out how biology and culture could come together around shared issues that require both disciplinary sides to resolve.

Just as Echo Objects offers a sort of topographic map to enable the enterprising reader to venture from one discipline into the terrain of another, it poses the challenge of learning the terrain, vocabulary, and essentials of a new discipline. Those who accept this challenge will find the effort to be transformative.
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10 of 11 people found the following review helpful:
5.0 out of 5 stars Cognition and Art, November 12, 2008
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This review is from: Echo Objects: The Cognitive Work of Images (Hardcover)
In "Echo Objects" Barbara Stafford, has at last published what many artists, arts researchers and art teachers have long believed - The phenomenon that the brain can decipher images, symbols and emblems long before it can decipher language and written text. This complex and comprehensive study looks at new discoveries by neuroscience on how the brain reacts to imagery and symbols and and gives a much needed update on the workings of the brain. Stafford relates the findings throught the book to a variety of art images, emblems and symbols and questions some of the outdated current ideology of art history and art theorists, it's about time the art establishment had a bit of a shake up!

Congratulations to the author on a much needed update into the importance of the Visual arts in the development of the brain and human identity! This book inspired me so much I bought her previous book "Visual Analogy: Consciousness as the Art of Connecting", in my opinion both of these books are 'must haves' for any serious artist, arts researcher, lecurer or teacher of art and arts institution. I cant wait for Stafford's next book. Highly recommended
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11 of 16 people found the following review helpful:
1.0 out of 5 stars Disappointing, September 6, 2009
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I'm quite interested in the synthesis of knowledge between various fields of research into the mind and consciousness, but you won't find much useful information here. Mostly written in "critic-speak", it's a loose connection of factoids with little evidence of real understanding by the author. Open the book at random and get paragraphs like:
"Because conceptual binding is innately 'checkered', artworks that systematically couple heterogeneous elements also open a 'conduit allowing [us to see how] environmental magnitudes exert constant influences on behavior'. Further, compound patterns, I believe, reveal how neuronal oscillations facilitate synaptic plasticity. That is, they make manifest something of the labor of spatial coherence: how transient rhythms function in the coordination of cross-domain mapping."
The author is just trying to say that art that is complex and contradictory is harder work to understand and that she thinks this is related to work the brain must do to reconfigure itself to make sense of what is being perceived. Bafflegab and conjecture are not useful or enlightening.
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Antonio Damasio, New York, Getty Research Institute, Humbert de Superville, Thomas Struth, Staatliche Museen, Caspar David Friedrich, Steven Pinker, Athanasius Kircher, Thomas Metzinger, William Blake, Jean-Pierre Changeux, Paul Getty Museum, Gerald Edelman, Andy Clark, Suzanne Anker, William Hogarth, Andy Goldsworthy, Semir Zeki, Upper Paleolithic, Young Research Library, The National Museum of Fine Arts, Ars Magna Lucis, Herzog August Bibliothek, Daniel de La Feuille
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