Through her personal letters to friends,
Der Spiegel war correspondent Emcke offers a perspective on war beyond journalistic dispatches. Emcke draws on letters she started writing to friends in 1999 while covering the aftermath of ethnic cleansing in Kosovo. The letters were meant to provide a catharsis for Emcke, a way of coping with the horror she witnessed that could not be expressed in standard journalism. Trying to sort out for herself the level of violence and barbarity she was witnessing, Emcke detailed Serbian troops confiscating from Albanians every document evidencing citizenship and identification; the sight of a decaying corpse left sitting in a bombed-out house; a girl so traumatized by death that she spouts endless nonsense words; and a displaced attorney helping rape victims, who speaks of the simple victory of survival when you are the object of genocide. Emcke describes the moral and political delicacy of reporting on a war from one side or the other and the overwhelming questions of humanity and inhumanity found in the midst of war.
Vanessa BushCopyright © American Library Association. All rights reserved
As a woman from a formal university background, Emcke was not prepared for situations that defy language, that cannot easily be shared with other people who have not been there...So, intelligently, she formed the habit of writing extended narrative letters to her circle at home which would at least communicate her own sensations...These letters, first written as a way of communicating and later, as she says, becoming a means to personal catharsis, form the basis for
Echoes of Violence...A reader's memory will take away from her book a gallery of magnificent survivors, men and especially women who tell their tales without self-pity and who refuse to surrender to the miseries piled upon them. -- Neal Ascherson, New York Review of Books
Through her personal letters to friends, Der Spiegel war correspondent Emcke offers a perspective on war beyond journalistic dispatches. . . . Emcke describes the moral and political delicacy of reporting on a war from one side or the other and the overwhelming questions of humanity and inhumanity found in the midst of war. -- Vanessa Bush, Booklist
This collection of . . . letters combines gripping narrative with philosophic reflection on the meaning of war and the limitations of journalism to communicate the abyss of violence. -- Kathy English, The Globe and Mail
Emcke . . . recounts personal stories to illuminate the larger significance not only of each particular story/assignment/war but also of the nature of injustices. . .. She handles battle with grace, both in the midst of conflict and, later, on the page. . . . [H]er fine reportage shines through in it, particularly in moments on the northern front, which it's likely history will barely remember. -- Eliza Griswold, Bookforum
A compelling blend of narrative and analysis, description and reflection. . . . [Carolin Emcke's] passages about the limited but important role of journalists in war remind us of the need for someone to bear witness. Our role--difficult but not as difficult as hers--is to listen to the witness. -- Lorien Kaye, The Age
An erudite writer with a PhD in philosophy, Emcke is the thinking person's reporter. Her book is peppered with quotes from ancient and modern thinkers who have shaped her own understanding of the human condition. She combines gripping, dramatic stories with philosophical reflection on the nature of violence as she tries to make sense of human suffering. -- Levon Sevunts, Montreal Gazette
Emcke is to be applauded for the power of her writing, her commitment to the importance of ordinary people's suffering, and her honesty in laying out her thoughts and reactions for all to see.... Reading the book, it was not immediately apparent why it enjoys such stellar regard in Europe and the United States. This seems a remarkably ungenerous judgment to make about personal writing not intended to be read by strangers, that was produced as an attempt at catharsis and transcendence, that deals with appalling human suffering in our own time, and whose prose is clear and elegant. And it is most certainly a powerful and moving book. -- Chris Nash, Australian Review of Public Affairs
This is a fascinating text that raises crucial questions about the nature of war and suffering--and how journalists can best respond to them. -- Richard Keeble, European Legacy
