Product Details

• Actors: Silent Ozu-Three Family Comedies
• Directors: Yasujro Ozu
• Format: Box set, Black & White, DVD, Full Screen, NTSC, Silent, Subtitled
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.33:1
• Number of discs: 3
• Rated: Unrated
• Studio: Criterion Collection
• DVD Release Date: April 22, 2008
• Run Time: 280 minutes
• Average Customer Review: 4.9 out of 5 stars  See all reviews (14 customer reviews)
• ASIN: B0012Z3630
• Amazon Best Sellers Rank: #47,649 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Eclipse Series 10: Silent Ozu - Three Family Comedies (Tokyo Chorus / I Was Born But... / Passing Fancy) (The Criterion Collection)" visit the Internet Movie Database (IMDb)

Editorial Reviews

SILENT OZU:THREE FAMILY COMEDIES - DVD Movie

Customer Reviews

Most Helpful Customer Reviews

15 of 15 people found the following review helpful:

5.0 out of 5 stars A resounding scream of silence., April 25, 2008

By 

D. Yarbrough (Decatur, AL USA) - See all my reviews
(REAL NAME)   

This review is from: Eclipse Series 10: Silent Ozu - Three Family Comedies (Tokyo Chorus / I Was Born But... / Passing Fancy) (The Criterion Collection) (DVD)

From the director of such classics as Late Spring, Tokyo Story, and Floating Weeds, Criterion brings us a 3-disc collection from Japanese auteur Yasujiro Ozu. Although he has not yet reached the wide-spread acclaim of fellow countryman Akira Kurosawa, Ozu is starting to gain the recognition that he rightfully deserves.

Ozu began his career as a cameraman, and with hard work and determination he finally ascended the ladder to director. Once his position was earned, Ozu poured his creativity onto film with unmatched diligence, producing nearly half of his 50+ films in the first five years of his career. Sadly, many of these films are now lost, which adds to the enjoyment of these extraordinary, previously unreleased films from Criterion.


As the title suggests, the films in this collection were released during a portion of Ozu's silent career, ranging from 1931-1933. Ozu, along with the majority of the Japanese film industry, was somewhat hesitant about entering into talkies based upon the belief that emotions could be best conveyed with movements, expressions, and atmosphere, not dialogue. Ozu's first talkie was not released until 1936, the same year as Chaplin's final silent masterpiece, Modern Times. This period of his career marked Ozu's transition into social criticism as he both subtly and blatantly expresses his discontent with the culture of pre-WWII Japan.

Included films:

Tokyo Chorus (1931) - A man is fired from his job for reasons that would normally be viewed as commendable. The film from here follows his social and financial downfall as he does anything he possibly can to support his family. As in the other films in this collection, the plot of Tokyo Chorus sounds very dramatic but Ozu has a certain way of shedding a positive light onto each situation.

I Was Born, But... (1932) - A story of the hardships of childhood and the ways in which children view their parents in unappreciative and misconstrued ways. A comedy with some serious overtones.

Passing Fancy (1933) - The final film in this collection is about the unstable relationship of a widower and his son. It focuses on a child's attempts to help an alcoholic parent while also being resentful of the unstoppable forces of change.

And just in case anyone needs to know I'll post the technical aspects of the films as well.

Black and White
1.33:1
Dolby Digital Mono 1.0
Not Anamorphic
Japanese

14 of 15 people found the following review helpful:

5.0 out of 5 stars One of Ozu's best films, July 1, 2000

By 

anthemic (Australia) - See all my reviews

This review is from: I Was Born, But... [VHS] (VHS Tape)

It is a shame that the availability of Ozu films is not more widespread. 'I Was Born But...' exemplifies the concern for family relationships by one of the great masters of Japanese cinema. This film being silent should not be seen as an obstacle (nor should any silent film). It echoes the charming pathos and humour one might expect from a Charlie Chaplin classic.

The film tells the story of a family who relocate to suburban Tokyo. The two sons conflict with the local bullies - one of which is their father's boss's son. The boys deal with the local bullies only to 'lose face' over their father acting like a clown. What arises from this becomes a motif for Ozu - the estranged relationship between children and parents. For Ozu this is part of everyday life and is somewhat auto-biographical in thought as his own relationship with his father was also estranged. Further exemplified, is Ozu's motif of spatial violation and parallel action.

Ozu is the anti-thesis of the Hollywood blockbuster and he possesses a narrow choice of camera positions. Nowhere is the expression "less is more" more appropriate than here. While there is a rare use of a tracking shot, Ozu tends to prefer the static camera and usually shoots from the tatami mat. This sense of mimimalism seems entirely appropriate given that the film spends much time observing the boys everyday encounters.

This great filmmaker has a knack for expressing the tender beauty of everyday life and minimal expression. However, the sense of observation one feels is always pervaded with subtle touches of humour and emotional resonance - that it is impossible to become bored with it. I bless my lucky stars for the offerings that Ozu brought to the world of filmmaking.

9 of 10 people found the following review helpful:

5.0 out of 5 stars Silent Japanese Film??? I'm kidding, right?, June 23, 2001

By 

Little Dorrit "ldorrit" (WA state) - See all my reviews

This review is from: I Was Born, But... [VHS] (VHS Tape)

No Kidding, if you have any sense of humour you'll love this film. Now I am an admitted Ozu film lover, which means I find his unique cinematography of a camera that isn't darting all over the place and shots at low levels that make you feel like you are standing (or sitting) there watching what is going on, a very enjoyable way of viewing a film.

I also love his simple stories that everyone can relate to, his people are just like our friends, neighbors and families, some of them are sweet, some are stinkers, and many are just doing their best to cope with every day's challenges in life.

But a silent Ozu? I was a little wary, but I did put it on my wishlist, and I'm so glad I did and that one of my sweet relations gave it to me for my birthday, because it is one of Ozu's best! Ozu's films are always full of gentle and sometimes silly fun and this one did not disappoint. The two brothers are real characters and along with the kids they meet up with in their new neighborhood, it really was like watching a Japanese version of the Little Rascals. Did you know eating raw sparrow's eggs will make you strong?

It soon appears that they get their sense of humour from their father, though as usually happens, they are not as appreciative of it in him. And as with all Ozu films, we are left with the feeling that we are all pretty much the same no matter where we come from or even when we lived and we find a good deal of comfort in knowing that as the world changes we can still appreciate the things that never do. You'll hate yourself if you don't see it!