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I AM WAITING (1957): In Koreyoshi Kurahara's directorial debut, rebel matinee idol Yujiro Ishihara (fresh off the sensational Crazed Fruit) stars a restaurant manager and former boxer who saves a beautiful, suicidal club hostess (Mie Kitahara) trying to escape the clutches of her gangster employer. Featuring expressionist lighting and bold camera work, this was one of Nikkatsu's early successes.
RUSTY KNIFE (1958): Rusty Knife was the first smash for director Toshio Masuda, who would go on to become one of Japanese cinema's major hit makers. In the film, Yujiro Ishihara and fellow top Nikkatsu star Akira Kobayashi play former hoodlums trying to leave behind a life of crime, but their past comes back to haunt them when the authorities seek them out as murder witnesses.
TAKE AIM AT THE POLICE VAN (1960): At the beginning of Seijun Suzuki's taut and twisty whodunit, a prison truck is attacked and a convict inside is murdered. The penitentiary warden on duty, Daijiro (Michitaro Mizushima) is accused of negligence and suspended, only to take it upon himself to track down the killers.
CRUEL GUN STORY (1964): Fresh out of the slammer, Togawa (Branded to Kill's Joe Shishido) has no chance to go straight because he is immediately coerced by a wealthy mob boss into organizing the heist of an armoured car carrying racetrack receipts. After gathering together a ragtag bunch to carry out the robbery, Togawa learns that all is not what it seems in Takumi Furukawa's thriller. Cue the double (and triple) crosses!
A COLT IS MY PASSPORT (1967): One of Japanese cinema's supreme emulations of American noir, Takashi Nomura's A Colt Is My Passport is a down-and-dirty but gorgeously photographed yakuza film starring Joe Shishido as a hard-boiled hit man caught between rival gangs. Featuring an incredible, spaghetti-western-style soundtrack and brimming with formal experimentation, this is Nikkatsu at its finest.
Gives me faith that in the worlds of film, literature and music there is more to explore.
The Eclipse collections have impressed me for the quality of sound, picture, and subtitles for what are considered less 'popular' collections.
No doubt there are plenty of noirs out there from the incredibly prolific Nikkatsu studios.
ORE WA MATTERU ZE (I AM WAITING/I'LL BE WAITING). EXCITING AND POWERFUL GANGSTER FILM!
Director: Koreyoshi Kurahara
Rating = ***
Film = a solid... Read more
This boxset is no way the best Nikkatsu had to offer if you read Mark Schilling's book, "No Borders, No Limits: Nikkatsu Action Cinema" you'll see the best Nikkatsu crime films... Read morePublished on August 26, 2012 by Joseph
(3 1/2 stars) Criterion puts out another above average eclipse set for those looking to dig a little deeper into their vaults. Read morePublished on April 24, 2012 by A customer
Included in this boxed set are 5 fantastic Japanese films noir produced by the Nikkatsu studio in the 1950s and 1960s. Read morePublished on September 25, 2011 by Christopher Barrett