Edie: American Girl [Paperback]

Jean Stein (Author), George Plimpton (Editor)

Book Description

Publication Date: October 14, 1994

When Edie was first published, it quickly became an international best-seller and then took its place among the classic books about the 1960s. Edie Sedgwick exploded into the public eye like a comet. She seemed to have it all: she was aristocratic and glamorous, vivacious and young, Andy Warhol’s superstar. But within a few years she flared out as quickly as she had appeared, and before she turned twenty-nine she was dead from a drug overdose.

In a dazzling tapestry of voices—family, friends, lovers, rivals—the entire meteoric trajectory of Edie Sedgwick’s life is brilliantly captured. And so is the Pop Art world of the ‘60s: the sex, drugs, fashion, music—the mad rush for pleasure and fame. All glitter and flash on the outside, it was hollow and desperate within—like Edie herself, and like her mentor, Andy Warhol. Alternately mesmerizing, tragic, and horrifying, this book shattered many myths about the ‘60s experience in America.

Editorial Reviews

Review

“This is the book of the Sixties that we have been waiting for.”—Norman Mailer

“Through a kaleidoscope of seemingly fragmented voices, patterns form, giving brilliant definition to the very American tragedy of Edie Sedgwick, a woman…not likely to be forgotten after this haunting portrait.”—Publishers Weekly

“Extraordinary . . . a fascinating narrative that is both meticulously reported and expertly orchestrated.”—The New York Times

“An exceptionally seductive biography. . . . You can’t put it down. . . . It has novelistic excitement.”—Los Angeles Times Book Review

“What makes this book so unusual, unique almost, is the picture it paints of the New York counterculture. No one has ever done it better.”—The Atlanta Journal & Constitution

“There is no more classic summertime read.” —New York Magazine

From the Inside Flap

When Edie was first published in 1982 it quickly became an international best-seller and then took its place among the classic books about the 1960s. Edie Sedgwick exploded into the public eye like a comet. She seemed to have it all: she was aristocratic and glamorous, vivacious and young, Andy Warhol's superstar. But within a few years she flared out as quickly as she had appeared, and before she turned twenty-nine she was dead from a drug overdose.

In a dazzling tapestry of voices--family, friends, lovers, rivals--the entire meteoric trajectory of Edie Sedgwick's life is brilliantly captured. And so is the Pop Art world of the '60s: the sex, drugs, fashion, music--the mad rush for pleasure and fame. All glitter and flash on the outside, it was hollow and desperate within--like Edie herself, and like her mentor, Andy Warhol. Alternately mesmerizing, tragic, and horrifying, this book shattered many myths about the '60s experience in America.

"This is the book of the Sixties that we have been waiting for."--Norman Mailer

"Through a kaleidoscope of seemingly fragmented voices, patterns form, giving brilliant definition to the very American tragedy of Edie Sedgwick, a woman...not likely to be forgotten after this haunting portrait."--Publishers Weekly

"Extraordinary...a fascinating narrative that is both meticulously reported and expertly orchestrated."--The New York Times

"An exceptionally seductive biography.... You can't put it down.... It has novelistic excitement."--Los Angeles Times Book Review

"What makes this book so unusual, unique almost, is the picture it paints of the New York counterculture. No one has ever done it better."--The Atlanta Journal & Constitution

Jean Stein has worked as an editor for a number of magazines, including The Paris Review and Esquire, when it was under the direction of the near-legendary magazine editor Clay Felker. In the 1960s, she moved to Washington, D.C. where, through her husband, attorney William Vanden Heuvel, she became interested in the political career of Robert F. Kennedy. Following his assassination, she completed her first book, an oral history of his life entitled American Journey. In 1990, she became the editor of the literary journal Grand Street. She has two daughters: Wendy, an actress, and Katrina, the editor-in-chief of The Nation.

See all Editorial Reviews

Product Details

• Paperback: 564 pages
• Publisher: Grove Press; 1st pbk. ed edition (October 14, 1994)
• Language: English
• ISBN-10: 0802134106
• ISBN-13: 978-0802134103
• Product Dimensions: 6.3 x 1 x 9.2 inches
• Shipping Weight: 1.4 pounds (View shipping rates and policies)
• Average Customer Review: 4.6 out of 5 stars  See all reviews (50 customer reviews)
• Amazon Best Sellers Rank: #189,257 in Books (See Top 100 in Books)

Most Helpful Customer Reviews

66 of 71 people found the following review helpful

5.0 out of 5 stars Faery Child September 23, 2002

By sweetmolly

Format:Paperback

The oral history form is perfect for "Edie" little-girl-lost, who streaked across the '60's horizon like a falling star. Despite her grace, fragile beauty and charisma; Edie Sedgewick was almost born to be doomed even before the drugs did her in.

She was born into a wealthy old family that had a history of instability. Her father, also breathtakingly beautiful, had crushing psychological problems. Two of her brothers committed suicide. Her mother was ineffectual with her large brood. She was raised on an isolated ranch with her seven siblings with almost no contact with the outside world. When she hit Cambridge at 18, she was pathetically ill equipped to be in the larger world.

I couldn't agree more that she found herself in the midst of horribly decadent people. Andy Warhol gets a particularly bad rap in this book, but to me, he was no better nor worse than his hangers-on, just a shade more self-absorbed. What really saddened me was that I don't think it really mattered who Edie took up with. She was destined to spin out of control. She had no focus, no inner strength, and was dangerously self-centered and delusionary.

"Edie" is compelling reading whether or not you have experienced the '60's. It is good to keep in mind that Edie herself and the contributors to the book all were a part of a very small stratum that whistled through this confusing decade. They were no more representative of the rank and file than Emmerin is representative of this decade.

Such a lovely child, such a terrible waste.

24 of 24 people found the following review helpful

5.0 out of 5 stars Psychology of a tragic heroine April 27, 1999

By A Customer

Format:Paperback

It's funny how a person's childhood experiences can set a person up for success or failure as an adult. However, in the case of Edie Sedgwick, her failures as an adult were definitely unfunny. I loved that this book relied only on quotes from the people who had met/known her. Exceptional research into every stage of Edie's life to uncover people who experienced her in each incarnation and brilliant editing make this an extremely special biography. It is evident that the choices the adult Edie made which were ultimately destructive were foreshadowed by events in her childhood. I don't think it's necessary for you to be fascinated by the scenes Edie lived through to enjoy the book. If you approach this as a psychological study of an individual, it becomes mainstream reading, not just a pop-culture chronicle.

36 of 42 people found the following review helpful

5.0 out of 5 stars Glamorous, Fabulous, and Pathetic December 22, 1999

By Bragan Thomas

Format:Paperback

Edie Sedgwick was one of the hottest media events of the mid 1960's, a burning star enjoying the newest kind of fame - celebrity, i.e., being well-known for doing nothing except existing. Like so many of her generation, Miss Sedgwick crashed and burned (literally) at the end of the 1960's, dying of a barbituate overdose at the ripe old age of 28, after a series of well-publicized drug freakouts, accidents, and "rest cures" in mental hospitals. As other reviewers have noted, the conceit of telling Sedgwick's story through interviews with those who knew her is brilliant, producing a riveting narrative exposing to public view the inner workings of the many worlds in which Sedgwick moved - high-society, art, California biker, and East Village drug addict. Ultimately, Sedgwick impresses the reader as a force of nature, incredibly charismatic and compelling to those around her. Sadly, her glamour was not enough to save her from herself. What emerges from this book is a disturbing portrait of a world obsessed with money, fame, fashion and "fabulousness." As far as I could tell, this "glamourous" lifestyle seemed to consist chiefly of dressing foolishly, ingesting enormous quantities of drugs, copulating with anyone who showed an interest (of either sex), and living in a dreamworld of eternal youth and unending fame. Despite the vivid recollections of the interviewees, Sedgwick's life and "career" have left very few traces. Her death certificate described her as an "actress," but what Sedgwick "performances" can you think of today? She broke all the rules, but ultimately accomplished little. Not only was Sedgwick self-destructive and superficial, so was everyone else around her. The book is a stunning chronicle of an impatient era and a self-absorbed society convinced that the world belonged to it alone and that the party would never end. "Edie" is the perfect epitaph to the 1960's, a decade which "trumpeted fulfillment but achieved only confusion." (C. Paglia, 1991)