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Clearly written and lavishly illustrated, this excellent handbook features over 425 pages and 9 chapters covering everything from the basics of production and what an editor does, the language of film and editing, the planning needed when preparing to edit, and the use of Final Cut Pro itself, from beginning through advanced techniques and effects like ramping the speed of a clip, compositing computer animation over a clip, picture-in-picture, color correction, creating titles, and much more.
This is not a book for the experienced user, but it is a solid handbook for beginners who intend to get serious. Offering far more information than just how to use Final Cut Pro for editing, Editing Techniques with Final Cut Pro is almost misnamed. While the focus of the book is editing, there is so much useful information here on preproduction and production that it is simply a wonderful handbook on how to make a good digital video film.
Apple's Final Cut Pro, now up to version 3.0, has helped fuel the next evolutionary step in video production. By integrating powerful software with their hardware technology, Apple has put video postproduction into the hands of almost anyone who can afford a camera, computer, and software. Access to the equipment, however, doesn't mean a windfall of Oscar winners. Learning how to make a good film requires generous amounts of both talent and technical mastery. This book won't infuse you with talent, but you'll walk away with a clear understanding of how production and postproduction techniques work, and how to produce a finished piece that looks finished. --Mike Caputo --This text refers to an out of print or unavailable edition of this title.
A member of the original Final Cut Pro design team and a professional video editor, Wohl is highly qualified to write about using this digital video editing software. Although his instructions specifically pertain to Final Cut Pro, Wohl also conveys a great deal of information about general video editing techniques, providing examples on when and why to use each. Sidebars explain editing and computer terminology, and interviews with well-known film editors add real-world interest. Recommended for larger public libraries and academic libraries supporting TV/film programs.
Copyright 2002 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
19 of 19 people found the following review helpful:
4.0 out of 5 stars
Great supplement to other FCP books.,
By Dennis Cham (Redwood Shores, CA USA) - See all my reviews
This review is from: Editing Techniques with Final Cut Pro (Paperback)
I picked up an advanced copy from the author at a Bay Area Final Cutters meeting. The book is different from most other FCP books in that it covers some basic editing techniques in a real world setting using FCP2. Rather than just go over every feature of the program, it tackles the craft of video editing using FCP. This makes it a great complement to the Lisa Brennis' excellent FCP2 Quick Pro Guide, which covers most of FCP2's functions. For example, Michael explains different ways to use the Trim and Edit tools in editing a sequence as well as different approaches to logging clips. It also goes over issues of continuity and pacing how to deal with these problems in a non linear editing system. All this for me (at least) was worth the price of the book. This book might be too basic for seasoned NLE editors. But it definitely will be a big help to begining or intermediate FCP editors looking to polish their craft . I would have given the book 5 stars, except that I felt that the author should have devoted a little more space to areas such as exporting and importing from After Effects and ProTools. These were covered briefly. Also the CD included with the book should have had some examples of the exercises in the book. (The CD had some basic tutorials on FCP) I feel I would have benefited more from some Quicktime movies, illustrating the techniques covered in the book. Despite the cons, I feel this book is a good buy and covers a lot of areas missing in the current crop of FCP titles. It doesn't cover everything in FCP, but what it covers it covers well.
23 of 24 people found the following review helpful:
5.0 out of 5 stars
WOW! Best FCP Book yet!,
By A Customer
This review is from: Editing Techniques with Final Cut Pro (Paperback)
I have been a professional editor for more than 10 years and I recently migrated from AVID to Final Cut Pro. I wanted a book to supplement the manual and actually bought 4 different FCP books to glean what I could from each of them.This one REALLY stood out. It's extremely well written, uses excellent examples that really help to illustrate the concepts and features and much more than just teaching you how to use FCP, it really teaches you how to edit. WELL WRITTEN EDITING TECHNIQUE FINAL CUT PRO GREAT BOOK Oh- I almost forgot! Between each chapter is an interview with a high-profile film editor about their style and techniques! Great stuff! Especially the interview with WALTER MURCH!!
14 of 14 people found the following review helpful:
5.0 out of 5 stars
A perfect mix of editing theory and practical advice,
By
This review is from: Editing Techniques with Final Cut Pro (Paperback)
If you are serious about Film Editing, you are probably already been looking at books like Shot by Shot by Steven Katz, and checking out local training courses. You may also be trying to learn how to use Final Cut Pro, and checking out the many books on that topic.This book could save you a lot of time and effort, by combining both subjects into one. It teaches, from a completely practical viewpoint, how to frame and edit shots. It also discusses how to use Final Cut Pro in order to achieve the right effect. There are also sections on sound, special effects and distribution - and again, all are realistically explained. At every point, real-world editing examples are used, so it's not simply a discussion of every menu option. There are plenty of screenshots, and even though it doesn't cover the very latest version of FCP, everything is still 100% relevant. After working through the huge pile of paper that is the FCP manual set, this book should be next on your list. It will tell you which features you will actually need to know, and pass on some very useful cinematic editing information at the same time.
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