Qty:1
  • List Price: $75.00
  • Save: $21.84 (29%)
Temporarily out of stock.
Order now and we'll deliver when available.
Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item.
Details
Ships from and sold by Amazon.com.
Gift-wrap available.
Eero Saarinen has been added to your Cart
+ $3.99 shipping
Used: Very Good | Details
Condition: :
Comment: Book will be packed securely - Ships from New York City
Sell yours for a Gift Card
We'll buy it for $2.25
Learn More
Trade in now
Have one to sell? Sell on Amazon
Flip to back Flip to front
Listen Playing... Paused   You're listening to a sample of the Audible audio edition.
Learn more
See this image

Eero Saarinen Hardcover – September 1, 2005


See all formats and editions Hide other formats and editions
Amazon Price New from Used from
Hardcover
"Please retry"
$53.16
$48.62 $41.75
$53.16 FREE Shipping. Temporarily out of stock. Order now and we'll deliver when available. We'll e-mail you with an estimated delivery date as soon as we have more information. Your account will only be charged when we ship the item. Ships from and sold by Amazon.com. Gift-wrap available.


Frequently Bought Together

Eero Saarinen + Eero Saarinen: Shaping the Future
Price for both: $115.65

One of these items ships sooner than the other.

Buy the selected items together
NO_CONTENT_IN_FEATURE

Image
Looking for the Audiobook Edition?
Tell us that you'd like this title to be produced as an audiobook, and we'll alert our colleagues at Audible.com. If you are the author or rights holder, let Audible help you produce the audiobook: Learn more at ACX.com.

Product Details

  • Hardcover: 256 pages
  • Publisher: Phaidon Press (September 1, 2005)
  • Language: English
  • ISBN-10: 071484277X
  • ISBN-13: 978-0714842776
  • Product Dimensions: 10.2 x 1.5 x 11.8 inches
  • Shipping Weight: 4.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.9 out of 5 stars  See all reviews (9 customer reviews)
  • Amazon Best Sellers Rank: #202,221 in Books (See Top 100 in Books)

Editorial Reviews

From The New Yorker

In 1956, when Saarinen made the cover of Time, he was America's most renowned architect. His sculptural modernism-evident in such commissions as the T.W.A. terminal at Kennedy Airport, the CBS building, and the St. Louis Arch-was in perfect accord with the country's postwar mood. He trained at the school founded by his father, the celebrated Finnish architect Eliel Saarinen, and established important relationships there with his future collaborators Charles and Ray Eames. An indefatigable worker, he oversaw more than forty staff architects at the height of his practice, and created in detail hundreds of possible designs for each project. After his death, in 1961, his work fell into critical neglect. Merkel's handsome volume presents the first truly comprehensive survey, and seeks to demonstrate how Saarinen could be "mainstream and avant-garde at the same time."
Copyright © 2005 The New Yorker

Review

'Merkel's handsome volume presents the first truly comprehensive survey, and seeks to demonstrate how Saarinen could be 'mainstream and avante-garde at the same time.' (New Yorker)

Customer Reviews

4.9 out of 5 stars
5 star
8
4 star
1
3 star
0
2 star
0
1 star
0
See all 9 customer reviews
This is an articulate and well researched review of an icon in architectural history.
Jonathan Grauer
Readable and full of detail, this book is a great way to get to know Saarinen, and to know him very well.
A. F. North
The text is full of fascinating information, much of it freshly researched-a compelling read.
Sara Caples

Most Helpful Customer Reviews

16 of 16 people found the following review helpful By Sara Caples on August 25, 2005
Format: Hardcover Verified Purchase
Disclosure: I'm an architect who began the journey towards the profession by writing an undergraduate thesis on Saarinen in the late 1960s.

Many of the things that were intriguing about his work then-the curious combination of 50s zen emptiness with passages of delicate, almost decorative, details-and the search for form which veers from neo-Miesian boxes to the curves and cylinders of MIT to the neo-vernacular stone of the Yale Colleges to the sinuous curves of the TWA and Dulles terminals-these explorations fascinate still and have much to teach us.

Merkel's book takes all these strains, examines their roots and development in a clear and comprehensive way.

Merkel has made a wonderful book, one that brings Saarinen's work back to life.

The images are stunning and so full of information, a nice balance of design process and completed buildings.

The text is full of fascinating information, much of it freshly researched-a compelling read.

The book design is gorgeous, and I don't just mean the stunning visual design.

Merkel has focused on design explorations and the strong built work of Saarinen without stalling us unduly in the less successful work.

If you're interested in Saarinen's work, get this book!
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
10 of 10 people found the following review helpful By Martha Dunkelman on September 23, 2005
Format: Hardcover
Merkel's book is one of those monographs that open so many doors onto the work of an artist or architect that you never view it in quite the same way again. Saarinen's buildings are analyzed in all their surprising variety, with an open acknowledgment of their differences, rather than an insistence on an individual style. The special emphasis placed on the critical responses to the projects when they were built is particularly enlightening and should serve as a model for the study of modern architectural history. The author, with a refreshing willingness to deal with negative material as well as positive, asks and answers the very interesting question of the reasons for the decline in Saarinen's reputation after his untimely death. This book is very valuable as a study of Saarinen and also for its insights into the development and fluctuations of movements in modern architecture.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
6 of 6 people found the following review helpful By Susana Torre on October 1, 2005
Format: Hardcover
Merkel's handsome volume is a pleasure to read and to view, as it contains great vintage photographs of Eero Sarinen's projects. The author's special contribution is her insightful contextualization of Saarinen's original and eclectic output through discussions of his background, working methodology, and the critical reactions his buildings elicited.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
4 of 4 people found the following review helpful By Jonathan Grauer on August 14, 2005
Format: Hardcover
This is an articulate and well researched review of an icon in architectural history. Merkel weaves his professional and personal journey in a manner which is pleasure to read.
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again
Format: Hardcover
Merkel's study of Eero Saarinen is authoritative while making some important normative points about the obligation of architects to honor their clients' objectives.

She describes his studio's method:

1. Definition of the "functional program" with considerable research
2. "Expression of the program" in the concept
3. Selection of appropriate "structure"
4. "Design"

The client was involved in each phase, participating in the research to define and prioritize requirements, reviewing architectural concepts for resolving their specific conflicts and approving structural approaches, materials and budgets prior to beginning detailed design.

"His were unusual, ambitious, challenging buildings. The variety in the work, the "style for the job" philosophy, as it was called, was really the result of the way he worked and the fact he believed architectural form should derive from function in the broadest possible sense."

He was singularly collaborative in his approach, using the resources of his clients, among them "the technical innovators of his period (General Motors, MIT, IBM, Bell Labs)" to automate design, adapt new materials, and refine his craft.

"Eero could meet each client on his own terms. He respected his clients and what they wanted to do (something that many architects with their own objectives fail to do) because, though he believed architecture should aspire to be art, he saw it as one grounded in use."

For more on the fundamental difference of his approach from that of such stylists as Frank Lloyd Wright.
A Management Consultant @ Large: Best Practices in Architecture
Comment Was this review helpful to you? Yes No Sending feedback...
Thank you for your feedback. If this review is inappropriate, please let us know.
Sorry, we failed to record your vote. Please try again

More About the Author

Jayne Merkel is an art historian and critic who writes for Architectural Design/AD magazine in London, Architectural Record and The Architects Newspaper in New York. She is the author of Eero Saarinen, several books on contemporary architects and architecture, and numerous museum catalogues. Her script for the documentary film "The Gateway Arch, A Reflection of America" received an Emmy in 2007. A former editor of Oculus magazine in New York and former Architecture Critic of The Cincinnati Enquirer, her writing has appeared in Art in America, Artforum, Connoisseur, Design Book Review, Harvard Design Magazine, Landscape Architecture, Progressive Architecture, the New York Times, Journal of the Society of Architectural Historians, Journal of Aesthetics and Art Criticism, Wilson Quarterly, and other periodicals. She has taught writing, criticism, and art history at various colleges and worked as a curator at the Cincinnati Contemporary Arts Center, Taft Museum, and University of Michigan Museum of Art.

What Other Items Do Customers Buy After Viewing This Item?