Customer Reviews

Eingya

5 star:		(6)
4 star:		(1)
3 star:		(0)
2 star:		(0)
1 star:		(0)

 

 

If you are a fan of Sigur Ros, The Album Leaf, or any other ambient band, you are sure to love Helios. Keith Kenniff should be more recognized for what he does.

This album is full of very interesting beats that sound as if they belong in the natural world. Keith uses the traditional sound of drums at times, but incorporates extremely natural-sounding field recordings as part of subtle, but impactful beats. His use of the electric and acoustic guitar as the basis of his beautiful melodies is very soothing and is quite minimalistic which, I believe, contributes towards the soothing nature of his music.

At times, the album is reminiscient of Sigur Ros without the vocals, and a bit more electronica influence.

For me, this cd is like Aderol through my speakers. Whenever I listen to it, I can focus intensely on whatever I am trying to accomplish.

Very underappreciated, extremely artistic album, I would reccommend it to anyone, regardless of what music you listen to. 5 stars!

One of the best releases I have heard in recent years.Absolutely breath- takingly gorgeous.

JAMES KNAPMAN's igloomag.com REVIEW ::
(06.16.06) Keith Kenniff has accumulated much critical acclaim both for his superlative ambient debut album Unomia released through Merck, and for the soulful, folky, acoustic "Corduroy Road" album recorded under the name Goldmund for the UK based Type label. Eingya, his second full length release as Helios, sees him returning to Type with typically effortless panache to present a work that successfully fuses the distinct styles of his two previous albums. The pastoral acoustic guitar and piano elements that form the core of Corduroy Road are very much in evidence, but are infused with the restrained and unusual beats, field recordings and dense atmospheric techniques that made Unomia such an ambient masterpiece.

Though it can initially be rather difficult to cleave one track from another - unusual given that Eingya does not employ the technique of connecting its tracks together - repeated listens reveal the subtleties and personalities of each track a layer at at time. Some pieces are more immediate than others; "Paper Tiger," for example, is an album highlight and probably one of the most anthemic and memorable Helios works yet released, thanks in no small part to its folk-pop leanings and flawlessly constructed melodies. "Vargtimme" recalls Unomia more than any other track on Eingya, a faded and scorched melodic drone piece very similar to the former album's simultaneously powerful, calm and introspective intermissions that helped make it so memorable. "Vargtimme" inexorably shifts the mood, even if only temporarily, from a kind of carefree daydream to one of melancholy nostalgia. That Kenniff can create something so heart wrenching from something so apparently simple is further testament to the passion and emotion that goes into every one of his works.

The majority of Eingya's third act is particularly arresting, recalling in texture and mood the work of Boards of Canada at their very zenith. "First Dream Called Ocean" is exactly the kind of hazy, sun-drenched melancholia that made Boards of Canada the benchmark reference that they are today, whilst the setting sun that pours layers of amber over "The Toy Garden" is pure, cine-film filtered nostalgia. The dusky "Sons of Light and Darkness" basks in the residual warmth of a summer's evening as gossamer synths and bass-tones arc through, echoing piano and diaphanous acoustic guitar crooning. Perhaps the only stumbling block is the inclusion of the rather clunky "Coast Off." The piano work comes across as stuffy and formal, the guitar work is rather blurry and uninteresting and the African chanting and cut-up vocals that feature in the latter half of the piece are jarringly out of place amidst the other, more tranquil pieces included here.

One of Kenniff's great gifts is the intimate style and easy familiarity of his piano and guitar playing, as if he were performing for you personally, right there in the room. Particularly evident on his Corduroy Road album, this feeling is heightened here, the addition of Eingya's field recordings and ambient flourishes lending an atmospheric sense of place and an evocative visual dimension to the performance.

A new and distinct chapter in the Helios saga, Eingya is a fervent and nostalgic confluence of Kenniff's two distinct styles and yet another essential release from the Type label.
>> www.igloomag.com <<

Close your eyes when listening to this album.

Great for sleeping to, road trips when you want to reflect, music to contemplate with.

I bought this on a knee-jerk reaction. Wasn't sure I made the right choice until I listened to it. This is The Books' long-lost brother. I think of Pat Metheny to go along seeing how many if not all the tracks feature a real nice acoustic guitar with reverb.

If you get into The Books, you're sure to get into this. If you get into reflective instrumental music, I say give this a try.

Since first hearing Helios in a porn video (lol!), I've been obsessed with listening to them while I work. A perfect blend of electronic, atmospheric, and acoustic elements paints a beautiful picture of musical relaxation. I hyper-concentrate when Eingya is playing: it is simply the most relaxing album I've ever heard. With the one exception of the somewhat staccato Coast Off, every album here is a complete gem. My real highlights: Bless this Morning Year, Dragonfly Across and Ancient Sky (love the beat), Paper Tiger.

I'd highly recommend this if you're looking for something to chill out to.

You may arrive at this album by way of Sigur Ros. Or you may have heard of Helios as reminding of Stars of the Lid or The Dead Texan. Perhaps you've read the comparisons to The Album Leaf. No matter how you landed here, this is an album you absolutely must own if you are serious in any way about ambient music.

I found myself listening to this one over and over... and over and over again. It's one of those records -so good it's almost as if in can't be killed by over the top repeated listening. Rare indeed. Intertwining meek but meaningful guitar melodies, filtered organic sounding yet subtle beats, electronic nuances and other worldly instrumentation are perfectly arranged for shoe-gazing at the gates of peaceful oblivion.

In an age where there is no lack of ambient music, it can be difficult to find the good ones like this. The gems. The diamonds in the rough. But, with Eingya, I've got no complaints whatsoever. From start to finish it takes you to a different realm; a calm, fluid, thought provoking/equalizing place it is.

This could easily be on my top 25 records of all time, judging by the amount of plays I've given it anyway. Try the song "Coast Off".

Supremely Recommended!