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Eisner/Miller [Paperback]

Will Eisner , Frank Miller
4.0 out of 5 stars  See all reviews (7 customer reviews)

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Book Description

May 17, 2005
It would be hard to imagine any creators who have more greatly affected their chosen medium than Will Eisner and Frank Miller have influenced the world of comics and graphic novels. Often misunderstood, but enduringly enjoyed by people from all walks of life, the comic book has in recent years been recognized as a "legitimate" art form by cultural institutions ranging from Harvard University to the Smithsonian, from The New Yorker to the Art Institute of Chicago. Now, culture-curious readers and life-long fans of the comics medium are invited to read along as two of the medium's greatest contributors-legendary innovator and godfather of sequential art Will Eisner, and the modern master of cinematic comics storytelling, Frank Miller-discuss one on one in an intimate interview format, the ins-and-outs of this compelling and often controversial art form. Eisner/Miller is profusely illustrated and features rare, behind-the-scenes photos of Eisner, Miller, and other notable creators.

Frequently Bought Together

Eisner/Miller + Will Eisner's Shop Talk + Expressive Anatomy for Comics and Narrative: Principles and Practices from the Legendary Cartoonist (Will Eisner Instructional Books)
Price for all three: $50.69

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Editorial Reviews

From School Library Journal

Adult/High School–In 2002, cartoonist Frank Miller visited with Will Eisner for a free-ranging discussion across several days. Brownstein provided shape to their encounters, giving the two artists a medium in which they could use words to explore the history of American graphic-novel expression, the business concerns of comics publishing, the relationship between art forms such as comics and film, and the meanings of success to each individual. Both men proved themselves thoughtful and agile speakers, engaging one another's ideas and building together a kind of oral history of the art form. Brownstein worked invisibly but successfully so that each man stepped out from time to time from the overarching wholeness of the discussions to be seen as unique. The volume is gracefully and carefully illustrated with work not only by Miller and Eisner, but also by those whom they called into the conversation: Johnny Craig, Neal Adams, and even Lynn Johnston. Photos show the distinctive ages of the two subjects and confirm the comfortable nature of this recorded interaction. This is a fine example of critical literary biography with no whiff of academic revisioning attached. As such, students will find it valuable both for curriculum support and casual reading.–Francisca Goldsmith, Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Product Details

  • Paperback: 350 pages
  • Publisher: Dark Horse (May 17, 2005)
  • Language: English
  • ISBN-10: 1569717559
  • ISBN-13: 978-1569717554
  • Product Dimensions: 1 x 6 x 8.8 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (7 customer reviews)
  • Amazon Best Sellers Rank: #890,384 in Books (See Top 100 in Books)

More About the Author

WILL EISNER was born William Erwin Eisner on March 6, 1917 in Brooklyn, New York. By the time of his death on January 3, 2005, Will Eisner was recognized internationally as one of the giants in the field of sequential art, a term he coined.

In a career that spanned nearly eight decades -- from the dawn of the comic book to the advent of digital comics - Will Eisner was truly the 'Orson Welles of comics' and the 'father of the Graphic Novel'. He broke new ground in the development of visual narrative and the language of comics and was the creator of The Spirit, John Law, Lady Luck, Mr. Mystic, Uncle Sam, Blackhawk, Sheena and countless others.

During World War II, Will Eisner used the comic format to develop training and equipment maintenance manuals for the US Army. After the war this continued as the Army's "PS Magazine" which is still being produced today. Will Eisner taught Sequential Arts at the New York School of Visual Arts. The textbooks that he wrote based on his course are still bestsellers. In 1978, Will Eisner wrote "A Contract with God," the first modern Graphic Novel. This was followed by almost 20 additional graphic novels over the following 25 years.

The "Oscars" of the Comic Industry are called The Eisner Awards, and named after Will Eisner. The Eisners are presented annually before a packed ballroom at Comi-Con International in San Diego, America's largest comics convention.

Wizard magazine named Eisner "the most influential comic artist of all time." Michael Chabon's Pulitzer-prize winning novel "Kavalier and Clay" is based in good part on Eisner. In 2002, Eisner received a Lifetime Achievement Award from the National Federation for Jewish Culture, only the second such honor in the organization's history, presented by Pulitzer-prize winning cartoonist Art Spiegelman.

You can always find more information about Will Eisner at www.willeisner.com.



Customer Reviews

4.0 out of 5 stars
(7)
4.0 out of 5 stars
If you like either Will Eisner or Frank Miller, you will likely enjoy this book. Bryan E. Leed  |  1 reviewer made a similar statement
My only complaint is that I wished it was twice as long! A. Parham  |  1 reviewer made a similar statement
Most Helpful Customer Reviews
7 of 8 people found the following review helpful
Format:Paperback|Amazon Verified Purchase
If you like either Will Eisner or Frank Miller, you will likely enjoy this book. I have been a fan of Will Eisner since the 1970s Warren Magazine reprint series of THE SPIRIT! I am not a big fan of Frank Miller, (his work is too violent and raunchy for me), but Frank and Will together have plenty of interesting insights during this extended conversation between the two comics legends.

The book is nearly 350 pages of text and b/w photos and artwork! It is a real page-turner if you enjoy comics and/or Miller and Eisner! I read it all in a single weekend, well spent time and money.

In fact, the book itself was recorded over a weekend, in Florida, at Eisner's home and office, then went through a transcription and a couple of rounds of approvals, updates, corrections, and such.

The book came out after Will Eisner passed away. Frank Miller writes a nice 2005 Introduction, kidding about Eisner's love of argument, because supposedly that is what old Jewish men love to do, argue. It is a friendly, joking introduction, and Eisner would have enjoyed it, judging by other comments inside this book.

Throughout the book, they talk and argue about many topics: other friends and acquaintances from the comics industry and fun anecdotes, how the business started and evolved, how to break-in for a newcomer (or maybe not how anymore), art and page composition, color versus black & white, working methods of operation, inking, washes, character and story creation, who else's work they admire and why, zipatone, the Comics Code Authority and the 1950s witch hunts against EC and comics, the history of pre-comics and pre-comics characters, etc.

Eisner prefers to pencil and finish a completely inked page of a story, then on to the next page; while Miller likes to do mass quantities of penciled pages, then mass quantities of basic inked pages, then mass quantites of fine tuned, detailed inking to finish the pages.

Miller hates the size and shape format of standard comics, which we learn is derived from the size of standard press room sheets, from the 1930's, or so. Eisner discusses how THE SPIRIT format was based on the standard newspaper insert sizes of those times, way back then.

Actually, after reading this book, I found Frank Miller to be a little more substantial in my opinion, not just all about gratuitous sex and violence like his SIN CITY comics; while I was a little disappointed with Will Eisner's careless remarks about his religious viewpoint, which seems to come off as negligible, from my reading of this book.

It's a nice, intelligent read for any adult comics fan! It reminds me of the extremely long, in-depth interviews from Fantagraphics and their COMICS JOURNAL, (but without the overtly hostile, liberal overloadings that downgrade the COMIC JOURNAL, to me). This book is from Dark Horse Books, and I'd like to see more of this type of stuff from Dark Horse--in-depth but more balanced than the COMICS JOURNAL's stuff.

All and all, this is a worthy purchase and read for any grown up comics fans, and I would be interested in buying more of this type of book from Dark Horse, if and when they decide to do a similar book with different professionals featured.
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2 of 2 people found the following review helpful
5.0 out of 5 stars Amazing book July 14, 2006
By J. Pang
Format:Paperback
Its a great book, interesting gossip. A complaint in some reviews is that it emphasizes too much the business of comics, but in the end, the oral history of comics is extremely illuminating on how the industry has developed into what it is. Its an intruiging read, well worth the $20 I spent at the comic shop!
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5.0 out of 5 stars Fascinating! April 12, 2011
Format:Paperback|Amazon Verified Purchase
This is essentially a book length trascript of a conversation between two legends of comic bookdom, Will Eisner and Frank Miller. They discuss everything from their story telling styles to comics history (and even an exremely technical discussion of coloring techniques). Full of interesting facts and artistic principles. These two guys know what they're talking about and LOVE their medium! My only complaint is that I wished it was twice as long!

You want to know how much I liked this book? I was thrilled when Miller was describing his thought process when he wrote Sin City...and I hate Sin City!

Highly recommended.
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