Product Details

• Actors: Carmen del Valle, Miguel Gutierrez, Andres Gertrudix, Alfonso Vallejo, Manuel MorĂłn
• Directors: Achero Manas
• Format: Color, DVD, NTSC, Subtitled, Widescreen
• Language: Spanish
• Subtitles: English
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.35:1
• Number of discs: 1
• Rated: Unrated
• Studio: Film Movement
• DVD Release Date: January 1, 2005
• Run Time: 88 minutes
• Average Customer Review: 4.4 out of 5 stars  See all reviews (15 customer reviews)
• ASIN: B0006OJH0E
• Amazon Best Sellers Rank: #33,101 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Pablo (El Bola) is a 12-year old boy raised in a violent and unforgiving environment. Embarrassed by his family life, he retreats from his classmates, engaging them only through a dangerous game. The arrival of a new boy at school, from whom he learns a new definition of friendship, leads to the discovery of a family where communication and love prevail over domination and violence. The film poignantly parallels the lives of a caring father unable to connect with his willful son, and that of dis

Customer Reviews

Most Helpful Customer Reviews

19 of 20 people found the following review helpful:

5.0 out of 5 stars Pain and scarring, August 14, 2005

By 

Rizzo (Nowhere) - See all my reviews
(VINE VOICE)   

This review is from: El Bola (DVD)

This is a movie story that deals with two young boys, two families, and their two different worlds. El Bola is the nickname for Pablo and he encounters a new boy, Alfredo, at school and their friendship drives them to discover each other's world.

Pablo's World
Pablo comes from a home where communication is sparse as he lives with his abusive authoritarian father, a weak mother, and a grandmother whose need for personal care only burdens the situation. Pablo's father works in a hardware store and Pablo is often confined to work there also. Before Pablo was born, the family lost a favorite son and now the frustration, anger and resentment is taken out on Pablo, who is brutally mistreated by his father.

It is only after the climactic abusive attack that Pablo runs away to Alfredo's family who then seek avenues to help the boy. We don't know too much what happens after the abuse is discovered. We do see Pablo discuss with the authorities the true horror he suffered.

On the other hand, Alfredo's family life is more caring and with communication. An interest is shown in family structuring. Contrary to the loving family life, Alfredo's father is a tattoo artist, considered a darker profession. He also gives his young son a tattoo.

Pain and Scarring in different ways
According to the director, Archero Manas, the movie is not about child abuse, but he said the parellism is the two different ways pain and scaring are inflicted. He said that the father who is a tattoo artist gives his young son a tattoo which is indicative of pain and scarring, while the abusive father inflicts pain and scarring through violence.

The DVD is clear and crisp with readable subtitles. Included is "The Making of El Bola" as the children, cast talk about their characters while the director gives insight to his film. The movie has won numerous awards, including La Goya in 2000, which is equivalent to an Academy Award. Film Movement is an organization that distributes quality foreign movies to be distributed as otherwise would not have. .....Rizzo

10 of 10 people found the following review helpful:

5.0 out of 5 stars Fathers and sons . . ., September 18, 2006

By 

Ronald Scheer "rockysquirrel" (Los Angeles) - See all my reviews
(TOP 500 REVIEWER)    (REAL NAME)   

This review is from: El Bola (DVD)

This multi-award-winning film tackles the difficult subject of domestic abuse and in particular a father's abusive relationship with his twelve-year-old son. The nature of this abuse is revealed slowly, so that like any outsider, we don't see the full extent of it until we've already formed opinions about both characters. The film contrasts their relationship with that of the boy's new friend at school, whose father is a tattoo artist and seems on the surface to be more potentially troublesome as a parent. But as we watch him with his son, we see how is firmness is an expression of his caring and love for the boy. The boys' two homes represent mirror worlds with contrasting emotional dynamics.

The drama in the film emerges as the abusive father's treatment of his son becomes gradually apparent to his son's friend, and we become informed of the near inability of anyone outside the family to rescue him. There is no easy resolution to this dilemma, and we are left with a sense of urgency about this disturbing social problem. The performances of the two twelve-year-olds are wonderful, as they become friends, exploring the early stages of their growing independence. Shot in the streets of Madrid, the film has a gritty, gray urban ambiance, and key scenes are played out along a railway where commuter trains rush by and schoolboys play death-defying games across the tracks.

13 of 14 people found the following review helpful:

5.0 out of 5 stars Spare the Rod, November 27, 2005

By 

Vince Perrin "Byline" (Stockton, CA USA) - See all my reviews
(REAL NAME)   

This review is from: El Bola (DVD)

Child abuse, as incidents increase each year, is uncomforable for parents, which is why the topic is rarely filmed. It doesn't provide a feel-good experience, even with a happy ending, and most certainly it is not box office. With "El Bola" in 2000, some intrepid Spanish filmmakers took it on and didn't flinch. Their searing and sensitive low-budget movie, which indeed is uncomfortable to watch, won more than 30 top international awards, including four Goyas (Spain's Academy Award.) Its DVD release needs to be seen.

The scenes of physical, emotional and verbal abuse of a 12-year-old boy by his father, while his enabling wife protests feebly, are unsparing. The young victim is befriended by a classmate whose parents provide a caring contrast and who discover the abuse. The boy is rescued, yet his shocking monologue at the end will leave you uneasy long after the credits roll. You come to realize that undetected child abuse is so common that it is occurring even as you watch. The cast and crew are flawless and their little movie is unbearably moving.