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Eldest (Inheritance, Book 2)
 
 
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Eldest (Inheritance, Book 2) [Audiobook, Unabridged] [Audio CD]

Christopher Paolini (Author), Gerard Doyle (Reader)
3.6 out of 5 stars  See all reviews (1,606 customer reviews)

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Book Description

August 23, 2005 The Inheritance Cycle (Book 2)
Darkness falls…despair abounds…evil reigns…

Eragon and his dragon, Saphira, have just saved the rebel state from destruction by the mighty forces of King Galbatorix, cruel ruler of the Empire. Now Eragon must travel to Ellesmera, land of the elves, for further training in the skills of the Dragon Rider: magic and swordsmanship. Soon he is on the journey of a lifetime, his eyes open to awe-inspring new places and people, his days filled with fresh adventure. But chaos and betrayal plague him at every turn, and nothing is what it seems. Before long, Eragon doesn’t know whom he can trust.

Meanwhile, his cousin Roran must fight a new battle–one that might put Eragon in even graver danger.

Will the king’s dark hand strangle all resistance? Eragon may not escape with even his life. . . .


Praise for Eragon:
“Unusual, powerful . . . fresh and fluid. An impressive start to a writing career that’s sure to flourish.” –Booklist, Starred
“Christopher Paolini make[s] literary magic with his precocious debut.” –People
“The new ‘It’ book of children’s lit.” –U.S. News & World Report
“An auspicious beginning to both career and series.” –Publishers Weekly

A #1 New York Times Bestseller
A #1 Publishers Weekly Bestseller
A USA Today Bestseller
A Wall Street Journal Bestseller
A Book Sense Book of the Year
A #1 Book Sense Selection

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Editorial Reviews

Amazon.com Review

Surpassing its popular prequel Eragon, this second volume in the Inheritance trilogy shows growing maturity and skill on the part of its very young author, who was only seventeen when the first volume was published in 2003. The story is solidly in the tradition (some might say derivative) of the classic heroic quest fantasy, with the predictable cast of dwarves, elves, and dragons--but also including some imaginatively creepy creatures of evil.

The land of Alagaesia is suffering under the Empire of the wicked Galbatorix, and Eragon and his dragon Saphira, last of the Riders, are the only hope. But Eragon is young and has much to learn, and so he is sent off to the elven forest city of Ellesmera, where he and Saphira are tutored in magic, battle skills, and the ancient language by the wise former Rider Oromis and his elderly dragon Glaedr. Meanwhile, back at Carvahall, Eragon's home, his cousin Roran is the target of a siege by the hideous Ra'zac, and he must lead the villagers on a desperate escape over the mountains. The two narratives move toward a massive battle with the forces of Galbatorix, where Eragon learns a shocking secret about his parentage and commits himself to saving his people.

The sheer size of the novel, as well as its many characters, places with difficult names, and its use of imaginary languages make this a challenging read, even for experienced fantasy readers. It is essential to have the plot threads of the first volume well in mind before beginning--the publisher has provided not only a map, but a helpful synopsis of the first book and a much-needed Language Guide. But no obstacles will deter the many fans of Eragon from diving headfirst into this highly-awaited fantasy. (Ages 12 and up) --Patty Campbell


Meet Author Christopher Paolini
Christopher Paolini’s abiding love of fantasy and science fiction inspired him to begin writing his debut novel, Eragon, when he graduated from high school at age 15.

"Writing is the heart and soul of my being. It is the means through which I bring my stories to life. There is nothing like putting words on a page and knowing that they will summon certain emotions and reactions from the reader. In my writing, I strive for a lyrical beauty somewhere between Tolkien at his best and Seamus Heaney’s translation of Beowulf." --Christopher Paolini





The Eragon/Eldest Boxed Set


Want to learn more about the series? Check out our review of Eragon: Here's a great big fantasy that you can pull over your head like a comfy old sweater and disappear into for a whole weekend. Christopher Paolini began Eragon when he was just 15, and the book shows the influence of Tolkien, of course, but also Terry Brooks, Anne McCaffrey, and perhaps even Wagner in its traditional quest structure and the generally agreed-upon nature of dwarves, elves, dragons, and heroic warfare with magic swords. Read more

Order your copy of the boxed set today





Learn the Lingo
Our quickie pronunciation guide will help you get to know some of the names and places in the Inheritance series.

AjihadAH-zhi-hod The Leader of the Varden

ArgetlamARE-jet-lahm Elven word to describe Dragon Riders meaning "silver hand"
AryaAR-ee-uh A powerful elf who is both beautiful and a master swordswoman
EragonEHR-uh-gahn A Dragon Rider from Carvahall
Ra-zacRAA-zack Evil creatures
Saphirasuh-FEAR-uh Eragon’s dragon
*Art copyright © 2004 John Jude Palencar



--This text refers to the Hardcover edition.

From School Library Journal

Grade 5 Up–Eragon and his dragon, Saphira, have survived the battle at Tronjheim, but their challenges are not over. Galbatorix, the corrupt emperor, still rules Alagaesia and is looking for them. The magically bonded pair must help the rebellious Varden regroup after their leader is slain. Eragon helps deal with the resulting diplomatic complexities and then leaves for Du Weldenvarden, the home of the Elves, in order to finish his training as a Dragon Rider. Meanwhile, his cousin Roran must unite the small town of Carvahall as it is battered by Galbatorix's forces, including the nasty Ra'zac. The story alternates between Eragon and Saphira and their political maneuvering and Roran and his more traditional adventure over land and sea. Paolini provides a worthy companion to Eragon (Knopf, 2003), though it does not stand alone (a summary of the first book will be included in the final edition). The plot–indeed, most of the fantasy conventions–is heavily inspired by Tolkien, McCaffrey, and especially George Lucas. The momentum of the narrative is steady and consistent: a problem presents itself and is neatly (and conveniently) solved before the next one arises, making it appealing to some adventure-quest fantasy fans and runescape.com players. Eragon's journey to maturity is well handled. He wrestles earnestly with definitions for good and evil, and he thoughtfully examines the question of good at what price.While there's nothing particularly original here, the book will find its fan-base.–Sarah Couri, New York Public Library
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Hardcover edition.

Product Details

  • Reading level: Ages 12 and up
  • Audio CD
  • Publisher: Listening Library (Audio); Unabridged edition (August 23, 2005)
  • Language: English
  • ISBN-10: 0307280721
  • ISBN-13: 978-0307280725
  • Product Dimensions: 5.4 x 2.5 x 6.1 inches
  • Shipping Weight: 1.6 pounds (View shipping rates and policies)
  • Average Customer Review: 3.6 out of 5 stars  See all reviews (1,606 customer reviews)
  • Amazon Best Sellers Rank: #32,968 in Books (See Top 100 in Books)

More About the Author

Christopher Paolini was born on November 17, 1983 in Southern California. He has lived most of his life in Paradise Valley, Montana with his parents and younger sister, Angela. As a child, he often wrote short stories and poems, made frequent trips to the library, and read widely. The idea of Eragon began as the daydreams of a teen. Christopher's love for the magic of stories led him to craft a novel that he would enjoy reading. The project began as a hobby, a personal challenge; he never intended it to be published. All the characters in Eragon are from Christopher's imagination except Angela the herbalist, who is loosely based on his sister. Christopher was fifteen when he wrote the first draft of Eragon. He took a second year to revise the book and then gave it to his parents to read. The family decided to self-publish the book and spent a third year preparing the manuscript for publication: copyediting, proofreading, designing a cover, typesetting the manuscript, and creating marketing materials. During this time Christopher drew the map for Eragon, as well as the dragon eye for the book cover (that now appears inside the Knopf hardcover edition). The manuscript was sent to press and the first books arrived in November 2001. The Paolini family spent the next year promoting the book at libraries, bookstores, and schools in 2002 and early 2003. In summer 2002, author Carl Hiaasen, whose stepson read a copy of the self-published book while on vacation in Montana, brought Eragon to the attention of his publisher, Alfred A. Knopf, which is part of Random House. Knopf published Eragon in August 2003. Eldest, which continues the adventures of Eragon and the dragon Saphira was published in August 2005, and in December 2006, Fox 2000 released their movie adaptation of Eragon in theaters around the world.

 

Customer Reviews

1,606 Reviews
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Average Customer Review
3.6 out of 5 stars (1,606 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

50 of 61 people found the following review helpful:
1.0 out of 5 stars I seriously feel like egging Paolini sometimes, January 10, 2006
Ok. First i have to talk about the author, Christopher Paolini. I would have respected him for his work, if not for the arrogant personality he displays all the time and the media on his work. What is with all this? The Inheritance novels are mediocre. There is really no genius about it. Just beacause he is nineteen is no reason to call him a teen Tolkien, or to call his books absolutely incredible. Say, pretty nice work for a teen. And that should be it. No need to proclaim him a genius, when he isnt. His writing has improved slightly, but it is still awkward and tedious and as the author himself, he is a sure arrogant guy, comparing his works with Tolkien and Seamus Heaney. The very nerve! I would have respected him if he had been a modest guy, but a self-proclaimed genius is far too much.

This and the fact that at every opportunity, he chimes in that he graduated at the age of fifteen. Excuse me, this does not mean that he is oustanding in academics. HE IS HOMESCHOOLED, He did not go to some public school. Not to insult homeschooled kids, but this means that he could have been a C student, for all we know. All his parents had to do was speed him through schoolwork and proclaim him finished when he wsa fifteen. If i was homeschooled, i could easily do the same thing. We do not have actual proof that he is a great scholar. I mean, if it was fact that he gotten a fifteen hundred on his SATs, or he has been accepted by an Ivy League, like Alicia Keys did when SHE was fifteen, then i would admire him. But we dont. And when i hear of people clamoring over his "graduating from the age of fifteeen" and his "genius works" i am highly irritated. Paolini likes to boast of it himself, calling himself "from a child who hated to read to a man who graduated from the age of fifteen" First, so what. I absolutely loathe math, but i excell at it. i hate science, but i earn A's in my bio class. And shouldnt he say "from a kid who hated to read to a guy who WROTE A NOVEL"? That would make a lot more sense. And the fact that he used to hate to read! That lowers my respect a lot.
Oh, and the fact that he says that he brings his story to life. Excuse me, Mr. Paolini but not really. The few cases in which i could imagine the scene was, for a strange reason, straight from the Lord of the Ring movies. Weird, huh?

oh, by the way, for the eragon lovers claim that all the bad reviewers are jealous. Excuse me, but when you say something like,"this was a bad movie", does that mean you're jealous of the producers or something? Puh-lease. And people claim that since all fanstasies are similar, paolini copying is not a crime. But there is a difference between similar and PURE PLAGIARIZING like paolini does from LOTR and Star Wars. And i dont even mind that as much as the writing style. i mean, some novels are about such boring subjects. what turns them ito great books is the style in which is is written. THAT IS WHAT THE INHERITANCE SERIES LACKS. A GOOD WRITING STYLE. I mean, if it was well-written, it would have brought up my rating a couple stars up, even. But as it isnt...

oh and i read some reviews in which some writer-wannabe said that people who critizised the books were jealous that paolini got the book published by his parents who own a publishing comp. Um, please. WE'RE NOT ALL WRITERS, JUST READERS! our priorities lie somewhere else! My god.

So lets get on with the book. As i said in my title, Eldest is an improvement after that utterly disgraceful novel called Eragon. SPOILERS COMING. Ajihad dies suddenly in like the first five pages. His death and the suddeness of the ambush on him is poorly written with awkward construction. Then his daughter Nasuada suceeds him as leader of the Varden, a small group of rebels, sworn enemies of the Empire.

Before we move on, i should warn the reader that the general frame is similar to Star Wars. There is an elite group of warriors, long gone, called the Riders, kinda like the Jedi, One of them, an unusually talented yet dangerous boy called Galbatorix (cough Vader) rises to power, destroys all the riders and takes control of the land called Alagaesia and makes it into an empire. Then a poor farm boy of no importance called Eragon (sounds like aragorn but is actually luke skywalker) finds a stone which is a dragon egg. The empire starts hunting for him and a wierd old guy in his village takes eragon on a journey. the guy himself knows a lot of magic and things about riders and then soon dies. seems that he used to b a powerful Rider. (aka obi-Wan Kenobi). And then the farm boy rescues the rebel princess in imprisonment, and then becomes a hero.

And blah blah blah. Of course Paolini has ripped off a lot from Lord of the Rings with his names and lands and creatures like the mining, underground dwarves, who are on shaky land with humans and the graceful, mysterious, powerful, immortal and beautiful elves, ruled by a beautiful, mysterious queen, and they hide in their enchanted forests and do nothing against the evil dude. Arwen is Arya, who helps Eragon and even matches Arwen's appearance. Eragon falls in love with her (aragorn and arwen love affair *cough*). In the first book, Paolini also ripped off LOTR the part when sauron is defeated and there's a sort of sonic boom (same thing happened when Eragon killed the evil shade Durza)

Well anyway, Murtagh has been killed and so has the twins, or at least it seems so. But by the blunt disposal of them by the author, it's pre-tty obvious that they are alive, since they are major characters and eragon expresses his grief for his companion in maybe two sentences for the entire book.

he goes off to Ellesmera to learn further magic from the elves, especially a crippled and retired rider called Oromis (obviously Yoda) and his handicapped dragon tutors Saphira.

Eragon flies into rages with an elf who is disgusted with eragon (i dont blame the elf) and pines and sobs about the cold arya, who is less than thrilled about his feelings for her. The author gives some political reasons why this is so, but in my frank opinion, who would go for Eragon, the loser and ugly guy that he is? Anyhow, Eragon learns what a vegetarian is, and has ridiculous philosiphical conversations with his mentor,

and meanwhile, his cousin rowan is having problems of his own.

Rowan comes back to the farm to find his father dead and his cousin eragon missing. He and his girlfriend Katrina are hesitant about marriage and the Ra-zac have come back and they want Rowan. After several skirmishes with the local villagers, Carvahall altogether declare war and after death and CANNIBALISM (squeamish ppl, beware) they escape across the sea for Surda and a better life. Katrina is captured and Rowan decides to kill people with a hammer.(WTF?!?!) Then after many tears and hammerblows they reach their destintaion. (one more ripoff is when there are these flying black creatures flying above them in the forest and screeching in this horrible, unnatural way that causes the villagers to moan)

Eragon, after another failed attempt at wooing Arya and just about transformed into an elf by them, he hurries back to the Varden just in time for the big battle with Surda this time fighting along them, and some Kull who resent Galbatorix. Of course they win, only to his horror,

SPOLIERS BEWARE:

"I...AM...YOUR...FATHER!!!". ok not quite. he finds out that murtagh is actually his brother and galbatorix's right-hand Rider, Morzan, slain by Brom years ago, (obi-wan and anakin skywalker duel in episode three) is his father. THis is pretty much obvious in the first book if you put the clues together. To make it worse, Murtagh is Galbatorix's slave and he is forced to obey him by ancient language-oaths, which mean that you cannot break it. If this werent enough, Murtagh, despite all of Eragon's training and longer experience, is far more powerful than his little brother. Because frankly, Murtagh has been trained by Galbotorix. And he is now a Rider. Yep the second egg has hatched for Murtagh and Thorn, the new dragon, bears a rider. Who is Murtagh.

so the battle of the burning plains or whatever is EXACTLY like the battle of minas tirith in lord of the rings. people are fighting on these desolate plains. all seems lost when ta-da, people show up and help them fight (here paolini substitutes the Rohan people for the dwarves) then ahhh! a big dragon swoops down from the sky and kills a king! the dragon's rider is dressed in steel, including these little steel-finger gloves, and when the dragon is brought down, the rider gets down from the dragon to fight by hand!! totally plagiarizing.

and let me guess. in the next book, ergaon will be brought face-to-face with Galbatorix. Ergaon will be losing, dying, when ta-da! Galbatorix's right hand man Murtagh will become good and help Ergaon kill Galbatorix. Yep. I bet you that will happen. MY GOD PAOLINI PLEASE STOP COPYING FROM STAR WARS AND LORD OF THE RINGS. JUST A SLIGHT EFFORT. Pretty please?

And i leave it to the readers to shake their heads exasperately at Eragon, who is as much as a jerk and awkwardly nobel as ever. here is an example.

Ergaon: "What is your name?"
Boy: "Jarsha,"
Ergaon: "That is a good name."
Boy: Umm, thanks.Here's a message from the council.
Eragon: "You have carried your message well. You should be proud of yourself.
Boy beams and hurries away.

see what i mean? my god, it wasn't like the boy travelled like ten miles or anything, he walked like maybe fifty steps. That line was so corny i nearly cried in disbelief that that had actually been put down on paper.

And you will grimace with disgust at the even more awkward poetry Paolini writes,... Read more ›
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14 of 15 people found the following review helpful:
1.0 out of 5 stars Hated it!, September 13, 2005
I read some of the reviews of Eldest and keep shaking my head......shaking my head. People not only disliked this book......they hated it as much as I did. AND anyone saying people hated it because its a Tolkien ripoff ain't paying attention. People hated it on account of it sucks. Paolini would take 8 pages to say a character passed wind. I won't be reading the next one!
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41 of 50 people found the following review helpful:
1.0 out of 5 stars For God's sake, LISTEN TO US, PAOLINI!, October 3, 2005
A Kid's Review
In an interview, Paolini said that he didn't listen to his reviewers and BOY does it show. Eldest has all the flaws of Eragon (derivative plot, flat characters, predictability, etc.) as well as all the flaws anticipated for the sequel (derivative of Empire Strikes Back). I know that these criticisms are almost as cliched as Inheritence itself, but these flaws are so obvious that they bear repeating.

And rather than improving, Eldest has shown ANOTHER weakness in Paolini's writing. It's the same problem I've had with The Amber Spyglass and the later Terry Goodkind books. It's so preachy, probably in an attempt to sound mature. A good, mature writer would introduce his beliefs subtly and let the story teach his philosophy. Paolini hits us over the head with his beliefs in long, blocky monologues. No subtlety at all.

I bought this book because of the possibility that CP would improve. I'm ready to give up hope.
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