Product Details

• Actors: Electric Edwardians
• Directors: Sagar Mitchell and James Kenyon
• Format: Black & White, DVD, NTSC
• Language: English
• Region: All Regions
• Aspect Ratio: 1.33:1
• Number of discs: 1
• Rated: NR (Not Rated)
• Studio: Oscilloscope Laboratories/Milestone Films
• DVD Release Date: September 15, 2009
• Run Time: 85 minutes
• Average Customer Review: 4.6 out of 5 stars  See all reviews (12 customer reviews)
• ASIN: B000FSME60
• Amazon Best Sellers Rank: #64,904 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Amazon.com

Originally aired as part of a British TV series about British Primitives, The Lost Films of Mitchell & Kenyon have been edited onto a DVD titled Electric Edwardians. This recently unearthed documentary footage provides a spooky glimpse into life during Britian’s Victorian Industrial Age. Filmed between 1900-1913 by Sagar Mitchell and James Kenyon for traveling cinema tours, several short movies constitute each over-arching, topically-titled film: "Youth and Education," "The Anglo-Boer War," "Workers," "High Days and Holidays," and "People and Places." In "People and Places," one rides past the obsolete Horse Ambulance shop. In "High Days and Holidays," women sporting elaborate, lacy hats march down cobblestone streets for a parade, defunct carousels spin kids around, and the Blackpool Victoria Pier is packed with people. In "Workers," Dickensian boys wander the streets in berets, and in one affecting segment, 20,000 workers file into a factory. The films of Eadward Muybridge, or of French Lumiere, George Méliés, provide similar fascinating looks into early cinema, but watching this documentary footage conjures up ghosts, as does Carnival of Souls. Music accompaniment by In The Nursery adds to the spirited ambience. These silent films manage to speak volumes about their subjects. —Trinie Dalton

Product Description

In the earliest years of the twentieth century, enterprising traveling showmen in the north of England hired pioneer filmmakers Sagar Mitchell and James Kenyon to shoot footage of local people going about their everyday activities. These films would be shown later at nearby fairgrounds, town halls and neighborhood theaters. Workers, school children, sports fans and seaside vacationers all flocked to see themselves miraculously captured on screen!

The astonishing discovery of the original Mitchell & Kenyon negatives in Blackburn, England — in a basement about to be demolished — has been described as film’s equivalent of Tutankhamen’s tomb. Preserved and restored by the bfi National Film and Television Archive in collaboration with the University of Sheffield National Fairground Archive and featuring a hauntingly beautiful score by In The Nursery, this treasure trove of extraordinary footage provides an unparalleled record of everyday life in the years before World War I. Mesmerizing scenes of trolley cars and crowded streets, soccer matches, temperance parades, throngs of workers leaving the factory and a myriad of simple pleasures transport us to another — lost — world. The effect is as if H.G. Wells’ marvelous time machine had come to life.

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Customer Reviews

Most Helpful Customer Reviews

32 of 32 people found the following review helpful:

5.0 out of 5 stars Haunting, fascinating, real-life time travel, July 16, 2006

By 

PonyExpress (United States) - See all my reviews

This review is from: Electric Edwardians - The Lost Films of Mitchell & Kenyon (DVD)

If you have any interest at all in early cinema OR the edwardian period(and in that latter class I include people like myself--artists, costumers, reenactors, buffs), then this DVD is an absolute must. I'd never heard of the early silent films of Mitchell & Kenyon, but a New York Times mention of the new release of this collection made me order it the same day.
These are short documentary films made in industrial towns in England and Belfast in 1900-1910. They were shot and (hard to believe) shown on the same day in special shows, some of which attracted thousands of people hoping to catch a glimpse of themselves and their friends on screen: promenading on a pier, riding incredible contraptions at a Whitsuntide holiday fair, or hanging around one of the huge factories that employed so many men, women and children. If this sounds boring--far from it: what you see are gorgeous, sharp prints of people behaving naturally in a time totally lost to our own. It's obvious that different clothes aside men and women haven't changed much since 1900. There's little prim and proper or stiff behavior here.
Best of all for me there are often loads of kids in front of the camera. It's touching and charming to see boys and girls dressed like E. Nesbit's "Railway Children", but laughing, making faces, goofing around, pushing each other and generally behaving exactly as kids do in 2006...all of them long, long dead, but fully alive via the camera in a way a still photograph could never show. Truly a form of time travel, like discovering your own relatives' home movies of over a hundred years ago. Well worth adding to your library, the sort of thing one can pull out over and over and amaze others with.

7 of 7 people found the following review helpful:

5.0 out of 5 stars Fleeting glimpses of a long-gone world, December 3, 2006

By 

Anyechka (Rensselaer, NY United States) - See all my reviews

This review is from: Electric Edwardians - The Lost Films of Mitchell & Kenyon (DVD)

The multitude of short films presented on this disc are ones that the viewer can just watch over and over again. With so much going on, one can literally watch them scores of times and catch something new every time. Short as they are, I love these films of everyday people and things from the 1890s and early and mid-Aughts. The films on this collection in particular span the years 1900 to 1906, covering the early Edwardian period (and the very end of the Victorian era, as Queen Victoria died in 1901). Unlike the films produced by Thomas Edison and the Lumière brothers, however, Sagar Mitchell and James Kenyon actively encouraged these people they were filming to interact with the camera. The majority of the people in these films were from the working masses (sadly, quite a few of them were child laborers), the main audience for films in the medium's infancy, and they got a real kick out of seeing themselves onscreen. In many instances, these films were shown the very day they were shot, sometimes under 4 hours afterwards. Watching these films is like a time capsule, what with the horse-drawn transportation, early automobiles, clothing styles, store signs, and early amusement parks. It's also haunting to realise that all of the people in these films (but for maybe a few very young children here and there) are long dead, and that many of these little boys and teenage boys would, not that many years down the road, be sacrified on the altar of WWI, capturing this lost generation before their world changed forever. One also can't help but wonder what these people's hopes and dreams were, what went on in their lives after they stopped waving at the cameras and went home, what it was really like to live in that long-ago world.

Extras include a featurette on how this treasure trove came to be discovered and the painstaking process of restoration, several extra films, an interview with Vanessa Toulmin, one of the restorers, audio commentary by Ms. Toulmin, and an essay read by Tom Gunning, accompanied by images from several more films. This really is an invaluable resource for discovering how people really lived in the Edwardian era and for learning more about early film and how fast it changed. This type of film was no longer popular by the end of the decade because people now preferred narrative storylines with real actors, not seeing themselves or other ordinary people on the screen. And even though one usually thinks of films from the Aughts as being like this, in actual fact movies were no longer seen as a novelty or something experimental and faddish by 1900, and there were more and more films with a narrative structure being made at the same time as these people in Ireland and the United Kingdom thrilled to seeing themselves on the screen. The films included here are just the tip of the iceberg; over 100 Mitchell and Kenyon films are known to survive, and all of them restored from their original negatives. Hopefully there will be more volumes just like this one!

7 of 8 people found the following review helpful:

5.0 out of 5 stars An amazing look back in time, September 1, 2006

By 

John (Hackettstown, NJ) - See all my reviews

This review is from: Electric Edwardians - The Lost Films of Mitchell & Kenyon (DVD)

Before viewing the actual films, I would suggest watching the brief documentary about the restoration work. Although the films presented on the DVD were prepared from the original negatives, seeing what the restoration team actually had to work with might temper your expectations a bit, and make you more forgiving for those films that are less than perfect and show signs of deterioration. After all, the reels of negatives were kept in a basement for a century.

Having said that, most of the films here are the clearest, most detailed moving images I have ever seen from that time. While films from that era are not that uncommon, most of what we see today come from prints that are either worn and battered, or several generations removed from the original negatives, or both. Since these films were created from the original negatives, they retain the detail and clarity that audiences saw when they were originally shown (some of that, of course, is the result of restoration work).

What makes these films even more interesting is that many of those pictured are interacting with the camera, so it almost seems that they are interacting with us over the space of a century. It's also fascinating to think that although everything about that period seems so far in the distant past, there are many people born in that era who are still alive today. It's not as far away as we might think.

This is definitely worth purchasing for those who have an interest in history or the early years of film.