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Editorial Reviews
Amazon.com
There are very few men who wouldn’t eagerly sell their souls to be with Penelope Cruz (or whatever character she happens to be playing). But with Elegy, director Isabel Coixet and screenwriter Nicholas Meyer (adapting a novel by Philip Roth) pose some thorny questions: How many are willing, let alone able, to see past a woman’s beauty and embrace her true being? And when beauty fades, what then? David Kepesh (Ben Kingsley) is a successful New York author, teacher, and literature maven; a semi-celebrity due to regular TV appearances, he’s self-satisfied if not exactly smug, seemingly unconcerned about his advancing age (he’s now in his sixties, but as he tells us in voice-over, "In my head, nothing’s changed") or his strained relationship with the son (Peter Sarsgaard) who still resents him for abandoning his marriage years ago, and content with his occasional and purely sexual relationship with a middle-aged businesswoman (Patricia Clarkson). All of that changes when Consuela Castillo (Cruz) enrolls in one of his classes. More than 30 years his junior, she’s not just gorgeous but mature and smart as well. And for all his worldly cool, charm, and experience, once he’s involved with Consuela, David turns into just another possessive, jealous, obsessed ("On the nights she isn’t with me, I am deformed"), and insecure man, convinced that it’s only a matter of time before their age difference pulls them apart. It’s a given that David will see to it that his self-fulfilling prophecy comes true. But will his lies and fear of commitment prove to be his ruination, or will the tragedies that ensue help him find a path to redemption? The film’s various performers (including Dennis Hopper as David’s best pal) and overall sophisticated, grownup tone, along with Cruz’s almost impossible beauty, make Elegy consistently watchable and compelling. --Sam Graham
Product Description
Respected cultural critic and author David Kepesh (Ben Kingsley) is a middle-aged college professor who, for years, has lived in a state of "emancipated manhood." His romantic conquests are many; his lasting commitments, few. But when a stunning young student named Consuela Castillo (Penelope Cruz) enters his life, her otherworldly beauty captivates him to the point of obsession. Soon, their erotic relationship evolves into an undying and passionate love in this gripping drama that explores the power of love to blind, reveal and transform.
Customer Reviews
Most Helpful Customer Reviews
28 of 28 people found the following review helpful
Format:DVD
Elegy with Ben Kingsley and Penelope Cruz in leading roles - fine performances by Dennis Hopper and Patrica Clarkson as well.
Some reviewers disliked the film calling it trite, as the erudite but emotionally impotent David Kepesh (Kingsley) with his life long committment to hedonism (particularly womanizing) leaves some unsympathic to his plight and the movie in general.
Masterfully portraying the cold hearted and ultimately frightened Kepesh (wanting to end the best relationship of his life before his girlfriend ends it first, or so he tells himself) the film shows a man of culture, wit and fine intellectual prowess lay bare his world as friends die and the shallow nest of his life is flayed open.
Not a happy feel good movie, and certainly not a movie for folks who like formula characters who are politically correct at every turn, but this poignant, poetic film with hauntingly beautiful music has much to offer discerning tastes.
Unflinchingly it reminds us of the rentless movement of time, of life's unpredictable geography, of choices made, and of those simple moments of redemption.
I hope we'll see more work by this director.
Some reviewers disliked the film calling it trite, as the erudite but emotionally impotent David Kepesh (Kingsley) with his life long committment to hedonism (particularly womanizing) leaves some unsympathic to his plight and the movie in general.
Masterfully portraying the cold hearted and ultimately frightened Kepesh (wanting to end the best relationship of his life before his girlfriend ends it first, or so he tells himself) the film shows a man of culture, wit and fine intellectual prowess lay bare his world as friends die and the shallow nest of his life is flayed open.
Not a happy feel good movie, and certainly not a movie for folks who like formula characters who are politically correct at every turn, but this poignant, poetic film with hauntingly beautiful music has much to offer discerning tastes.
Unflinchingly it reminds us of the rentless movement of time, of life's unpredictable geography, of choices made, and of those simple moments of redemption.
I hope we'll see more work by this director.
19 of 19 people found the following review helpful
Format:DVD
Character-fueled without skimping on story, Coixet and Meyer make it easy for us to understand the perspectives and motives of each lead without asking the viewer to like or sympathize with them. Interactions are believable within context, and dialogue is natural and interesting. Although the film is about a refined cultural critic, it never itself feels pretentious (Ben Kingsley's appropriately upturned nose notwithstanding).
Nor is the film judgmental. Once gravity is lent to what might seem a minor life crisis, the masterful pacing leaves little room to consider the defensibility of the choices made before us. Short scenes are interspersed with longer bits of dialogue, the end result being a well-proportioned mix that is constantly fluid. The shot selection keeps the film visually interesting, even in the more cerebral scenes of extended dialogue. Every once in a while, a visual metaphor seems unnecessary and contrived--as in when wilted leaves fall from a potted plant--but such annoyances are few and far between.
Kingsley is certainly in his element here, and his classical training enables him to indulge his inner British snob without guilt. His transformation from accomplished, confident sophisticate to love-struck, helpless old man is nuanced and captivating.
Not just anyone can reduce a man like that to helplessness; this feat is performed by Penelope Cruz (who else?). It's fair to say that Cruz is often typecast as the Latin seductress, but it is a role she has perfected--even elevated--in films like Todo Sobre Mi Madre. This is her at her most sympathetic, and she manages to bring something new to a role that could have easily been phoned in.
Dennis Hopper's performance is similarly familiar as a renowned American poet with 60's-era ethical permissiveness and a taste for striking women far younger than he. Like Cruz, he avoids switching on the autopilot, and eschews familiarity for freshness.
Elegy is perfectly cast, beautifully shot, and refreshingly accessible for a film of its caliber.
Nor is the film judgmental. Once gravity is lent to what might seem a minor life crisis, the masterful pacing leaves little room to consider the defensibility of the choices made before us. Short scenes are interspersed with longer bits of dialogue, the end result being a well-proportioned mix that is constantly fluid. The shot selection keeps the film visually interesting, even in the more cerebral scenes of extended dialogue. Every once in a while, a visual metaphor seems unnecessary and contrived--as in when wilted leaves fall from a potted plant--but such annoyances are few and far between.
Kingsley is certainly in his element here, and his classical training enables him to indulge his inner British snob without guilt. His transformation from accomplished, confident sophisticate to love-struck, helpless old man is nuanced and captivating.
Not just anyone can reduce a man like that to helplessness; this feat is performed by Penelope Cruz (who else?). It's fair to say that Cruz is often typecast as the Latin seductress, but it is a role she has perfected--even elevated--in films like Todo Sobre Mi Madre. This is her at her most sympathetic, and she manages to bring something new to a role that could have easily been phoned in.
Dennis Hopper's performance is similarly familiar as a renowned American poet with 60's-era ethical permissiveness and a taste for striking women far younger than he. Like Cruz, he avoids switching on the autopilot, and eschews familiarity for freshness.
Elegy is perfectly cast, beautifully shot, and refreshingly accessible for a film of its caliber.
16 of 17 people found the following review helpful
This serious, small movie ends up being a real pleasure for fans of intelligent movie-making
May 26, 2009
Format:DVD
The first 30 minutes or so of Elegy were a bit uncomfortable...the idea and sight of Ben Kingsley's 60-ish character trying to seduce (well, "woo" as he jokingly tells his professor pal played by Dennis Hopper) a playing-24-year-old Penelope Cruz will do that. But that uncomfortableness slowly lessens as you see the maturity that Cruz's character possesses...and the immaturity displayed by Kingsley's David Kepesh. As Hopper's character pointedly tells Kepesh, "You need to grow old...and grow up." It's a spot-on piece of advice.
This serious, small movie ends up being a real pleasure for fans of intelligent movie-making. This one has it all: the pedigree of a Philip Roth novel; adapted for the screen by Nicholas Meyer; superbly directed by Isabel Coixet; and a first-rate cast of Kingsley, Cruz, Hopper, Patricia Clarkson, and Peter Sarsgaard. Moreover, there's the Easter Egg-like treat of a performance by Deborah Harry, almost unrecognizable out of her erstwhile Blondie persona.
Of special note are the one-on-one scenes between Kingsley and Hopper. You can tell they had a lot of fun together. There's a deep respect for each others' talents that plays out on the screen. The DVD's featurette confirms this: Kingsley speaks of "Dennis' rhythm as an actor" (that's a great observation), while Hopper speaks glowingly of "working with Sir Ben."
Cruz continues to be a revelation. When trying to break into English-speaking roles, she made a string of stinkers. Now, with Volver, Vicky Cristina Barcelona and Elegy, she's entered a pantheon of actresses inhabited by very few. Not many women of her stature could pull off what she does in Elegy: age 33+ in the filming, she's a 24-year-old graduate student in this film. From the moment she walks into Kingsley's class, you believe it. She's stunning, classy and youthful. Now, juxtapose that vs. the world-weariness she needed to exhibit to pull off what she did in Volver. Incredible stuff.
This serious, small movie ends up being a real pleasure for fans of intelligent movie-making. This one has it all: the pedigree of a Philip Roth novel; adapted for the screen by Nicholas Meyer; superbly directed by Isabel Coixet; and a first-rate cast of Kingsley, Cruz, Hopper, Patricia Clarkson, and Peter Sarsgaard. Moreover, there's the Easter Egg-like treat of a performance by Deborah Harry, almost unrecognizable out of her erstwhile Blondie persona.
Of special note are the one-on-one scenes between Kingsley and Hopper. You can tell they had a lot of fun together. There's a deep respect for each others' talents that plays out on the screen. The DVD's featurette confirms this: Kingsley speaks of "Dennis' rhythm as an actor" (that's a great observation), while Hopper speaks glowingly of "working with Sir Ben."
Cruz continues to be a revelation. When trying to break into English-speaking roles, she made a string of stinkers. Now, with Volver, Vicky Cristina Barcelona and Elegy, she's entered a pantheon of actresses inhabited by very few. Not many women of her stature could pull off what she does in Elegy: age 33+ in the filming, she's a 24-year-old graduate student in this film. From the moment she walks into Kingsley's class, you believe it. She's stunning, classy and youthful. Now, juxtapose that vs. the world-weariness she needed to exhibit to pull off what she did in Volver. Incredible stuff.
Most Recent Customer Reviews
some of the most beautiful music as background is "Vedro con mio...
This is not a complete review of the movie since all that has been said I agree with. Did anyone notice the gorgeous music in the love scenes between Sir Ben Kingsley and Miss... Read more
Published 2 months ago by Maria Eugenia Adams
elegy
A great movie that is very suttle, but realistic from beginning to end with an excellent cast that plays their part to an art form.
Published 3 months ago by richard j fowler
Good movie, some reviewers seem to have Rorschach "issues"
I was surprised how much I liked this film.
Good character portraits, though there seemed to be more insight WRT him than her. Read more
Good character portraits, though there seemed to be more insight WRT him than her. Read more
Published 3 months ago by mattyd
The Wound we never see
Most of us acquire a "wound" early in life that says "we aren't good enough". When my parents divorced at age 5, I was given such a wound that was demonstrated as a "shyness". Read more
Published 4 months ago by Sam F
An intense and intriguing film!
I found myself focusing on the two moles/growths on Ben Kingsley's face and I realized that everything in this film in there for a reason. Read more
Published 6 months ago by HarpswellWoman
Self-indulgent and mysoginist
Bottom line: Phillip Roth, the author of the novella on which this film is based, hates women and is really angry about growing old, and it shows. Read more
Published 9 months ago by alltattedup
Great story well acted
Nicely done film about young student and older prof, getting old, relationships, etc. Not much "action" but great scenes between PC and BK, some good tension at times, and an... Read more
Published 12 months ago by Scholar
"When you make love to a woman you get revenge for all the things that...
ELEGY was adapted by Nicholas Meyer from Philip Roth's novel, "The Dying Animal."
The film is a relentlessly melancholy story of an aging college professor who has an... Read more
The film is a relentlessly melancholy story of an aging college professor who has an... Read more
Published 16 months ago by Annie Van Auken
Misanthropic Professor's 'redemption' comes a little too late in the...
*** This review may contain spoilers ***
Why won't they learn? I'll say it over and over: sad sacks do not make for good drama. Read more
Why won't they learn? I'll say it over and over: sad sacks do not make for good drama. Read more
Published 21 months ago by Turfseer
OMG!!!!! LIFE CHANGING
This movie was recommended by a friend of mine, who I call a "movie buff". To me, this is probably one of the deepest movies I have seen in a long time!!!! Read more
Published 22 months ago by Marie
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