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Elementals: Stories of Fire and Ice [Unabridged] [Audio CD]

A.S. Byatt (Author), Virginia Leishman (Narrator)
4.0 out of 5 stars  See all reviews (27 customer reviews)


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Book Description

2001
4 sound discs (4 3/4 hrs.) Crocodile tears -- A lamia in the Cevennes -- Cold -- Baglady -- Jael -- Christ in the house of Martha and Mary.

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Product Details

  • Audio CD
  • Language: English
  • ASIN: B000H3H9WM
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (27 customer reviews)
  • Amazon Best Sellers Rank: #6,881,669 in Books (See Top 100 in Books)

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Customer Reviews

27 Reviews
5 star:
 (8)
4 star:
 (13)
3 star:
 (3)
2 star:
 (3)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.0 out of 5 stars (27 customer reviews)
 
 
 
 
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14 of 14 people found the following review helpful:
4.0 out of 5 stars An exquisite little book, November 9, 1999
By A Customer
I found the opening story, "Crocodile Tears," rather disappointing, but things soon get better. "A Lamia in the Cevennes," about an artist who finds a lovely mythical beast in his swimming pool, offers another version of the old conflict between the artist's romantic ideal and harsh reality. The artist in question refuses to make the lamia turn human, with reason, as it turns out, since the beautiful and mysterious fantastic monster turns out to be a vulgar and rather stupid woman. "Cold" is the best of the book, a fairy tale about a woman of ice and a man of the desert who fall in love, with the inevitable clash, until the two are united in a palace of glass, which unites the beauty of ice, but comes from fire. The rest are little vignettes that range from the charming to the disturbing. As a whole, a treat.
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13 of 13 people found the following review helpful:
3.0 out of 5 stars Sensuous indulgence, February 23, 2000
Elementals. A S Byatt. Chatto and Windus. £12 (UK)

Subtitled 'Stories of Fire and Ice', A S Byatt's latest collection are works of sensuous indulgence. Occasionally her story-telling gifts are overwhelmed by the detail of her sensory observations, yet most readers will forgive this and allow themselves to be carried away by her mission to winkle out the truth of a subject through finding exactly the right words. In a similar way, the artist in 'A Lamia in the Cevennes' becomes obsessed with capturing the exact blue of his swimming pool. The challenge makes him happy, 'in one of the ways in which human beings are happy.'

In Crocodile Tears, Patricia has lost this ability to be happy. She notes her surroundings, the heat and history of Nimes, with sublime indifference. This opening story gets off to a flying start. Having argued with her husband as to whether a painting in a London art gallery is banal or not, Patricia rounds the stairs to see him lying dead at the bottom, surrounded by concerned couriers and paramedics. Hearing them pronounce him dead, she walks straight past, gets a train to Paris then south, eventually ending up at Nimes. A fellow guest in the hotel she has picked at random tries to bring her out of her grief: "You may sit there, glass-eyed while things slip past...crocodile fountains, the stones of this city. Or you may look with curiosity and live."

The same message is given in the final story: 'Christ in the House of Martha and Mary'. An artist paints fish and eggs in a kitchen where the cook bemoans her fate. The artist tells her, "the divide is not between the servants and the served, between the leisured and the workers, but between those who are interested in the world and its multiplicity of forms and forces, and those who merely subsist, worrying or yawning."

Byatt paints beautiful word pictures for the reader to admire. In 'Cold' she builds them out of snow and ice and intricate glass palaces. In Jael she takes us into a posh girl's school where a pupil colours in a biblical picture with a bright red crayon. From here she recreates every nuance of the atmosphere of the school: "whenever I remember that patch of fierce colour I remember, like an after-image, a kind of dreadful murky colour, a yellow-khaki-mustard-thick colour, that is the colour of the days of our boredom."

The lyricism of the collection is balanced by a sharp, sometimes surreal, wit, as when the Lamia (half woman half snake) appears in the artist's pool and tries to seduce him, finally making do with his friend. In 'Baglady' a well-to-do wife accompanying her husband on a business trip to the Far East finds herself lost and penniless in the nightmarish Good Fortune Shopping Mall. A policeman moves her on with a stick. Throughout the book, fairytale and mythical elements combine with insights into modern life. This is a collection to be savoured slowly.

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6 of 6 people found the following review helpful:
5.0 out of 5 stars Stories of extremes, December 13, 2000
Byatt's collection of sumptuous stories reminded me of Banana Yoshimoto, Emma Donoghue, and Jeanette Winterson. These tales seem like modern faerie tales without the classic imagery. Or rather, with the classic imagery shifted. In "Cold", an ice princess discovers true love in a desert land. In my favorite in the collection, "Christ in the House of Martha and Mary", a cook finds the meaning of art in life. These tales of extremes of emotions, temperatures, lives are full of joy and life, and make many a reader celebrate. This will certainly not be the last book by Byatt I'll read.
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