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Most Helpful Customer Reviews
14 of 15 people found the following review helpful:
3.0 out of 5 stars
Confusing murder in retrospect mystery,
By
This review is from: Elephants Can Remember (Hercule Poirot) (Mass Market Paperback)
Celia Ravenscroft is but a little girl when both her parents commit suicide. Never did she worry about the real reasons for that dramatic event, until today when she stands on the verge of getting married to Desmond Burton-Cox. Only one question suddenly seems of importance: Who killed whom, Celia's father or mother? Reason enough for Ariadne Oliver, Celia's godmother, to pay a visit to her old friend Hercule Poirot. The famous sleuth persuades Mrs. Oliver to delve -with his guidance, of course- into the past, to find the persons who are like elephants, the persons who will still remember the important details about this all-but-forgotten tragedy.Elephants Can Remember is Agatha Christie's next to last work of detection and the author shows clearly signs of age, which is understandable since she was eighty-two years old and in failing health. Elephants Can Remember is a "murder in retrospect" mystery. Although Christie has proven to fully master this format -see Sparkling Cyanide and Five Little Pigs- she now quickly looses touch with the story. She is forced to sow the narrative together with vague memories of a series of old spinsters and suddenly even events that should easily be remembered are covered by the veil of forgetfulness. No surprise that the plot is total confusion. It is less a mystery than a scrapbook of memories. Action is less important than atmosphere, which makes the story quite tedious and difficult to hang on to. Nevertheless, the experienced reader will figure out the solution to this not too mysterious mystery halfway through the book.
6 of 6 people found the following review helpful:
4.0 out of 5 stars
What the Dog Noticed,
By
This review is from: Elephants Can Remember (Hercule Poirot) (Mass Market Paperback)
"Elephants Can Remember" does not read like a typical Hercule Poirot mystery. Agatha Christie's famed detective is drawn into an old case by his friend, the amateur sleuth and mystery writer Ariadne Oliver. The case involves what was apparently the double suicide of a loving husband and wife, and the concern that these past actions might have left a horrible impact upon their children.
The story switches between the findings of Ariadne Oliver and Hercule Poirot as they each go in search of 'elephants' who might remember what happened around the time of the accident, because after all, an elephant never forgets. While there is no definite evidence as to what happened, there are those who have never accepted the double suicide theory because they couldn't answer the question why. But with Poirot and Mrs. Oliver working together, a long-unspoken truth is certain to be uncovered. "Elephants Can Remember" is classic Agatha Christie, in terms of mystery. It's central mystery has a unique, if perhaps a little predictable, twist, the denouement of which is quite evenly paced and satisfactory. However, this might be one novel where the time period of the plot is more glaring than others. The prose is heavy-handed at times and one does get a little sick of all the mentions of 'elephants'. The characters are borderline two-dimensional and, therefore, the reader does not care about them, even if they are still interested in the mystery at hand.
11 of 13 people found the following review helpful:
1.0 out of 5 stars
Egregiously Bad, Monumentally Boring, and No Mystery,
By Alexander Avenarius (Bratislava, Slovakia) - See all my reviews
This review is from: Elephants Can Remember (Mystery Masters) (Audio CD)
This must be the worst Agatha Christie book ever. It's her very last Hercule Poirot novel, and one can see that the writer is very old by now (82). There is no freshness left in her prose; it is stale, predictable, corny, and generally trashy. As other reviewers have said, the material contained here would barely be enough to sustain a short story. To make a full-length novel out of this really is ridiculous. The book fails at what normally is Agatha Christie's greatest strength: the plot and the denouement. With dozens of pages left to go, the reader *knows* the solution! Unheard of in the world of Christie; if for nothing else, then for this the novel cannot be rated higher than 1 star. However, the characters and dialogs are boring and cliche-ridden as well, so the book has no redeeming qualities either. Nothing ever happens on the 200 pages of this book; no crime, no mystery, no real conflict among characters; it's all just endlessly boring talk, talk, and nothing but talk about the past. The only interesting thing, perhaps, is to contemplate the autobiographical hints Christie gives us in describing one of the novel's detectives, Ariadne Oliver -- a mystery writer. But these hints are only interesting because they throw light on our favourite writer, Agatha Christie -- they are not interesting in themselves and therefore do not improve the book's literary quality. It was excruciating to have to wade through the turgid prose of this book; this title cannot be recommended to anyone except extreme Christie enthusiasts.
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