Elgar: Enigma Variations; Cockaigne Overture

Edward Elgar (Composer), David Zinman (Conductor), Baltimore Symphony Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Baltimore Symphony Orchestra
• Conductor: David Zinman
• Composer: Edward Elgar
• Audio CD (October 9, 1989)
• Number of Discs: 1
• Label: Telarc
• ASIN: B000003CVI
• Average Customer Review: 4.8 out of 5 stars  See all reviews (6 customer reviews)
• Amazon Best Sellers Rank: #175,276 in Music (See Top 100 in Music)
  • #69 in Music > Classical > Historical Periods > Romantic (c.1820-1910) > General

Track Listings

1. In London Town: Concert Overture, Op. 40

2. Enigma Variations, Op.36

3. I. Allegro Piacevole

4. II. Larghetto

5. III. Allegretto

6. Love's Greeting, Op.12

Customer Reviews

Most Helpful Customer Reviews

10 of 10 people found the following review helpful:

5.0 out of 5 stars Zinman's Great Interpretations of Elgar's Music, May 7, 2001

By 

John Kwok (New York, NY USA) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (REAL NAME)   

This review is from: Elgar: Enigma Variations; Cockaigne Overture (Audio CD)

I recently stumbled upon this recording after hearing others with David Zinman conducting the Baltimore Symphony Orchestra and the Tonhalle Orchestra of Zurich. Without a doubt, this early recording of his with the Baltimore Symphony Orchestra shows why he is one of our most distinguished, if underrated, conductors. The Baltimore Symphony Orchestra plays these Elgar works with ample passion and precision, at a level of excellence that one expects from the American "Big Five" orchestras (Those in Boston, Cleveland, Chicago, New York and Philadelphia.). Zinman is a compassionate interpreter of Elgar's music, but also a fine technician who does a great job probing the vast dynamic range of these scores. So I can understand why British music critics have greatly admired these interpretations of Elgar's music. Telarc's sound engineers have produced another fine well-balanced recording.

10 of 11 people found the following review helpful:

4.0 out of 5 stars Excellent recording, July 28, 2005

By 

Mike G. (Cleveland, Ohio) - See all my reviews

This review is from: Elgar: Enigma Variations; Cockaigne Overture (Audio CD)

This recording has definitely grown on me. I own three recordings of this work. This was the first one that I purchased, and I later bought Gardiner/Vienna Philharmonic and Solti/Vienna Philharmonic. The last two soon eclipsed this recording, but it came back into favor when I began to realize its merits.
In my Gardiner/VP veview, I pointed out that Gardiner brings a distinctly German feel to Elgar, and the interpretation seemed justified. The program here is almost identical to Gardiner's in regards to the type of selections. Zinman has 'Cockaigne', a concert overture, the short piece 'Love's Greeting', and the 'Serenade for Strings', while Gardiner has 'In the South' concert overture, 'Sospiri', a short adagio for strings and organ, and the 'Introduction and Allegro', also for strings. And of course both have Enigma. What I noticed when comparing these two albums was that Zinman's interpretation was as English sounding as Gardiner's was German. Each chose the perfect program to represent his own style (Zinman's pieces sound significantly more English), and the only overlap of interpretation happens in Enigma. In my opinion, the style could lean either way. Zinman conducts the Variations smoothly and rather as a whole (incidentally, there is only one 30-minute track here and not the usual 15 tracks). He emphasizes balance between the groups of instruments and is particularly keen on dynamic relationships. The Baltimore Symphony Orchestra is very stately, even in the very loud parts, and never overblown. They are still able to create large volumes of sound, but always in a controlled manner.
Each recording has its slight problems (I gave all three CDs 4 stars each). I think the recording quality is excellent, and my problems with this recording are entirely subjective. The Serenade for Strings was a bit too lackluster for my taste, although here I should say that most other recordings are far worse and just turn this piece into "filler-mush". Zinman is not bad here, but I think if the pace were quickened in the first two movements it would help the flow a lot. As far as the Enigma Variations are concerned, Zinman takes about half the marked tempos, and the other half of the time he takes traditionally slower tempos. In my opinion, more movement could only benefit the performance here as well. I had my friends do a blind comparison of this recording of 'Nimrod' against Gardiner's and Solti's. They all came to the conclusion that in comparison Zinman's Nimrod was the least dynamic and impressive. I can't find fault with anything else though, so if you disagree with all of this tempo stuff, then enjoying the disc shouldn't be even the slightest problem.

12 of 14 people found the following review helpful:

5.0 out of 5 stars Sonic and musical demonstration disc par excellence, August 15, 2000

By A Customer

This review is from: Elgar: Enigma Variations; Cockaigne Overture (Audio CD)

This is one of the very first CDs that I ever bought and it is safe to say that of the 300 or so CDs that I've collected over the past ten years, it is still probably the finest in terms of engineering quality. From the most tenuous whisper to the most thunderous tutti, even the minutest detail comes through with the utmost transparency, in totally realistic aural projection and dynamic perspective. One could use the overwhelming organ-laced climaxes of Cockaigne Overture and Enigma Variations to test the dynamic limits of one's sound system and yet the sound always remains crisp, never degenerating into noise.

Zinman's prowess as an orchestral trainer deserves much of the credit for his orchestra's avoidance of sonic blatancy and his readings are fully worthy of the Telarc sound lavished upon them. These performances are far more than merely polished, demonstrating a deep sympathy for the Elgarian idiom. At the same time, they make this music sound brand new. Musically, I would place Zinman's version of the Enigma Variations slightly ahead even of Monteux's LSO recording and the other performances are no less impressive.