Elgar: Violin Concerto / Chausson: Poème

Daniel Barenboim [Conductor], Zubin Mehta [Conductor] Itzhak Perlman [Violin] (Artist), Sir Edward [Composer], Chausson, Ernest [Composer] Elgar (Composer), Daniel Barenboim (Conductor), Zubin Mehta (Conductor), Chicago Symphony Orchestra (Orchestra), New York Philharmonic (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Chicago Symphony Orchestra, New York Philharmonic
• Conductor: Daniel Barenboim, Zubin Mehta
• Composer: Sir Edward [Composer], Chausson, Ernest [Composer] Elgar
• Audio CD (November 22, 2011)
• Number of Discs: 1
• Label: Deutsche Grammophon
• ASIN: B000001GO7
• In-Print Editions: MP3 Download
• Average Customer Review: 3.6 out of 5 stars  See all reviews (8 customer reviews)
• Amazon Best Sellers Rank: #153,230 in Music (See Top 100 in Music)
  • #66 in Music > Classical > Historical Periods > Romantic (c.1820-1910) > General

Editorial Reviews

Amazon.com essential recording

Perlman's Elgar has always caused consternation among English critics, largely because it's so much better played from a purely technical point of view than any performance by an English violinist. With its relatively swift tempos, the performance is sometimes judged to be lacking in repose and "inwardness," whatever that is. All of this is complete nonsense. Perlman's playing of this extremely long and difficult concerto places it squarely in the grand Romantic tradition, which is precisely where it belongs. He plays the pants off the piece, and in Daniel Barenboim he has an excellent Elgar conductor leading an orchestra (the Chicago Symphony) of almost peerless quality. An essential Perlman disc. --David Hurwitz

Product Description

Elgar: Violin Concerto / Chausson: Poème by Itzhak Perlman [Violin], Daniel Barenboim [Conductor], Zubin Mehta [Conductor]

This product is manufactured on demand using CD-R recordable media. Amazon.com's standard return policy will apply.

Customer Reviews

Most Helpful Customer Reviews

21 of 24 people found the following review helpful:

5.0 out of 5 stars Dedicated to... a certain pretty Windflower, January 19, 2000

By 

Samuli Repo (Helsinki, Finland) - See all my reviews

This review is from: Elgar: Violin Concerto / Chausson: Poème (Audio CD)

How difficult it is to remain distant and objective about a performance and a piece of music that you absolutely love. This is one of them, and I must apologise all readers who do not share my feelings towards Perlman's version of the Elgar concerto - try as I would, any attempts of mine to analyze the performance or the recording as such are doomed to fail. And yet I can not resist to put in a few words about this disc, in the hope that a spark will catch on somewhere out there...

As DH mentions in his Amazon review, Perlman's performance has mostly been shunned by British reviewers - his playing here has been described to the lines of 'technical dazzle and nothing much more'. Now, if we were talking about Elgar's Cello concerto, one of his most autumnal 'late' works, I would readily accept criticism as far as 'lack of restraint' goes. However, the Violin Concerto has, in many hands, only suffered from excessive punch-pulling.

I mean, just look at the piece. Elgar himself dedicated the work to someone's soul (he never revealed who the person was but I very strongly suspect that it was a lady, judging by the music). So, the Concerto is not about restraint at all. It's about letting your feelings go at full blast! It's about being young and in love, full to the brim with sweet and noble intoxication! It's about...

Well I did warn you. Anyway, to be honest, I do not think Perlman overdoes it to the least extent, neither is there any hint of self-indulgent virtuoso display (despite the fact that he handles even the most hair-raisingly demanding passages of the nearly 50-minute piece with magisterial ease). I've heard quite a few other versions of this work, and none of them come as close to the heart of the Concerto as this.

And, if it's just because Perlman's is the version through which I discovered and learnt to appreciate this Concerto, well... so be it. First love always has its own particular tinge. Sweet memories. Wonderful music. What more can you ask for? I'll keep the memories to myself but this CD is for you to buy. I rest my case!

19 of 23 people found the following review helpful:

4.0 out of 5 stars A worthy effort--but don't miss Chung's version., March 16, 2000

By 

Frank Beck (New York, NY USA) - See all my reviews
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This review is from: Elgar: Violin Concerto / Chausson: Poème (Audio CD)

Perlman and Barenboim provide an interpretation with plenty of finesse and excitement, but I would urge anyone who loves this work--or wants to explore it--to hear the recording by Kyung-Wha Chung and Sir Georg Solti that was reissued last year by Decca, coupled with the Mendelssohn concerto.

Chung is better than anyone I've heard at capturing the mercurial qualities of Elgar's score. Pinchas Zukerman once said that of all the violin concertos in the repertory he found this one the most difficult, not technically, but because of the complexity of the emotions it expresses. Listen, for example, to the tenderness with which the violin makes its first entry, and then compare that to the extroverted feelings expressed elsewhere in the first movement.

Chung is particularly good in the meditative passages of the cadenza, which she plays with riveting intensity. And listen to the impassioned way she later bids the themes farewell and launches into the coda. Solti's partnering is superb, and the recording is excellent.

Chung's version is available from Amazon but you may have trouble finding it, because it's just listed under Elgar's Violin Concerto as "Concerto Violin (2)" with no indication of the artist. The disc is also available from Amazon.co.uk, which has a complete listing for it.

2 of 2 people found the following review helpful:

3.0 out of 5 stars Good but not in the Elgar Style, January 14, 2009

By 

MusicLover - See all my reviews

This review is from: Elgar: Violin Concerto / Chausson: Poème (Audio CD)

Perlman is one of my favorite violinists; he has the richest violin tone (a bit thicker than Oistrakh's), has an impeccable sense of phrase and timing, and has astonishing Heifetz-like technique. However, despite these positive attributes, he plays in the same schmaltzy style in nearly all of his pieces. This style, simply put, does not really work to bring the Elgar Violin Concerto to life

The Elgar Violin Concerto is one of my favorite concertos. It has a herculean quality, and contains some of the most beautiful and somber melodies in any violin concerto. In my opinion, in order to play the Elgar Concerto well, one must really understand the phrase and shape it without adding excessive sentimentality. There must also be an English-like nobility to the piece. Perlman's version, while technically very accurate, simply is too sentimental for this piece. There is very little sense of dramatic urgency here, even in the piece's many climaxes. While Perlman's style is fit for Kreisler pieces, it simply does not fits here. I would suggest that one listen to the early Menuhin and Kennedy recordings of this piece.