Elisabeth Schwarzkopf (Hardcover)

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Editorial Reviews

Amazon.com Review

Among opera divas, perhaps no star shines as bright as that of Elisabeth Schwarzkopf, arguably the finest Mozart and Strauss soprano in the past 50 years. Though she gave her farewell performance in 1979, her recordings remain enormously popular today. So the revelation of her past connections with the Nazi Party must come as something of a shock to her admirers. In his biography Elisabeth Schwarzkopf, Alan Jefferson relies on his extensive research of archival information--including the Party's 2,000-page file on Schwarzkopf--to reveal the full extent of her willing cooperation with the Nazis, a relationship that Schwarzkopf has consistently downplayed in the years following the war.

Although Schwarzkopf's Nazi past is undoubtedly a bombshell to her fans, Jefferson is reluctant to emphasize it more than other aspects of his subject's life. He also explores the complicated relationship between Schwarzkopf and her husband and partner, Walter Legge, as well as her working relations with Europe's greatest conductors. Anyone interested in a balanced, truthful account of Elisabeth Schwarzkopf's life and work will find Alan Jefferson's Elisabeth Schwarzkopf fascinating reading.

From Library Journal

Jefferson, the author of biographies of Richard Strauss, Sir Thomas Beecham, and Lotte Lehmann, brings his experience to bear on the first biography of the noted Lieder and opera singer, soprano Elisabeth Schwarzkopf. What emerges is the portrait of an ambitious singer who put her career ahead of everything, including politics. The drama of a young musician's coming of age during World War II and success as one of the post-war period's most acclaimed sopranos makes a pleasing story. The retired Schwarzkopf declined to participate in this biography, perhaps because of the controversy surrounding her early years in Germany when she was associated with the Nazi party. As a result, questions about her personal life, especially her relationship with her influential and somewhat controversial husband, producer Walter Legge, remain unanswered. Though Schwarzkopf still guards many secrets, Jefferson's biography provides an excellent musical portrait of the singer and the era and is an appropriate choice for most music collections.?James E. Ross, WLN, Seattle
Copyright 1996 Reed Business Information, Inc.

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Product Details

• Hardcover: 304 pages
• Publisher: Northeastern (July 2, 1996)
• Language: English
• ISBN-10: 1555532721
• ISBN-13: 978-1555532727
• Product Dimensions: 9.3 x 6.2 x 1.1 inches
• Shipping Weight: 1.3 pounds
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #1,780,628 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

7 of 10 people found the following review helpful:

4.0 out of 5 stars A needed balance for both artist and woman?, March 12, 1999

By	Manuel Reguillo-Cruz (Guadalajara, Jalisco Mexico) - See all my reviews

I've been waiting for three months to write this review, because I didn't fully understand Jefferson's points: on the one hand this biography resembles a cultural history of postWeimar era (he certainly is an expert in that field); on the other, he starts promisingly what seems is going to be a series of unveiled actions and secrets and deeds performed by Schwarzkopf in Berlin and elsewhere. But he doesn't honour his promise. He limits to suggest that she could've been Goebbels' favourite (lover); that she exercised her radiant and ravishing looks to gain the favour of producers, directors in Berlin and Vienna within a rapacious careerism. He doesn't go any further. Jefferson himself has responded to criticism in Amazon.com saying that he wrote about someone who's still alive and his pains with Editor Victor Gollancz, all of which didn't allow him too much room to display the "proof he has in his hands about Schwarzkopf's deeds with the Nazi Party". We all know if we read in Grove that Schwarzkopf was "cleared" by the Allies late in 1947; so I don't think Jefferson is saying nothing new. We also know that her marriage to perfectionist Walter Legge resulted in a master-slave relationship. But to my view, and as an admirer of Schwarzkopf's art, Jefferson's account is more a ratifying document about human frailty, in this case Elisabeth Schwarzkopf's. I hoped I was going to find in this book some sort of balance between John Steane/Alan Sanders' Schwarzkopf: A career on records and Jefferson's book. The formers put Dame Elisabeth under the light of a goddess. Well, I must say that a goddess of magic with words she was, and that she was quite capable of bringing tears to one's eyes when performing with her voice. Jefferson and Steane: The supreme artist and the very earthly creature. Jefferson's book has several merits: one of the strongest is his marvelous way with Schwarzkopf's interpretations. In spite of his tendency to be dry his reviews and metaphors are very good indeed. As formyself I rather keep in my mind, as when I heard her "in the flesh" and turned pages for Geoffrey Parsons, the memory of Dame Elisabeth's quintessence of femininity, of beauty of looks, of beauty of voice and of sounds that cannot be forgotten. THE BALANCE WAS LOST!!!