110 of 113 people found the following review helpful:
5.0 out of 5 stars
You too will believe that Mirren is Gloriana in this version., January 14, 2007
One of the things I love about owning a DVD player is that I get to watch movies pretty much as they were intended to be seen: in widescreen format, brilliant colour and sound, and the ability to pause them and have the frame actually stay still. This is especially nice when it's the sort of film I adore -- a costume drama with plenty of details and good looking actors.
Thus is the case with Elizabeth I, a miniseries originally aired on HBO and now available as a two-disc set. Directed by Tom Hooper and written by Nigel Williams, this is a sumptuous treat of a film, full of glittering costumes, period sets and actors who speak and sound right for the time. Instead of showing the usual cradle-to-grave life of Elizabeth I of England, a different tactic is taken, showing her coping with several pivotal times in her reign, and how she dealt with the problem and moved on.
The story opens after Elizabeth has been on the throne of England for about twenty years. She's now in her mid-forties, and her council of advisors are worried that because she has not married and given the country an heir, England stands a good chance of sliding back into civil war. Worse still, there's now the problem of religion -- most of England is Protestant, and most of the rest of Europe is Catholic, two factions that disagree with each other violently, and the only likely heir is the fanatically catholic Mary, Queen of Scots.
Elizabeth (Helen Mirren) isn't about to marry, as we quickly see. She's got exactly what she wants in her relationship with Robert, the Earl of Leicester (Jeremy Irons), down to the point where she has him alone in her private quarters, snuggling and cannoolding with a kiss and tickle or two. It's with her dear Robin that she can be who she wants to be, an animated, sexual woman, but she's also being pressured to marry and on the horizon is a visiting French prince, the Duc d'Anjou (Jérémie Covillault), a young charmer who is also a Catholic, and so, not quite suitable. Most of the first hour is taken up with sorting out this relationship, and we get to see how Elizabeth played the marriage game with such skill and ability.
In fact, the viewer ought to resolve themselves to seeing what Elizabeth I did so well -- Elizabeth the Tease. She plays the game of flirtation, and love, and especially, the 'maybe, maybe' card. It doesn't matter if they are courtiers, her ladies in waiting, or the members of parliment. As we see so vividly, she doesn't quite trust anyone, not even her Secretary, Lord Burghley (Ian McDiarmid) or her spymaster, Walsingham (Patrick Malahide). In fact, Elizabeth wasn't above slapping and throwing tantrums when the mood took her, as we get to see. And in a court where she was the center of attention, anyone who tried to outshine her would be in for a world of hurt -- two examples are when a young lady is wearing a splendid gown, and another when a secret marriage comes to light.
The next big problem in Elizabeth's life is the growing tension with the Spanish, and their backing of the exiled Mary of Scotland (Barbara Flynn), who has taken refuge in England after a successful rebellion in her native Scotland has thrown her out, and replaced her with her infant son. Elizabeth knows that if she Mary 'disposed' of, it will plunge England into war with a far more powerful Spain, and that's something that she can't afford. But she also is aware that Mary is more than eager to see Elizabeth die, and isn't above arranging it to happen. Even her trusted advisor, Walsingham wants her gone, and finally, Elizabeth gives in -- but doesn't want to know how it is done, or even when.
It's this little bit that shows Elizabeth in all of her conniving, canny glory. It might seem particularly repellent in a leader, but the sixteenth century wasn't a nice, mannerly time -- it was the time of the smart and the strong, and a ruler had better be both in order to survive. But Mary isn't entirely stupid either, and her execution occurs pretty much as it had happened, with some pretty gory bits.
Mary of Scotland's death leads into war with Spain and the Spanish Armada. Unfortunately, most of this happens off-screen, but we do get the famous speech at Tilburn, and I have to say that Mirren does it spectacularly well, and in a very convincing fashion. But triumph also has bitterness, as she loses her lover, Leicester to illness.
Ten years pass, and a new generation has come to the queen's court. Among them is Leicester's stepson, the Earl of Essex (Hugh Dancy), another Robin, who isn't quite as smart as his predescessor was, but soon becomes Elizabeth's favorite. He charms, he seduces, and not everyone likes him. In fact, we see that Burghley's son, Cecil (Toby Jones) certainly is not. Cecil is smart, but is a misshapen dwarf that Elizabeth fondly calls "Pygmy." She too, has changed, her clothing becoming more sumptuous, hiding the ravages of time behind ever more layers of makeup and wigs.
Essex is more of a toy than a companion, as we see, and Elizabeth can't seem to say no, even as things start to spiral out of control and Elizabeth discovers that there is one thing that she can't stop -- time and her own mortality.
This is one amazing film. Despite the at times claustrophic feel of the sets and the fact that the crowd scenes seem to be a bit sparse, this is still a spectacle to watch. Mirren shines in this film, and don't be surprised to see her walk off with an award or two come January 15th. Besides Mirren, I appreciated that neither the characters of Leicester or d'Anjou were shown as lacking as they have been in other films about Elizabeth I. D'Anjou is particularly effective, being sympathetic, and knowing it is all a charade, and not the gibbering twit that we were treated to in the version with Cate Blanchett. Jeremy Irons is a sauve, polished courtier, not the sullen boy toy, and is very believable as Elizabeth's longtime confidant and friend.
Some caveats. This film is not for the squeamish. There is one torture scene, several beheadings, one hand getting whacked off, and the rather more gruesome details of what is known as a traitor's death -- being hung, drawn and quartered. I'll spare you what that actually means, but it's a pretty messy sight. There are also two glaring historical errors in this as well: Elizabeth never met either Mary, Queen of Scots, nor James VI pf Scotland in her life. She certainly corresponded with them, but they never met in person.
To balance the gory bits, there are two featurettes that are accessed through the special features. One is a 'making of' feature that goes into the casting, direction, locations and costumes for the series. The other is a rather nice little surprise that goes into the actual history of Elizabeth I and her political and personal relationships, presented by none other than David Starkey, a historian that I have come to like and admire. He also presents with what I have to say is the best description of the sex life of Elizabeth I that I have ever heard -- and no, you're going to have to sit and watch just like I did, because it is too good to miss.
This is not a short program, coming in at about 220 minutes, shown in two parts. Worth it just for Helen Mirren alone, and the other actors are fine icing to the cake. Great for costume junkies, history fans, and anyone who wants to see a woman who set the world on its ear -- after all, that period of time is still known as the Elizabethan period, and it's easy to see why with this. My favorite so far in the various films about Elizabeth I.
This scooped up a mountain of Emmys for 2006, including Best Miniseries, awards for production values and Bests for Mirren and Irons.
Five very solid stars, and I would give it six if I could.
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