3 of 3 people found the following review helpful:
4.0 out of 5 stars
Entertaining, especially for Jane Austen fans!, March 14, 1999
By A Customer
As a Jane Austen fan, I've always wished she'd been more prolific in her lifetime. I found this book while searching for other books about young women in 19th century England. Although the plot is tame by today's standards, Jane would never have considered writing such a scandalous book. The book is well-written though and has many Jane-esque attributes. The teaser at the end left me wondering if the Joan Aiken has a sequel to the sequel in mind. I'm happy to see that Joan seems to be much more prolific than Jane was and I look forward to reading the other Jane Austen sequels. I highly recommend this book to other Jane Austen fans!
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2 of 2 people found the following review helpful:
3.0 out of 5 stars
Would be better as an original novel, not an Austen sequel, June 8, 2000
Joan Aiken is a good writer; she makes no attempt to imitate Austen's style, but I did not expect her to. The book is enjoyable, and the main character, who is almost entirely Aiken's own, is likeable. (I'm saying "almost entirely Aiken's own" because Eliza was only a baby when Sense and Sensibility takes place.) In fact, I think that the book would have been even better if it had been an original novel, instead of a sequel to Jane Austen. And this would have been easy to do; just change the names of the Austen characters, and they would be completely different people! Their personalities are completely different from the characters we know.
I find the changes in Edward and Marianne most disturbing. Edward is portrayed as mean, bitter, and tight with his money. He does not seem to have any love for Elinor at all, and he resents Colonel Brandon and Marianne for being rich, while Edward and Elinor are poor. When Eliza comes to stay with Edward and Elinor, it seems that Edward can not wait to get Eliza out of the house. And when he finds out Elinor is writing novels, he is completely horrified. This is not the Edward that we know! We find out that Elinor and Edward had a son, who died when he fell off a horse; possibly the change in Edward's character comes from bitterness over the death of his son. But this is not gone into at all; in fact, it is mentioned only once. As for Marianne, I could not imagine her being so mean that she would not allow Colonel Brandon to see Eliza even once, or have anything to do with her. Why has Marianne turned into such a mean, spiteful woman? There is absolutely no explanation of that, as far as I can see.
I also found the portrayal of Margaret Dashwood completely unbelievable. Why would Margaret remain unmarried, and become a schoolteacher? Wasn't it considered shameful for a girl of her social class to become a teacher? Also, I found it strange that she went out of her way to avoid Eliza at the school. And Mrs. Dashwood: why would she go crazy? There's a mention of some sort of illness, but nothing further.
The only Austen character who remains pretty much true to character is Elinor, although I thought the part about her writing novels was contrived. Is Aiken trying to turn Elinor into Jane Austen? (Just like the recent film of Mansfield Park has tried to turn Fanny Price into Jane Austen.) And isn't it interesting that Elinor has written six novels, and her publisher is John Murray?
As I said, though, this novel is not all bad; in fact, it's quite good when it gets away from Austen's characters. I enjoyed the plot very much. It reminded me of a detective story, with Eliza searching for clues to her mysterious past. And I also found Eliza's adventures in Portugal quite exciting. As an opera fan, I especially liked the parts about music and singing, and I almost wished that Eliza had become an opera singer like her mother. Also, I enjoyed the part where Eliza, as a child, meets Wordsworth and Coleridge, and the allusions to their poetry throughout the book.
The teaser at the end makes me wonder if Aiken plans to write a sequel to the sequel. I have no idea who the father of Eliza's child might be. There was something about being able to guess who it was from what has been said, but I could not figure it out. If Aiken does write a sequel to this book, I think it would be interesting, especially if she leaves out Austen's characters.
So, all in all, this was an enjoyable book that would have been better if it had not been an Austen sequel.
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