Elliott Carter: Collected Essays and Lectures, 1937-1995 (Paperback)

~ (Author), Jonathan W. Bernard (Editor)

Editorial Reviews

Review

Jonathan Bernard's collection...includes several highly characteristic pieces...he emphasizes the more substantial and elaborate materials of the essays and lectures. Bernard's selection contains plenty of incisively articulated views, and makes a strong case for taking seriously the writings of Elliott Carter. The volume leaves the reader with as vivid an impression of the man behind the music as could be hoped for. MUSIC & LETTERS Provides a renewed incentive to engage Carter's music through critical, historical, and analytical terms...will stimulate further scholarly and critical attention. ISAM NEWSLETTER Elliot Carter is a major figure who, from all evidence, has satisfied his desire to make durable music. That is his primary legacy, but these writings should prove hardly less lasting. This is a well-produced book, and Carter's chosen editor, Jonathan Bernard, was ideally suited for the task of assembling it. THEORY AND PRACTICE

Product Description

Elliott Carter (b.1908) is now generally acknowledged as America's most eminent living composer. This definitive volume of his essays and lectures - many previously unpublished or uncollected -shows his thinking and writing on music and associated issues developing in parallel with his career as a composer; his reputation became established in the 1950s, and the material in this book offers an important and knowledgeable commentary on the course of American and European music in the succeeding decades. Carter's articles on his own music have become classic texts for students of his oeuvre; he also writes on the state of new music in Europe and the United States and the relations between music and the other arts. Other pieces range from a consideration of aspects of music to the work of individual composers. As a whole, the collection is the expression of Carter's musical philosophy, and a valuable record for historians of modern music.

Product Details

• Paperback: 392 pages
• Publisher: University of Rochester Press (February 1998)
• Language: English
• ISBN-10: 1580460259
• ISBN-13: 978-1580460255
• Product Dimensions: 9 x 6 x 1 inches
• Shipping Weight: 1.3 pounds (View shipping rates and policies)
• Average Customer Review: 5.0 out of 5 stars  See all reviews (1 customer review)
• Amazon.com Sales Rank: #714,819 in Books (See Bestsellers in Books)

Customer Reviews

Most Helpful Customer Reviews

11 of 11 people found the following review helpful:

5.0 out of 5 stars reflections of a great contemporary composer, March 22, 2002

By	R. Hutchinson "autonomeus" (a world ruled by fossil fuels and fossil minds) - See all my reviews (TOP 500 REVIEWER)    (REAL NAME)

For anyone interested in modern music, by whatever name (contemporary classical composition, "new music"), this book is invaluable. Elliott Carter, in my view one of the two best composers of the late 20th century, along with Gyorgy Ligeti, has written fairly extensively over the years about his music. He was actually employed as a critic for Modern Music in the late 1930s, one source of these essays. Presented here are trenchant analyses of the difficulty of being a composer of advanced works in a commercial society, including the problems of orchestras and rehearsals ("the orchestral brontosaur"), reflections on American and European music, reminiscences of his studies with Boulanger in Paris, explanations of various compositions including the First and Second string quartets and the Concerto for Orchestra, and fascinating comments on other composers, including of course Charles Ives, along with Stravinsky, Varese, the Second Vienna School, Debussy and Mozart. Carter expresses the utmost respect for Webern's exquisite miniatures, while making clear his rejection of serialism, which he never adopted.

Elliott Carter enjoys a much higher level of recognition in Europe than in the U.S., where composers of schlocky film scores are vastly more popular (ie, "Star Wars"). While noticed by only a few today, these writings will play a part in establishing Carter's future reputation as one of the greatest composers of the 20th century -- an American composer whether he was recognized by his contemporaries at home or not.