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Elton John and Tim Rice's Aida: The Making of the Broadway Musical
 
 
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Elton John and Tim Rice's Aida: The Making of the Broadway Musical [Hardcover]

Michael Lassell (Author)
4.7 out of 5 stars  See all reviews (6 customer reviews)


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Book Description

Enthusiastically anticipated as the latest Disney stage production, following the astounding success of Julie Taymors breakthrough production of The Lion King, Aida is certain to be a hit. Celebrated songwriter Elton John and lyricist Tim Rice present their version of the classic tale of Aidathe story of a love triangle in which the three main charactersRadames, Aida, and Amnerisare torn between love for each other and their greater duties. This colourful book contains all the excitement of the lavish production, detailing all the action on the stage and behind the curtain.


Product Details

  • Hardcover: 128 pages
  • Publisher: Disney Editions; 1st edition (November 1, 2000)
  • Language: English
  • ISBN-10: 0786864842
  • ISBN-13: 978-0786864843
  • Product Dimensions: 11.3 x 10.3 x 0.9 inches
  • Shipping Weight: 2.2 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #467,060 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.7 out of 5 stars (6 customer reviews)
 
 
 
 
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17 of 22 people found the following review helpful:
4.0 out of 5 stars A wonderful way to capture AIDA, November 28, 2000
By A Customer
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
I saw Aida on Broadway and was impressed by the music, the acting, the scenery, and the dancing. When I discovered this book, I found a way to relive the moment. I enjoyed looking through the photos of this book and showing them to people who have not yet seen the play on Broadway. I also enjoyed reading all the behind the scenes comments by the actors and actresses. All in all, I have found this book a great way to cherish one of the greatest musicals on Broadway.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars This is a heckuva book!, April 16, 2002
By 
M. G ORELL (RANDOLPH, MA USA) - See all my reviews
(REAL NAME)   
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
This is an excellent book and very informative. It tells you about all of the changes that the show went through. It has wonderful pictures. They're all in color and they bring back memories of the show. I had had the good fortune of seeing the show with the entire original cast still intact. There were no understudies that day and I was so happy. I'm still trying to remember where that scrim in Fortune Favors the Brave came from. My only complaint is that they didn't tell the name of the man who played Radames before Adam Pascal took over in Chicago. Buy this book. You will thank me.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Overall a fine book but lacking at times, April 26, 2004
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
You'll find this oversized book ripe with details, from conception to Broadway debut, and filled with pages of colorful photos that illuminate the production. Journalist and author Michael Lassell traces the show's history with interviews from those intimately involved, from writer and composer Elton John and Tim Rice to stars Adam Pascal and Heather Headley to costume designers and choreographers. His unrivaled access allows us to visit every aspect of the production.

The book is divided into four chapters: story, composition, production, and performance. The first section describes the timeless tragedy and romance of Aida and of its rebirth from acclaimed opera to modern day rock musical. John and Rice's hammering out the numbers is described in the second part, and we begin to see the show's evolution from its originally titled "Elaborate Lives" Atlanta production. Set design, art direction, scenery, and costuming are detailed in the third chapter, and the last focuses on performance details.

The most ardent fan will always find such books lacking, but in fairness it gives the common theatre-goer a good sense of the energy required to stage a Broadway production. One of the best features is the photos, both plentiful and saturated with color. I especially liked the visual contrasts between various stages of the show, such as early costume sketches compared with the final outfits. The breadth of interviews also conveys the passion of an extraordinary "Aida" team.

A couple of things could have been improved upon. While I enjoyed the pictures, there was a redundancy to some. Two full page spreads of "Dance of the Robe," for example, one to illustrate the lighting and a second to show the choreography, proved unnecessary. Space dedicated to "sequence shots," a cluster of essentially the same candid photo, could also have been better utilized with more production stills or, better yet, meatier text. At the core of the show is the story, its historical and contemporary implications, and this book doesn't drive into the heart of the characters quite forcefully enough. Lassell only dedicates several pages at the end to the actors' interpretations of their characters.

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Inside This Book (learn more)
First Sentence:
THE STORY OF AIDA, THE CAPTIVE PRINCESS who is enslaved by an Egyptian captain and placed in the service of the pharaoh's daughter, enters European consciousness in 1871 via the opera Aida by Giuseppe Verdi. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
elaborate lives
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Robert Falls, New York, Elton John, Heather Headley, Bob Crowley, Adam Pascal, Paul Bogaev, Tim Rice, Strongest Suit, The Lion King, Another Pyramid, Thomas Schumacher, Bob Falls, Wayne Cilento, Linda Woolverton, The Past Is Another Land, Natasha Katz, Peter Schneider, The Gods Love Nubia, Dance of the Robe, David Henry Hwang, Fortune Favors the Brave, Guy Babylon, John Hickok
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