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17 of 22 people found the following review helpful:
4.0 out of 5 stars A wonderful way to capture AIDA, November 28, 2000
By A Customer
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
I saw Aida on Broadway and was impressed by the music, the acting, the scenery, and the dancing. When I discovered this book, I found a way to relive the moment. I enjoyed looking through the photos of this book and showing them to people who have not yet seen the play on Broadway. I also enjoyed reading all the behind the scenes comments by the actors and actresses. All in all, I have found this book a great way to cherish one of the greatest musicals on Broadway.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars This is a heckuva book!, April 16, 2002
By 
M. G ORELL (RANDOLPH, MA USA) - See all my reviews
(REAL NAME)   
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
This is an excellent book and very informative. It tells you about all of the changes that the show went through. It has wonderful pictures. They're all in color and they bring back memories of the show. I had had the good fortune of seeing the show with the entire original cast still intact. There were no understudies that day and I was so happy. I'm still trying to remember where that scrim in Fortune Favors the Brave came from. My only complaint is that they didn't tell the name of the man who played Radames before Adam Pascal took over in Chicago. Buy this book. You will thank me.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Overall a fine book but lacking at times, April 26, 2004
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
You'll find this oversized book ripe with details, from conception to Broadway debut, and filled with pages of colorful photos that illuminate the production. Journalist and author Michael Lassell traces the show's history with interviews from those intimately involved, from writer and composer Elton John and Tim Rice to stars Adam Pascal and Heather Headley to costume designers and choreographers. His unrivaled access allows us to visit every aspect of the production.

The book is divided into four chapters: story, composition, production, and performance. The first section describes the timeless tragedy and romance of Aida and of its rebirth from acclaimed opera to modern day rock musical. John and Rice's hammering out the numbers is described in the second part, and we begin to see the show's evolution from its originally titled "Elaborate Lives" Atlanta production. Set design, art direction, scenery, and costuming are detailed in the third chapter, and the last focuses on performance details.

The most ardent fan will always find such books lacking, but in fairness it gives the common theatre-goer a good sense of the energy required to stage a Broadway production. One of the best features is the photos, both plentiful and saturated with color. I especially liked the visual contrasts between various stages of the show, such as early costume sketches compared with the final outfits. The breadth of interviews also conveys the passion of an extraordinary "Aida" team.

A couple of things could have been improved upon. While I enjoyed the pictures, there was a redundancy to some. Two full page spreads of "Dance of the Robe," for example, one to illustrate the lighting and a second to show the choreography, proved unnecessary. Space dedicated to "sequence shots," a cluster of essentially the same candid photo, could also have been better utilized with more production stills or, better yet, meatier text. At the core of the show is the story, its historical and contemporary implications, and this book doesn't drive into the heart of the characters quite forcefully enough. Lassell only dedicates several pages at the end to the actors' interpretations of their characters.

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2 of 2 people found the following review helpful:
5.0 out of 5 stars One of the better Broadway books, July 16, 2005
By 
D. Hu (Florida, US) - See all my reviews
(REAL NAME)   
This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
I'm a fan of Tie-In books, whether they be for a movie, or Broadway. This one ranks fairly high up there, behind Rent
by the Johnny Larson Estate, the Renthead bible, but above the Beauty and the Beast book which was more pictures than information.

This one had tons of information, and a good selection of pictures. You get a fantastic idea of how they progressed from the original story to the Broadway show, and nice behind the scenes anecdotes. There are also some very beautiful 2-page spreads, such as when the two-starcrossed lovers meet in the museum. However, the book is rather thin compared to some, and thus it doesn't hold quite as much information as some would like it to. It certainly could have used more pictures.

One thing it doesn't have are production drawings and concept art (it has a couple but they're small), which I always love to see. Those really help get you visualize what the production team was going for originally.

Still it's worth buying, and I would recommend it very much to any Aida fan certianly.
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5.0 out of 5 stars Great book for Aida fans, February 5, 2010
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This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
I'm designing sets for our production of Aida. This book is the perfect reference for colors, lighting and design.
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1 of 3 people found the following review helpful:
5.0 out of 5 stars Elton John and Tim Rice's Aida: The Making of the Broadway Musical, September 29, 2005
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This review is from: Elton John and Tim Rice's Aida: The Making of the Broadway Musical (Hardcover)
Amazing book, all Aida lovers should get it! The pictures are beautiful, and the information is really detailed.
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Elton John and Tim Rice's Aida: The Making of the Broadway Musical
Elton John and Tim Rice's Aida: The Making of the Broadway Musical by Michael Lassell (Hardcover - November 1, 2000)
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