|
| ||||||||||||||||||||||||||||||
|
Product Details
Would you like to update product info or give feedback on images?
|
|
Share your thoughts with other customers:
|
||||||||||||||||||||||
|
Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
4.0 out of 5 stars
Great Album,
By june janicke (Missouri, USA) - See all my reviews
This review is from: Elvis for Everyone (Audio CD)
I've had this album since 1965 and Love how Evis can go from a country ballad upbeat "Your Cheatin' Heart" to a very Bluesy up tempo "When it rains it really pours". The Ballads of "Summer Kisses, Winter Tears & Tomorrow night", show the true vocal range Elvis had in the center of his career and never lost it. My most favorite song on this album is "Finders Keepers, Losers Weepers", and a very close second is "Sound Advise" Truly a great walk back to the SIXTYS, as a true artist and great talented singer. ENJOY
4 of 4 people found the following review helpful:
3.0 out of 5 stars
Couple Of High Points On This Forgotten Record,
This review is from: Elvis for Everyone (Audio CD)
This is probably one of the least purchased recordings by the Entertainer of the Millenium, Elvis Aron Presley. It is actually recordings for earlier years, and there are not many 'great' songs on the album. However, the couple that is worth buying the album for is "Sound Advice", which can probably be found on the "Follow That Dream" soundtrack, and "Summer Kisses, Winter Tears", which is an OUTSTANDING song that makes buying this worthwhile, because the song can't be found on any other Elvis album.GOD BLESS YOU ALL!
3 of 3 people found the following review helpful:
4.0 out of 5 stars
Often overlooked oddity,
By Phil S. (USA) - See all my reviews
This review is from: Elvis for Everyone (Audio CD)
Without a doubt, one of his best albums, almost by accident: RCA wanted something out there to commemorate his 10th Anniversary with the label, and in 1965, they had to sift through non-commercial movie material, unfinished ballads, and alot of other stuff not destined for the Top 10.
But that's fine with me, because these "leftovers" are all listenable, and some, unbenownst to me at age 14, were true "gold", in the non-financial sense: a pearl of a blues ballad, "Tomorrow Night" pressed at 2:48, not the expected 2:58 [it's possible tht a power-that-be realized that the overdub was applied to a slowed down master], from the Lonnie Johnson and Lavern Baker catalogues, given royal post-production (11 years later!) by Mr. Chet Atkins. (Interesting that the vocal group actually echoed Lonnie Johnson's 1958 re-imagined [overdubbed] release of his '40s Classic.) This is pure Elvis, "real" Elvis, which back in '54/'55?, when Elvis cut the number, might have enraged fans who associated him only with the uptempo numbers that Sam Phillips believed in. Research of course shows that these heart emanations were possibly more "personal" and meaningful to the man himself. Talkin' about ballads, well as you might expect, there are some brilliant and expressive cuts here - don't worry about *underproduction*, if you will on the film songs, because you can't argue with Elvis and guitar-only efforts - again, when I first heard "Forget Me Never" and "In My Way" [alternate take here!], I didn't associate Elvis with strumming for real on a recording. At that point, I wasn't sure that he was hitting the right chords on "Poison Ivy League", or something, from the movies. History has enriched the tale of "When It Rains, It Really Pours", yeah, who knew it was a "remake" for Elvis at that point. Now this one does sound a little empty, it's not quite *there*, but Presley's raw vocal cascades over the tentative beat and licks. It's the 1957 sound, a year of successful experiments resulting in some of the most exciting sounds captured in the medium (to this day!). "You're Cheatin' Heart" didn't find it's way out of the vaults back in 1958 - again, a progressive country-jazz-rock mixture, which despite some very entertaining vocal effects, actually good-natured imitations of Elvis from the Jordanaires, just couldn't find a B-side, or EP, or album spot. (Probably shoulda found it's way to that "It Happened at the World's Fair" 1963 album - boy, if an Elvis soundtrack ever needed a "bonus song"!!). Perhaps, Elvis was consciously injected some Jackie Wilson-feel into the traditional Country tune. "I Met Her Today" is pure early '60s Nashville balladeering, Elvis employing that new near-falsetto, on the gentle, melancholy reflection. The rhythm approaches medium beat ballad, but it's been reported that after many takes, it was what it was. Perfect mix of an imperfect record. He only reasonably contemporary track was the 1964 "Memphis, Tennessee", a double-drum entry, well-mixed despite what some critics have said. It was smart to recut the tune, which in that "Lost Session" session of '63 sounded tired and off-balance. That drum intro. was hooky enough to find a chart wormhole, but Elvis again tries something different - a soft, crooning style on an upbeat rock and roll classic. The great R & B group, The Spiders were specialists at this, but one would expect the Memphis Flash to take it higher. Chuck Berry's masterpiece was all over the map at vthat time, garnering high numbers, so maybe El, Colonel, and co., said....whatever....we don't need it. I have to assume that RCA at the time did not expect a release with such historical resonance. It's really is an Elvis showcase - turning those proverbial lemons into lemonade...for Everyone! [By the way, It was Elvis For Everyone in the U.S.A. and Elvis For Everybody overseas].
Share your thoughts with other customers: Create your own review
|
|
Tags Customers Associate with This Product(What's this?)Click on a tag to find related items, discussions, and people.
|
|
This product's forum
Active discussions in related forums
Search Customer Discussions
|
Related forums
|
Passionate about music?
Learn more at SoundUnwound, the personal music encyclopedia, or challenge your friends with our music quizzes.