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Emergency & I

68 customer reviews

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Vinyl, January 11, 2011
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$22.99 & FREE Shipping on orders over $35. Details Only 4 left in stock (more on the way). Ships from and sold by Amazon.com in easy-to-open packaging. Gift-wrap available.

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Editorial Reviews

Emergency & I, the underground classic from The Dismemberment Plan, will be released on vinyl for the first time on January 11, 2011. In the eleven years since its release, Emergency & I has been widely regarded as the definitive artistic statement from the beloved Washington D.C. quartet and has found its way onto many best-of lists, including the #16 spot of Pitchfork's Top 100 Albums of the 90's. In celebration of this reissue The Dismemberment Plan, who performed their last concerts as an active band in 2003 (followed by two benefit shows in D.C. in 2007 that sold out in 4 minutes), will play a handful of shows in January and February of 2011. Originally released on DeSoto Records, this vinyl re-issue will be presented in gatefold 180-gram audiophile-grade vinyl with a giant full-color photo collage, lyrics sheet, and in-depth liner notes, plus four rare bonus tracks,also never before available on high quality vinyl.


1. Life of Possibilities
2. Memory Machine
3. What Do You Want Me to Say?
4. Spider in the Snow
5. The Jitters
6. I Love a Magician
7. You Are Invited
8. Gyroscope
9. The City
10. Girl O Clock
11. 8-1/2 Minutes
12. Back and Forth
13. The Dismemberment Plan Gets Rich
14. Since You Died
15. Just Like You
16. The First Anniversary of Your Last Phone Call

Product Details

  • Vinyl (January 11, 2011)
  • Number of Discs: 2
  • Label: Barsuk
  • ASIN: B004C9P9TC
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (68 customer reviews)
  • Amazon Best Sellers Rank: #65,504 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

26 of 26 people found the following review helpful By Mark Lawton on December 16, 2000
Format: Audio CD
Every once in a while, you come across a band so unique you become a missionary for their music. For a lot of people, including me, Dismemberment Plan is one of those bands.
Here's the drill. Believe the hype and stick with this CD; it takes several listens to get into it. Straight away, you'll be struck by a few songs, but overall the sound is so unusual, it can be off-putting. Don't give up-- albums like this continue to reveal something new each time you listen. Yes, it's a bit abstract, but there's a lot going on here. About half the songs are on the relatively accessible side-- pop music for a better, more creative world-- but the rest are dense, hyper-active and TENSE. There are loud-soft-loud passages, time and tempo changes, and out-of-tune keyboards furiously bleeping away, fronted by a singer who has a very appealing (if somewhat limited) voice. He comes across as sort of a sensitive spaz, joyously singing heart-breaking lyrics centered around some kind of a personal crisis (hence "Emergency & I").
What sealed the deal for me was seeing them live. You ever see a band that looks NOTHING like the picture in your head? This is 3 regular-looking slacker-dudes (probably college graduates) fronted by a dead-ringer for Hal Sparks from Talk Soup! You quickly realize this is his band, and this is his show. The singer has an awkward style, moves strangely, and just does not look like he should be fronting a rock band, let alone this one. Leaves you scratching your head wondering where in the heck his music comes from. However, he obviously feels an intense amount of joy when he performs these potentially awkward songs, which somehow makes it all work. I was just dumbfounded; this is one BRAVE guy.
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49 of 54 people found the following review helpful By "aclboston" on March 1, 2000
Format: Audio CD
Okay. I'd heard about the Plan. I read the reviews, and reacted with more than just a little skepticism when many hailed this record as nothing less than the start of a new era in rock (that's basically a quote from one professional reviewer). Despite the skepticism, I had to hear it, so I ordered it. Turns out it arrived on the same day as the new Smashing Pumpkins record that I'd been witing for for months. The Pumpkins are one of my absolute favorite bands. I love their work. But this album blew the Pumpkins out of the water yesterday. I have never heard anything like it. It is eating my head. I've become, in the last 24 hours, an absolute missionary for the Dismemberment Plan. I have e-mailed ALL of my musically oriented friends and ordered them under pain of death to buy this CD. You should too. It's too brilliant to be allowed to slip into obscurity. If you don't believe me, you can listen to the ENTIRE album on Real Audio at the band's website and I suggest that you do. I'm done ranting now.
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12 of 13 people found the following review helpful By "christophercabin" on April 8, 2002
Format: Audio CD
after all the britney spears and Smash Mouth's of the world have defiled, pop has become an awful world. Catchy, Inventive rock(Weezer,Nirvana,Green Day) once occupied that terms definition even if they were seperated into genres like alternative or punk, they were still pop. The Dismemberment Plan live under a set of rules that bands like Radiohead and The Pixies have been doing since the early 80's, taking pop, ripping it up and taping it up in the wrong places. Melodies and hooks that come from out in space and deep down in the ground and hit you without a hint. "Emergency and I" is an event. Something incredibly rare and amazing. Forget for a second that their misguided first album entitled "!" was a bunch of angry punk songs that shouldn't have happened in the first place. This album takes catchiness and pop rock to a level never imagined before. "A Life of Possibilities" opens the album with a swagger like a drunk with a limbo guitar hook that interrupts singer/guitarist Travis Morrison's ramblings that go on and on with not a hint of wanting to stop. The jauntiness that fuels the amazing "Girl O'Clock" lets the narrator actually voice how he feels about not having anyone to have sex with or even to kiss. The breathtaking "The Jitters" allows Morrison to show the true meaning of heartbreak and loneliness. Urgency powers the never stopping energy of "8 1/2 Minutes" and "I Love a Magician" that moves like a cheetah through Jason Caddell's guitar and Eric Axelson's bass while Travis' chameleon of a voice slithers in and out. "The City","What do you want me to say?" and "Gyroscope" are radio friendly rockers that never stop for a breath and let the word predictable go down in flames.Read more ›
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6 of 6 people found the following review helpful By Lord Chimp on December 19, 2003
Format: Audio CD
Like crack, it keeps you coming back for more; otherwise you experience an unpleasant withdrawal. _Emergency & I_ is irresistible indie eclecticism inflected with a pop sensibility for a package that's catchy and diverse enough to hook you, with super-tight chops, reams of lyrical cleverness, and instrumental intricacies to entrance you for months afterwards. Not to mention they make some of the most effective euse of synths in rock. I've found it very difficult to get this one out of my CD player...just when I think it's starting to lose its luster, I return to it and get hooked all over again.
Compared to _The Dismemberment Plan Is Terrified_, this is a considerably less wild n' crazy n' noisy album. There are still some pretty wacky tracks though: the brilliantly catchy and atonal rock of "Memory Machine", the mad rhythm-and-vocal freakout of "Girl O'Clock", and the short, dissonant and weird "I (love) a magician". The more 'normal' tracks (which are still brilliantly written and clever) adopt the band's intelligent use of synths and limitless supply of hooks. There's "You are Invited" is a charming anthem about self-acceptance, delivered with a cheesy synth-drum beat and vocal narrative. "The City" is also great, shuffling on its glistening high-hat beat and huge synth hook. "Gyroscope" is fiendishly catchy, with a snappy syncopated drum beat and a wicked hook in the chorus. "A Life of Possibilities" opens with clomping bass line and dynamic vocals, then goes to a chirping guitar line in the instrumental chorus. The song builds through its sections, always returning to its delicious main hook at the opportune moments, until the anthemic power-chord finale.
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