Arrogant, self-willed and egotistical, Emma is Jane Austen's most unusual heroine. Her interfering ways and inveterate matchmaking are at once shocking and comic. She is 'handsome, clever and rich' and has 'a disposition to think too well of herself'. When she decides to introduce the humble Harriet Smith to the delights of genteel society and to find her a suitable husband, she precipitates herself and her immediate circle into a web of misunderstanding and intrigue, from which no-one emerges unchanged. Juliet Stevenson, an incomparable reader, is for many the voice of Jane Austen.
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Many audiobook listeners with a penchant for catching up on the classics will recognize narrator Juliet Stevenson's voice in this outstanding recording. Stevenson's energetic rendition of this engaging novel, like the other classic titles she has performed, will captivate and enthrall. Her pleasing accent and comfortably brisk pace add sparkle to Austen's timeless story of scripted romance. As always, Stevenson seems to delight in creating gently distinct voices for her characters and infusing the narrative with appropriate inflection and enthusiasm. Rich in detail and understated humor, this novel is well suited to the audio format, and Stevenson's voice is the ideal vehicle to deliver it. L.B.F. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine
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5.0 out of 5 stars
Austen's nosensical girl Emma expertly read by Juliet Stevenson,
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This review is from: Emma (Classic Fiction) (Audio CD)
EMMA, Jane Austen's fourth novel was published in 1815 and dedicated to the Prince Regent, later King George IV. Austen privately abhorred the Regent for the treatment of his wife Princess Caroline and his dissipated lifestyle. In 1813 she wrote to her friend Martha Lloyd, "I suppose all the World is sitting in Judgement upon the Princess of Wales's Letter. Poor woman, I shall support her as long as I can, because she is a Woman, & because I hate her Husband." She did however recognize the value of his name and agreed to the dedication. Upon publication EMMA also had its own share of critics. What impressed early readers was not that it lacked energy and style, but that its story was dull and uneventful. Even Austen's famous publisher John Murray thought it lacked "incident and romance" and Maria Edgeworth, a contemporary author so greatly admired by Austen that she sent her one of the twelve presentation copies allotted by her publisher, could not read past the first volume and thought "there was no story in it." Ironically, what these two prominent and well read individuals attributed as a weakness is actually EMMA'S greatest strength.
If one looks beyond the surface, EMMA is an intricate story focused on the astute characterization and social reproof which Austen is famous for. Emma Woodhouse is a complex character that on first acquaintance is rather a pill. Austen gave herself a great challenge in creating "a heroine whom no one but myself will like." In contrast with her other heroines, Miss Woodhouse does not have any social or financial concerns and thus no compelling need to marry. Therein lives the rub. We have no sympathy for her whatsoever. She's rich, she's spoiled and she's stuck up. Who indeed could possibly like such a "troublesome creature"? During the course of the novel we witness her exerting her superior notions of who is suitable for whom as she match makes for her friends with disastrous results. It is no wonder that Maria Edgeworth gave up reading EMMA after the first volume. At that point we have met most of the characters in Emma's insular world and are coming to fully understand her ignorance and misguided perceptions in relation to them. She is truly exasperating. Austen tests our endurance fully as the novel progresses and her heroine continues to make mistakes. It is a testament to her skill as a writer and deft comedian that she holds our fascination with the "busy nothings" of every-day country life in Highbury, a small village filled with endearingly flawed characters. The transformation of the heroine from spoiled and insufferable into a contrite, mature and likeable young lady that you want to root for, is nothing less than remarkable. It is truly a shame that Edgeworth could not recognize the genius of Austen's sly sashay of characterization into a world that could be your own neighborhood. We can only account that, "One half of the world cannot understand the pleasures of the other." If you liked the new BBC/PBS miniseries Emma (2009), enjoy the original novel with all of Austen's resplendent language in this expertly produced audio recording. Read by acclaimed British actress Juliet Stevenson, viewers of the 1996 movie adaptation of EMMA will remember her superb portrayal of the vulgar a vacuous Mrs. Elton and know you are in for a treat. Adding equal measure of energy and humor to each of the characters, Stevenson's perfect blending of a classic novel and a sensitive interpretation enhanced my enjoyment greatly. Pop this one into your CD player or iPod during your commute to work. I highly recommend it. "It is such a happiness when good people get together -- and they always do." Ch 21 Laurel Ann, Austenprose
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