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Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (Weimar and Now: German Cultural Criticism)
 
 
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Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (Weimar and Now: German Cultural Criticism) [Hardcover]

Karl Toepfer (Author)
4.7 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

December 31, 1997 0520206630 978-0520206632 1
Empire of Ecstasy offers a novel interpretation of the explosion of German body culture between the two wars--nudism and nude dancing, gymnastics and dance training, dance photography and criticism, and diverse genres of performance from solo dancing to mass movement choirs. Karl Toepfer presents this dynamic subject as a vital and historically unique construction of "modern identity."
The modern body, radiating freedom and power, appeared to Weimar artists and intelligentsia to be the source of a transgressive energy, as well as the sign and manifestation of powerful, mysterious "inner" conditions. Toepfer shows how this view of the modern body sought to extend the aesthetic experience beyond the boundaries imposed by rationalized life and to transcend these limits in search of ecstasy. With the help of much unpublished or long-forgotten archival material (including many little-known photographs), he investigates the process of constructing an "empire" of appropriative impulses toward ecstasy.
Toepfer presents the work of such well-known figures as Rudolf Laban, Mary Wigman, and Oskar Schlemmer, along with less-known but equally fascinating body culture practitioners. His book is certain to become required reading for historians of dance, body culture, and modernism.

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Editorial Reviews

From the Inside Flap

"A massive achievement. . . . Toepfer respects the body, wants to understand movement as the primary medium of ideas, and gives women the central role they actually played in this aesthetic and intellectual discourse."--Marcia B. Siegel, author of The Shapes of Change

From the Back Cover

"A massive achievement. . . . Toepfer respects the body, wants to understand movement as the primary medium of ideas, and gives women the central role they actually played in this aesthetic and intellectual discourse." (Marcia B. Siegel, author of The Shapes of Change)

Product Details

  • Hardcover: 439 pages
  • Publisher: University of California Press; 1 edition (December 31, 1997)
  • Language: English
  • ISBN-10: 0520206630
  • ISBN-13: 978-0520206632
  • Product Dimensions: 9.1 x 6.1 x 1.5 inches
  • Shipping Weight: 2.1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,258,831 in Books (See Top 100 in Books)

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Customer Reviews

3 Reviews
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Average Customer Review
4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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8 of 8 people found the following review helpful:
4.0 out of 5 stars Did you ever think you'd find a book with TOO MUCH nudity?, June 11, 2001
By 
Tom Tuerff (That there Phoenix place) - See all my reviews
(REAL NAME)   
This review is from: Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (Weimar and Now: German Cultural Criticism) (Hardcover)
This book is positively fascinating for about the first half. You find out about the "nude dance" craze of the Weimar Republic and the dancers/dances/movements it inspired.

However, Toepfer's work is SO complete, SO intricate, it comes off more like a doctoral thesis than a book.

As pure reportage, it's a fine volume. But I kept waiting for some kind of idea of what the author thought about all of this; was it fascinating or does he just think it was weird? We never really find out.

Still, some of the images he leaves you with makes you wish you could transport yourself back to some of these obviously sensual and often bizarre performances to see them for yourself.

If you're a fan of dance history, or a nudist, I recommend this book. But don't be surprised if you put it down long before you finish; this is definitely more than most people would really want (or need) to know.

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4 of 4 people found the following review helpful:
5.0 out of 5 stars Sculpting Space with Naked Human Flesh, September 3, 2005
This review is from: Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (Weimar and Now: German Cultural Criticism) (Hardcover)
This meticulous investigation into the Weimer Republic's naturist movements and its concurrent naked dance training/choreographic styles (together with the criticism/photography associated with them) will surely stand as the definitive study of these complex issues for many years to come. The dense chapters of this book serve up a most original interpretation of the ways in which "liberating divestiture" entered into the construction of the "identity of the avant-garde intelligentsia" through the visual presentation of the "modern body." Toepfer argues that both naturism and naked dance/ gymnastics aimed to break through the rationalizations for mass culture in a search of "transcendent" possibilities. In doing so, he takes advantage of much unpublished archival material and rare photographs. Quite a few of both are reprinted here. Perhaps one of the most interesting findings of this study is the central role played by women in the aesthetic enterprise between the Wars. A 23 page bibliography completes this important achievement. Toepfer is Professor of Theatre Arts at San Jose State University (California).


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5 of 14 people found the following review helpful:
5.0 out of 5 stars ertert, February 8, 1999
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This review is from: Empire of Ecstasy: Nudity and Movement in German Body Culture, 1910-1935 (Weimar and Now: German Cultural Criticism) (Hardcover)
erterter
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Inside This Book (learn more)
First Sentence:
Figure 1 projects a distinctly modern image of the female body and, moreover, a peculiarly German attitude toward the modernity of the body. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
new dance art, modern dance culture, movement choirs, nude ballets, dance congresses, dance aesthetic, expressionist dance, nude dance, coded movements, nude performance, dance criticism, ballet technique, artistic dance, pair dances, nude dancing, dance imagery, silver group, solo dancing, rhythmic gymnastics, ballet mistress, herself danced, body culture, dance cycles, debut concert, peacock dance
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Sent M'ahesa, World War, Anita Berber, Grit Hegesa, Mary Wigman, United States, Third Reich, Ida Herion, Hertha Feist, Yvonne Georgi, Edith von Schrenck, Isadora Duncan, Mila Cirul, Vera Skoronel, Fritz Giese, Hans Brandenburg, Rudolf Laban, Van Ostaijen, Weimar Republic, Berlin State Opera, Fritz Böhme, Niddy Impekoven, Oskar Schlemmer, Ellen Tels
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