Customer Reviews

Empire Rising

5 star:		(10)
4 star:		(6)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

As a chronicler of the dark, gritty underworld of New York City's working-class labor, Thomas Kelly has definitely become its poet laureate in his novel "Empire Rising", among the finest novels I have read of Depression-Era New York City (It actually deserves 4.5 stars from me and I wish Amazon.com had the option of bestowing an additional half star.). This is a dramatic, vivid, and richly-textured, no-holds-bar examination of New York City in 1931, as seen through the eyes of recent Irish immigrant Michael Briody, who works by day building the Empire State Building, and then, by night as both a boxer and an unrepentant soldier of the Irish Republican Army. In New York City he soon meets another, more worldly, recent Irish immigrant, Grace Masterson, and falls in love with her, even though he knows that she is the "concubine" of powerful Tammany Hall leader Johnny Farrell. This is indeed far from a romantic look of the Empire State Building's construction, since Kelly depicts his characters being immersed in a dark, often bloody, underworld of Tammany Hall political intrigue, Irish-run organized crime, and Irish Republican Army strife. Without question, "Empire Rising" is not only Kelly's best work of fiction, but also among the finest I have seen from the latest generation of Irish-American writers residing here in New York City.

This is not the type of book I have a reputation for reading. It's a hard-core, bare-knuckles, get-to-the-top kind of fictional tale, set in Depression-era New York City, and it features among its fine cast of characters a number of real life personas, including future President Franklin Roosevelt, and New York's irrepressible "born for office" governor, Al Smith.

Empire Rising tells the story of New York City at all levels of society during this tough time, and uses the construction of the Empire State Building as a backdrop and metaphor. As Kelly pulls no punches in stating, it is the Irish, those first, second, and third generation rough-souled immigrants who make New York City function. Not only is it the Irish who run the city at both the street level and into the halls of power, but it is Irish working men who provide the backbone of the labor force that is building New York's most prized showpiece, the Empire State Building. (Think it's a coincidence that construction on the project began on Saint Patrick's Day?)

The character of Michael Briody, who has gone from a terrorist group's hitman to a soul in love with the dream that is the skyscraper he's struggling to see completed, is Kelly's best figure in this novel. He seems a very realistic individual, leagues removed from the stick-figure stereotypes so many other authors would have employed here in this sort of situation.

I enjoyed this novel, even if it was definitely at times a little cold and lacking in human kindness. I think it shines light onto what is both a forgotten and mysterious period in American history, and it also gives a reader an excellent plot that never slows or grows tiresome, and which reaches masterful heights in its climactic moments.

Holy Moly, this guy keeps getting better with every book. I'm a dyed in the wool Steinbeck, London,O'Hara reader, but I think Kelly is starting to slap those boys back a bit. My pantheon is reshuffling. As soon as my eyes hit the first page, I was sucked into this tremendous story. If you are a Real New Yorker, this is the baby to take a gander at.
Keep up the writing Mr. Kelly.
Jose` de Toluca

Kelly has written an amazing book that enmeshes the reader in 1930s New York and through the eyes of a number of very different characters, he describes the changes that are taking place. The main narrative voices, Michael Briody and Grace Masterson, are both fairly recent Irish immigrants to America, though they have each come to this place in their own ways and have very different feelings towards their homeland.
In addition to giving us such a vivid picture of the human experience within the immigrant enclaves in the city, Kelly also highlights the changing nature of the power structure of New York. Tammany Hall and the Irish are losing much of their power and the Italians are on the ascent. At the same time, the Depression is closing in and the beer wars and killings perpetuated by Prohibition are becoming too much for even the skillful spin of Johnny Farrell. Kelly even gives voice to FDR and his hopeful rise to the Presidency.
Overall, I really enjoyed this book, not only for the vivid images Kelly creates, but also because he asks the reader to reevaluate what he/she thinks about certain things. Is the Tammany Hall machine all bad? Was it right to bring the struggle for Irish independence to America? And what role did Prohibition and corporate greed have in the Depression? And what is the difference between the corporate greed and the machine's graft?
I am hoping that Kelly is planning a sequel of some type because at the end I was left feeling a little jilted, as if he had decided he just couldn't handle the characters anymore. Regardless, this makes for excellent beach or train reading!

Hop aboard as Thomas Kelly rolls out another Big Apple white-knuckler. Leading readers to the gaping Manhattan cavity left by the demolition of the old Waldorf Astoria, we meet Michael Briody, late of Cavan Town in Ireland, who drives the first rivet into the first steel column placed at the Empire State Building site. Cigars glow, flash bulbs pop, backs get slapped and Irish dandy Mayor Jimmy Walker smiles the smile of a man who gets a kickback, a commission he calls it, on every construction project in New York. Yet the winds of reform swirl. Its 1930 and the feds are on to miscreant Walker---Jimmy knows his time is short.


Walker runs New York under the guise of benefactor and patron to the city's immigrant poor and teeming masses. Behind his dapper, populist front lurks a man who controls Tammany Hall, arguably the most ruthless and corrupt political machine in American history. Walker's silky smile and engaging manner belie the pyramidal network of crooked cops, judges, assassins and thugs of every ilk who execute the misdeeds of the Tammany machine. American-born Irish like Walker and his right-hand `judges and jackhammers' man, Johnny Farrell, pull the strings while immigrant Irish like Briody fight to rise out of the gutter, keeping one foot in the aulde sod and one foot in their adopted America. Michael Briody served time in Curragh prison for anti-Free State, republican foot soldiering after Ireland's 1916 Rising. A man possessing knowledge of explosives, Briody curiously joins the British Army and fights in World War I before coming to America. He remains a staunch Irish republican.


Under Mayor Walker money talks and illegal liquor flows in the speakeasies, or speaks, as they're called. The Market crashed in 1929 and former big-time players peddle apples in the streets. A smart, tough Irishman can rise up in this environment and become wealthy if he knows who to pay homage and money to. He can also wind up in a grave if he backs the wrong horse. As the Empire State Building and city rise metaphorically in tandem, we find Briody as he connects with Bronx-born Tough Tommy Touhey, a homicidal brute who owns a few speaks and a piece of the Empire State project. He's a former childhood friend to Walker's Johnny Farrell, but takes umbrage as Farrell disdains his lower-class Bronx roots.

Tough Tommy coaxes Briody into entering a cops-only boxing match. That Briody is not a cop is no stumbling block to him beating his cop opponent to a pulp. In attendance at the match is our Johnny Farrell, who squires Grace Masterson, a fatally-flawed femme fatale. She takes a liking to Briody, and him to her, when they meet in a speakeasy after the fight. She's an artist and late of Cavan herself, having lost heart, two sons, a husband and her faith on the trail from Ireland to Spain to Cuba, to Florida and finally New York. She's also mistress to the married Farrell---infidelity's seemingly a requisite to Hall membership. Grace also performs as bag woman to Farrell, to wit, she makes money drops at banks around town. Ill advisedly, Grace occasionally siphons a little pre-deposit money off the top.


Clan Na Gael, the arm of the Irish republicanism in New York, hovers in the background. Michael Briody is a natural recruit for Clan Na Gael, having demonstrated his willingness to kill for a cause. As his relationship with Grace burgeons, Briody enlists and partners with Clan Na Gael, participating in gun and explosives running to Ireland----and worse.

Inching its way to the forefront is the Italian syndicate and the sadistic `Dago', of whom Tough Tommy Touhey says, "He wants what we got," meaning the rackets, speaks and protection payoffs. Observing a soft spot in the Tammany machine, the Dago glad hands and threatens Farrell into working with him to acquire a piece of the action. As the reform movement gathers steam in Albany and Washington, the world of our players turns upside down. A judge formerly on the take suffers an untimely demise after demonstrating reluctance to adhere to a machine directive. The philandering Farrell discovers that his pilfering girlfriend Grace is unfaithful. Touhey disappears and turns up dead. But is it really him? After a moment of epiphany, Briody decides that killing only begets more killing and suffers a dangerous falling out with Clan Na Gael. Hoohah! I just had my own moment of epiphany. It's best to turn the rest of the tale over to Thomas Kelly.

The author takes readers on a wonderful ride through the gritty urban landscape that was New York City during Prohibition. Tales of power, greed and corruption get mixed in with liberal doses of violence in Empire Rising. Along with his previous novels, Payback and The Rackets, Rising is a must for readers fascinated by crafty historical fiction.

Combine Depression era Manhattan, Irish nationalism and the workings of Tammany Hall, all in the ever growing shadow of the construction of the Empire State Building - Add well portrayed real and fictional characters in a plot line that ties the above together and the result is an entertaining read and a very good novel. The only fault I found with this book is that the author, at times, steps into the story to "explain" his characters, which is not necessary. This may sound like a nit but the rest of the writing is so good that these "intrusions" were somewhat jarring. That being said this book is still highly recommended.

An engaging, exciting story about loyalty and betrayal, set against the backdrop of the changing political winds of depression-era New York. Loved it!

A friend sent an email extolling this book, and I had to read it based on her review. The author is first-class, and I enjoyed the way the story unfolded - plus it is a revealing glimpse into an era of our US history that is not taught in school. An excellent read!

I won't go into detail about the storyline of this book because that's been done to great lengths by the reviewers before me, but I will say that this story contains something of interest for everyone. It is an awesome read that I couldn't put down. Everyone to whom I've lent it agrees. I plan to read it again.

I don't like to read. It is difficult for me to find a book that holds my attention and this one did and was fantastic.