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In a time when competitors were releasing "comedic," derivative coming-of-age films, Empire of the Sun stands out as an epic in the classic David Lean sense--despite confusion or perceived competition with the equally excellent The Last Emperor (also released in 1987, and also a coming-of-age in a similar setting). It is also a remarkable testament to, yes, the human spirit. And despite its disappointing box-office returns, Empire of the Sun helped to further establish Spielberg as more than a commercial director and set the standard, tone, and look for future efforts Schindler's List and Saving Private Ryan. --N.F. Mendoza
When I heard the beautiful John Williams' score play on my TV and a boy watching a lone fighter plane soar across the runway, I was immediately captivated and sat in awe as this boy cheered on the fighter plane. I immediately rewound the tape and read the title of this clip: Empire of the Sun.
I quickly ran to my local Blockbuster and rented the movie not even knowing what the film was about and was witnessed to the most amazing film I had ever seen!
The performances were top notch and the performance from the young Christian Bale, who plays the young boy, Jim, forced in a Japanese Intern Camp, is the greatest performance by a child I have ever seen, exceeding that of such names as Henry Thomas (E.T.) and young oscar nominee Haley Joel Osment (The Sixth Sense).
The movie itself is a visual masterpiece with never a dull moment. This movie contains some of the most memorable and beuatiful scenes I have ever seen anywhere. The story itself is full of drama, action, and suspence that captures your heart and never lets go even after the end credits are rolling!
As usual, John Williams delivers with one of his greatest scores ever. The visual effects are astounding and perfectly executed to enhance the storytelling of the movie.
I disagree with some of the negative reviews that plague this underrated epic. Many people before its release expected it to be this huge blockbuster stemming off as an adaptation of a book by the same name. How can anyone expect a movie about a boy torn from his parents and forced to live in a Japanese Prison Camp, get cursed and beaten at and forced to eat bugs and potatoes for years to be a huge blockbuster. Many people attacked it for its lack of commercial success.
While this may not be the most historically accurate film in the case of how horrific the conditions of the prison camps really were, this would only destract the audiance from what the film should be and is, a film that begins tragically but ends up being a coming of age heartwarming epic drama about a boy forced to live and grow up fast under the harshest of conditions and yet triumphs against all obstacles.
First, Spielberg has a top-notch script from Tom Stoppard (who is surprisingly restrained with the dialogue). The cinematography by Allen Daviau is exquisite (and the transfer to DVD looks outstanding on my widescreen HDTV). The acting -- especially Christian Bale as the main character, Jim -- is great as well. I get tears in my eyes if I just hear one of the EMPIRE OF THE SUN themes from John Williams' score.
THE COLOR PURPLE and EMPIRE OF THE SUN were Spielberg's "stretch" films where he attempted to do more adult work. EMPIRE OF THE SUN is deeply moving. On the surface, its story concerns young Jim and how is separated from his parents and survives a war camp in pre-World War II China. Thematically, Spielberg tells us the story of growing up, losing one's innocence, and learning that people will do anything for a Hershey bar. When Jim throws his suitcase containing all of his boyhood possessions into the river, he makes an important choice in life. And yet Spielberg, who is a sentimentalist, reminds us that after surviving life's hardships we all still need a hug from our mothers.
EMPIRE OF THE SUN is one of Spielberg's best -- if not THE best film he's made. I think it's been overlooked. Please try to see it.