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Encyclopedia of Contemporary Japanese Culture (Encyclopedias of Contemporaryculture)
 
 

Encyclopedia of Contemporary Japanese Culture (Encyclopedias of Contemporaryculture) [Hardcover]

Sandra Buckley (Editor)
2.2 out of 5 stars  See all reviews (4 customer reviews)

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Book Description

December 14, 2001 0415143446 978-0415143448
Offering extensive coverage, this Encyclopedia is a new reference that reflects the vibrant, diverse and evolving culture of modern Japan, spanning from the end of the Japanese Imperialist period in 1945 to the present day. Entries cover areas such as literature, film, architecture, food, health, political economy, religion and technology and they range from shorter definitions, histories or biographies to longer overview essays giving an in-depth treatment of major issues.
With over 700 alphabetically arranged entries, this Encyclopedia will be an invaluable reference tool for students of Japanese and Asian Studies, as well as providing a fascinating insight into Japanese culture for the general reader. Suggestions for further reading, a comprehensive system of cross-referencing, a thematic contents list and an extensive index all help navigate the reader around the Encyclopedia and on to further study.

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Editorial Reviews

From Library Journal

This compilation of over 700 signed articles, from "Abacus" to "Zuno Keisatsu" (Japan's first punk band), is the work of over 100 contributors drawn mostly from the academic ranks in the United States, Canada, Australia, and Japan. "Contemporary" is here defined as "since 1945," but the coverage is broad and understandably somewhat unpredictable. There are geographical entries ("Mt. Fuji," "Osaka"), biographical entries (strong on writers, musicians, film personalities, and artists), and entries for food, Nintendo, Pokemon, and even the Hanshin Earthquake and the Lockheed scandal. Editor Buckley (Broken Silence: Voice of Japanese Feminism) contributes a large number of entries herself. Cross references and bibliographical references abound, and the writing is clear and balanced, though some entries would have benefited from more statistics (e.g., "Divorce," "Christianity in Japan"). Competitors include such sources as Mark Schilling's more narrowly focused The Encyclopedia of Japanese Pop Culture and James Huffman's broader Modern Japan: An Encyclopedia of History, Culture, and Nationalism. The absence of illustrative materials and the high price may limit the appeal of this work for smaller public libraries, but overall it makes for an inviting starting point and is a delight to browse. A solid choice for academic libraries supporting Asian studies, though smaller libraries will probably be better served by Schilling. Harold M. Otness, formerly with Southern Oregon Univ. Lib., Ashland
Copyright 2002 Cahners Business Information, Inc.

From Booklist

A fascinating culture balancing traditional and modern elements, a history of intense American-Japanese relations dating back to Commodore Perry, and, despite a downturn well into its second decade, being one of the world's top economic powers are more than enough reasons to welcome an encyclopedia of contemporary Japanese culture. Editor Buckley, who has written several hundred of the more than 750 signed articles, has combined with Routledge, a leading publisher of studies on contemporary Japan, to produce a valuable addition to library reference collections.

More than 100 contributors, largely affiliated with American, Japanese, Australian, and Canadian universities, provide entries on topics ranging from important personalities, cities and districts, organizations, and industries to Arranged marriages, Baseball, Dialects, Foreign food, Installation art, Manga (comic books), Mobile telephones, Peace and anti-nuclear movements, Sex tourism, Textbook controversies, and Zen. Some of the more surprising entries for Westerners only marginally familiar with Japan include Bedridden patients, Beer, Brazilian Japanese, Christmas, Coffee, Pickles, and Whiskey.

Articles range in length from a paragraph to several pages, and each is followed by a list for further reading. There are see also references at the end of many articles, cross-references between articles, and boldfaced words within articles to indicate topics with main entries. Articles cover the period from 1945 through the end of the century, adding historical perspective where necessary. Romaji (romanized transliteration of Japanese) is used throughout, and Japanese names are given in Japanese order (i.e., family name first). The complete absence of illustrations may deter browsers.

Two recommended encyclopedias that take in the whole scope of Japanese history and culture are the profusely illustrated Cambridge Encyclopedia of Japan (Cambridge, 1993) and Boye Lafayette De Mente's lightly illustrated Japan Encyclopedia (Passport, 1995). Neither is as up-to-date nor has the depth of post-1945 focus as Encyclopedia of Contemporary Japanese Culture, which is recommended for larger public and academic libraries. RBB
Copyright © American Library Association. All rights reserved


Product Details

  • Hardcover: 664 pages
  • Publisher: Routledge (December 14, 2001)
  • Language: English
  • ISBN-10: 0415143446
  • ISBN-13: 978-0415143448
  • Product Dimensions: 10.1 x 7 x 2.1 inches
  • Shipping Weight: 2.8 pounds (View shipping rates and policies)
  • Average Customer Review: 2.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #3,704,125 in Books (See Top 100 in Books)

More About the Author

Alicia Volk's publications span a range of mediums and critical issues in modern and contemporary Japanese art from the nineteenth century to the present. Her In Pursuit of Universalism: Yorozu Tetsugorô and Japanese Modern Art (University of California Press, 2010) places early twentieth-century Japanese painting in the framework of global modernism. This book was awarded the inaugural Phillips Book Prize of the Phillips Collection Center for the Study of Modern Art. She is now working on a manuscript titled Democratizing Japanese Art, 1945-1960, which examines the rebuilding and restructuring of the Japanese art world in the context of defeat and occupation following World War II. For this project Volk was awarded a Japan Research Award in 2006 by the Center for Historical Studies at the University of Maryland, and a Fulbright Research Scholar Award in 2009-10, during which time she was affiliated with Waseda University in Tokyo. She also has a strong interest in museum collaboration and curating. Her activities in this area include the catalog and exhibition Made in Japan: The Postwar Creative Print Movement, which she curated for the Milwaukee Art Museum in 2005.

Volk received her PhD in Japanese art history from Yale University in 2005 and joined the University of Maryland faculty in 2006. Her work has been supported by fellowships and grants from such organizations as the J. Paul Getty Foundation, the Sainsbury Institute for the Study of Japanese Arts and Cultures and the School of Oriental and African Studies of the University of London, the Metropolitan Center for Far Eastern Art Studies, the Blakemore Foundation, and the Council for International Exchange of Scholars.

Other recent publications include "Projections: Modern and Contemporary Byôbu " in Janice Katz, ed., Beyond Golden Clouds: Japanese Screens from the Art Institute of Chicago and the St. Louis Art Museum (Yale University Press, 2009); Japan and Paris: Impressionism, Post-Impressionism and the Modern Era (co-authored with Christine Guth and Yamanashi Emiko; University of Washington Press and Honolulu Academy of Arts, 2004); "Yorozu Tetsugorô and Taishô-period Creative Prints: When the Japanese Print Became Avant-garde" (Impressions no. 26, 2004); and "Katsura Yuki and the Japanese Avant-garde" (Woman's Art Journal 24, no. 2, 2003).

 

Customer Reviews

4 Reviews
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Average Customer Review
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15 of 18 people found the following review helpful:
5.0 out of 5 stars Not Just Pop Culture, February 21, 2002
This review is from: Encyclopedia of Contemporary Japanese Culture (Encyclopedias of Contemporaryculture) (Hardcover)
One of this book's greatest values is that it is not merely an encyclopedia of Japanese *pop* culture. While it does cover music, film, TV and comics, it also looks at more traditional aspects of Japan in the modern world, including kabuki and noh, fishing and fireworks. These are often neglected by modern researchers, or confined to hermetically-sealed specialisations -- their inclusion here imparts Buckley's book with considerable endurability.

Popular culture often attracts the wrong sort of writer -- virgin territory may be a fertile ground for pioneers and innovators, but also for charlatans and ne'er-do-wells. Japanese popular culture has been lucky in the past, with excellent researchers like Schodt, Schilling, Powers and Kato, but also a large number of self-appointed pundits. This book, luckily, falls into the former camp more often that not.

The first thing anyone does with an Encyclopedia is look up stuff they already know -- often an unfair test of the editor's broader achievement. The first places I checked contained several minor typographical errors; Yurusei Yatsura for Urusei Yatsura, Ikeda Ryoko for Ikeda Riyoko, and the wrong release date for Neon Genesis Evangelion. The entry for Murakami Haruki notably points out that A Wild Sheep Chase was the third in a four-book series, but seems, presumably at the editing stage, to have accidentally assigned the first book, Hear the Wind Sing, as the umbrella title for the whole. But these errors can all easily be altered on a reprinting, and the size of the book makes it likely that print-runs are small, and that by the time you read these words, such minor problems will have already been fixed.

The general thrust of the articles remains objective and critical in the best sense of both words. For a Japanese scholar, this is a book that demands to be read from cover to cover, not just because you only realise what you *don't* known when you stumble across it, but also because the filing system mixes English and Japanese words with impunity. Bathing is filed under "Ofuro", but "Ikebana" is filed under Flower Arranging; luckily an index helps sort this out. Some of the choices for inclusion are also a little baffling. While it is noble to include an entry pointing out that the Teenage Mutant Ninja Turtles is *not* a Japanese product, the entry occupies the same word-count as that for the entire 40-year run of Ultraman.

With "only" 634 pages to play with (trust me, they fill up fast), the book sensibly points readers towards more in-depth studies. You may not get all the answers you want from an entry, but in most cases, you can close this book with a better idea of where you should look next. The suggestions for further reading (included in almost every entry) are an excellent addition for researchers, though occasionally of debatable provenance. The entry on pornography, for example, cites a single essay as a resource (the editor's own), but not more comprehensive works such as Japan's Sex Trade, Permitted & Prohibited Desires or, frankly, The Erotic Anime Movie Guide.

It is important to consider the ... price ... in context. When buying something of this weight, I tell myself if it costs as much as ten lesser books, it should do the work of twenty. This is certainly true in this case. I have no choice but to award this book the full five-star rating Amazon allows, since whatever niggles I may have, it is still an informative tome, liable to occupy me for considerably longer than many of its lesser brethren.

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1 of 1 people found the following review helpful:
1.0 out of 5 stars Worthless agglomeration of ideological pap, November 5, 2011
I don't think this book actually has any interesting facts in it.

It does manage to omit enormous gobs of information in about every subject it covers, sometimes even the crucial facts about a subject: for example, pachinko is described as "an important industry" for Japan, and a paragraph is devoted to recent developments in pachinko marketing, but there is nary a word about why it is the only legal form of gambling or who runs it.

It also contains outright inaccuracies: the entry on "weddings" describes only shrine weddings, with the overtone that Japan is "Shinto"-- this is absurd, since Japanese weddings were traditionally civil ceremonies, and weddings officiated at a shrine were invented in the late 1910s, in order to COUNTER the popularization of Western-style weddings officiated at an interfaith chapel, which remain a majority today.

Finally, many of its writers seem to have a nasty ideological agenda, as if the point of writing a book about Japanese culture was to critique it and argue that all culture is evil. Even the essay on wrapping paper manages to describe it as wasteful and anti-environmentalist.

The subjects of essays in this "encyclopedia" are utterly arbitrary and do not constitute an encyclopedia by any reasonable definition-- for example, there's an essay on zaibatsu dissolution (a GHQ program run from 1945-1947), and there's an article about "gay male identity", but there's no article on Hayao Miyazaki.

What an utterly stupid book.
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0 of 1 people found the following review helpful:
2.0 out of 5 stars Not worth the money, November 1, 2010
By 
I didn't like this book very much. Here are a few reasons:

1. Book was first published in 2001 so I would not call it a book about contemporary culture. The controversy over the Narita Airport in the 1970s does not deserve a separate entity for instance. Similarly, one can question many entries. Like the obscure left-wing entries instead, like Hihyou kuukan, which just shows that some of the contributors have no scruples.

2. The A-Z approach means that you do not get any deeper understanding of anything. Many of the entries are very basic - very few are longer than one page. We are told that sushi is raw fish and should be turned over when dipped in the soya. We don't get anything about the cultural significance about sushi for instance. The sections on food and economy are especially shallow. The sections of film and literature seems more detailed. Many entries are good, but overall they are massively uneven.

3. It is an edited volume and the contributors are mostly Anglo-Saxon, based outside Japan. Their information will not really be that up to date.

4. The writing style is pretty dry. It is not overly politically correct but it also doesn't take any risks. I also feel that some sensitive topics have been avoided, e.g. Japanese nationalism.

5. None of the information presented is supported by facts or data. We are just told things and have to take it at face value that the entry is important. Hardly ever does not author explain why an entry is included, e.g. the Hihyou kuukan entry.

Still the book deserves two stars because there is some interesting information in it. Here is a much better book The Cambridge Companion to Modern Japanese Culture (Cambridge Companions to Culture) (which also is much cheaper)
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Inside This Book (learn more)
First Sentence:
Introduced into Japan in about the sixteenth century from China, this arithmetic tool can be used for both simple and complex calculations. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
pornographic manga, airport struggle, roman poruno, symbolic monarchy, salad anniversary, folk performing arts, hair debate, mingei movement, military comfort women, tent theatre, japanese cinema, outbound tourism, bomb experience, denshin denwa, war responsibility, labour federation, symbol monarchy
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Second World War, Allied Occupation, Meiji Period, Edo Period, North America, South-East Asia, University of California Press, University of Hawaii Press, Ministry of Education, Princeton University Press, South Korea, Stanford University Press, Tokyo University, Mishima Yukio, Japan Communist Party, Hong Kong, Civil Code, Japan Socialist Party, Korean Japanese, San Francisco, North Korea, Pacific War, State Shinto, Tokugawa Period
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