Ghost of Fashion was recommended to me by someone who knows how I love violins! I downloaded most of the songs from it, burnt them, and happily carried them around for ages before I got the brilliant idea to explore more Clem Snide. Man! All I can say is what *took* me so long!? But this cd in particular makes me so happy! I can add it to the handful of discs that I look forward to every song on. Nope--no song skipping here, although I do have my favorites.
Lyrically--it's good. Not as much obscureness as Ghost of Fashion, but still a few odd moments. A couple spots are a bit contrived, but nothing that makes your teeth hurt. All forgivable in the big picture. Perhaps the most manipulative moment is in "Made for TV Movie", which is almost an intentional tear-jerker referencing Lucille Ball (how cool is that?). A child sings the "La la la la's" along with Eef, and you gotta wonder if your heartstrings were mistakenly plucked in place of the guitar strings for a minute there. But somehow, it works. It's a pleasure you might not want to share with your more cynical mates.
Musically, it's innovative and solid. This "Alt Country" movement is the antidote to Guitar-Bass-Drum for me. And I loove guitar. But sometimes it just needs freshening with banjo, violin, vibraphone, saxophone, and definitely--trombone! The instrumentation is fresh and optimistic.
The songs range from the out-and-out funny of the boot-scooting, rollicking "pub hit", "Weird"; to the more polished, pop, and infectious "Fill Me With Your Light". (You can see the video for this if you visit the Clem Snide website.)
So, my fave three, in no particular order:
FUNNY: The "Latin-esque" "Something Beautiful". Never. Ever. Has another song done so much toward making being passive-aggressive this much fun!
MELANCHOLY: I've heard "Collapse" is about the death of Eef's mother, but don't know any details or for sure. The components of a disaster however, are definitely woven throughout lyrically. The banjo winding throughout, the imagery (can we have another word for this, please?) eg. "a grass roots initiative based upon sharing and trust...went into production to harness the power of dust...", the plaintive vocal ... a sad beauty.
SUNNY: I'm completely in love with "When We Become" with its strings, lilting keys ... that poignant violin solo that with its optimistic warmth reminds me of the Leonard Cohen lyric "...the sun pours down like honey..." I really feel that rich golden sun in this song. It is just one of those uplifting beautiful numbers -- and hey!-- it takes a lot to get me out of my preference for dark and emotionally painful! Congratulations Clem Snide for doing that! I'm going to get some more!
