From Publishers Weekly
Starred Review. Abrahams (Oblivion) solidifies his reputation as one of the best contemporary thriller writers around with this psychologically deep page-turner evoking the classic noir of Cornell Woolrich. Ivy Seidel, a struggling would-be writer paying the bills by working in a New York City bar, finds herself drawn into an unfamiliar world when she's offered the chance to teach writing at an upstate prison. The naïve teacher is startled to find that one of her students, convicted robber Vance Harrow, is actually more gifted than she is. Unable to believe that he could be both guilty and such a creative talent, Seidel begins to pick at the stray loose threads surrounding his case—despite Harrow's having pleaded guilty to the violent crime. Abrahams manages to make each individual step that his heroine takes into the twisted maze believable, even if it's clear that she's rapidly approaching a precipice that will threaten her life and her mental state. In 2005, Abrahams published his first children's novel, Down the Rabbit Hole. (Apr.)Look for a q&a with Peter Abrahams in a forthcoming issue.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From The New Yorker
Abrahams' craftily plotted novels don't quite fit the "thriller" label, and his characters, too, have a way of defying the genre. Here his appealing heroine, a plucky young woman named Ivy Seidel, tends bar by night, but her ambition is to be a writer. (A not entirely realistic subplot starts with an enigmatic rejection letter from The New Yorker.) When Ivy takes a job teaching writing to inmates at a North Country prison, she witnesses mayhem and murder, and also encounters an inmate who may possess enormous literary talent. Ivy is convinced that the man has pleaded guilty to a crime he never committed, and she's determined to learn why. Abrahams' plot negotiates all sorts of twists, and one watches the progress of his heroine with increasing sympathy and alarm.
Copyright © 2006 The New Yorker
Copyright © 2006 The New Yorker

