The "endless night" that film theory and psychoanalysis share is the darkness that these two disciplines face in their quest for the logics of intelligibility. This collection emphasizes the history of theory to demonstrate that film theory must be written with a strong sense of historical consciousness, curiosity, and archaeological craft. The volume brings together film theorists and practicing psychoanalysts to encourage an exchange of views between disciplines that encounter each other all too rarely.
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"A fascinating anthology . . . owing to the renown of the contributors as well as the thought-provoking arguments and approaches raised by the essays."--David Rodowick, author of The Crisis of Political Modernism
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"A fascinating anthology . . . owing to the renown of the contributors as well as the thought-provoking arguments and approaches raised by the essays."-David Rodowick, author of The Crisis of Political Modernism
--This text refers to an out of print or unavailable edition of this title.
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Inside This Book
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First Sentence:
How was it, wondered Lou Andreas-Salome in 1913, that the cinema had come to play a role of no small significance "for us"? Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
structures cliniques, affective logic, psychoanalytic film theory, acute melancholia, textual movement, traumatic affect, persecutory fear, imaginary signifier, free indirect speech, omniscient narration, psychoanalytic situation, cinema studies Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Sigmund Freud, Sartre's Freud, Hogarth Press, Chantal Akerman, Jean-Paul Sartre, Stella Dallas, Anna Freud, Mystic Writing-Pad, Raymond Bellour, Karl Abraham, Jacqueline Rose, University of Chicago Press, Basic Books, Gilles Deleuze, Jacques-Alain Miller, New Age, Simone de Beauvoir, United States, University of Minnesota Press, Bates Motel, Complete Letters, Huston's Freud, Jeanne Dielman, Lynne Lehrman Weiner New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
How was it, wondered Lou Andreas-Salome in 1913, that the cinema had come to play a role of no small significance "for us"? Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
structures cliniques, affective logic, psychoanalytic film theory, acute melancholia, textual movement, traumatic affect, persecutory fear, imaginary signifier, free indirect speech, omniscient narration, psychoanalytic situation, cinema studies Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Sigmund Freud, Sartre's Freud, Hogarth Press, Chantal Akerman, Jean-Paul Sartre, Stella Dallas, Anna Freud, Mystic Writing-Pad, Raymond Bellour, Karl Abraham, Jacqueline Rose, University of Chicago Press, Basic Books, Gilles Deleuze, Jacques-Alain Miller, New Age, Simone de Beauvoir, United States, University of Minnesota Press, Bates Motel, Complete Letters, Huston's Freud, Jeanne Dielman, Lynne Lehrman Weiner New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 50
books:
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15
books
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- An Open Book by John Huston on 5 pages
- The Interpretation of Dreams by Sigmund Freud on 4 pages
- The Freud Scenario by Jean-Paul Sartre on 4 pages
- Charles Baudelaire by Walter Benjamin on page 65, and page 86
- Psychoanalysis in France by Serge Lebovici on page 241, and page 247
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- Home in Hollywood: The Imaginary Geography of Cinema (Film and Culture) by Elisabeth Bronfen in Back Matter (1), Back Matter (2), and Back Matter (3)
- Cinematic Modernism: Modernist Poetry and Film by Susan McCabe in Back Matter (1), and Back Matter (2)
- The Films of Woody Allen (Cambridge Film Classics) by Sam B. Girgus in Back Matter (1), and Back Matter (2)
- Dead Man (BFI Modern Classics) by Jonathan Rosenbaum in Back Matter (1), and Back Matter (2)
- Theatres of Human Sacrifice: From Ancient Ritual to Screen Violence (SUNY Series in Psychoanalysis and Culture) by Mark Pizzato in Back Matter (1), and Back Matter (2)
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