Endtroducing (Dlx) (Dig) (Spkg) [Extra tracks]

DJ Shadow | Format: Audio CD

Product Details

• Audio CD (June 7, 2005)
• Original Release Date: 1996
• Number of Discs: 2
• Format: Extra tracks
• Label: Island
• ASIN: B0009F2C34
• Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
• Average Customer Review: 4.8 out of 5 stars  See all reviews (223 customer reviews)
• Amazon Best Sellers Rank: #49,953 in Music (See Top 100 in Music)
  • #28 in Music > Dance & DJ > Turntablists

Editorial Reviews

Amazon.com

DJ Shadow, a.k.a. Josh Davis, could be credited with bringing newfound introspection to the gloating sounds of hip-hop. Condensed with urban oscillations and scatological beats, Endtroducing shutters with eclectic samples and aural montages that reach beyond the constraints of hip-hop style. Enhancing the mix with fundamentals of rock, soul, funk, ambient, and jazz, the modern fusions fail to go unnoticed, even by the casual listener. While most of the tracks are compiled by layering samples from vinyl treasures found in used-record bins, the production quality of the mosaic is unmatched. Darkened melodies carry throughout the album with its eye on the end of the tunnel. The narration samples come from numerous sources and keep the listener involved and waiting for resolution. With a message as fragmentary as an overheard conversation, Endtroducing conveys no apparent conclusion, but begs the mind, body, and soul for some rewind. --Lucas Hilbert

Product Description

DJ Shadow, a.k.a. Josh Davis, could be credited with bringing newfound introspection to the gloating sounds of hip-hop. Condensed with urban oscillations and scatological beats, Endtroducing shutters with eclectic samples and aural montages that reach beyond the constraints of hip-hop style. Enhancing the mix with fundamentals of rock, soul, funk, ambient, and jazz, the modern fusions fail to go unnoticed, even by the casual listener. While most of the tracks are compiled by layering samples from vinyl treasures found in used-record bins, the production quality of the mosaic is unmatched. Darkened melodies carry throughout the album with its eye on the end of the tunnel. The narration samples come from numerous sources and keep the listener involved and waiting for resolution. With a message as fragmentary as an overheard conversation, Endtroducing conveys no apparent conclusion, but begs the mind, body, and soul for some rewind. Universal. 2004. --This text refers to an out of print or unavailable edition of this title.

Customer Reviews

Most Helpful Customer Reviews

223 of 235 people found the following review helpful:

5.0 out of 5 stars The master of aural collage makes his debut., April 19, 2004

By 

Erik R. Olson (Dublin, CA, United States) - See all my reviews
(VINE VOICE)   

This review is from: Endtroducing (Audio CD)

In 1998 I had a crush on a girl named Ellie. On a rainy day we decided on an awkward quasi-date to Rasputin's Records and Blondie's Pizza. I sat down in the passenger seat of her beat-up Accord, she started the engine, and her tape player introduced me to a twinkling piano and hypnotizingly slow breakbeats. The notes fell like raindrops on her windshield, and forever in my mind, that moment, Ellie's perfume, my nervous tension, and DJ Shadow's "Building Steam With A Grain of Salt" were locked inseparably together. Whenever the rain starts to fall -- not a hard rain and not a sprinkle, but a steady, plodding, relentless patter of water on earth -- I think of this song.

Josh Davis, also known as DJ Shadow, makes that kind of impact with the arcane record samples he artfully merges into cohesive, thoughtful, revelatory aural collages. He is obsessed. He digs up sounds you and I have never heard before, and maybe a thing or two we have heard before, and fuses them into some brilliant new heterogeneous dream with the power to stir the subconscious and induce sheer awe.

Once I bought his CD and broke free of the hold that "Building..." had on me, I got accustomed to the other twelve tracks of the album. There were many pleasant surprises. I found "Midnight in a Perfect World" just as addicting as the song that got me hooked in the first place, a loping, seductive, scratch-heavy, impossibly beautiful five minutes and two seconds. "Changeling" was another fast favorite, like a lush sunset after a long summer day. "Stem/Long Stem" creeped me out with pernicious string samples surrounding a single lonely chime. And although it took some time, "Mutual Slump" eventually won me over with its dual personality: crashing percussion and ugly guitar riffs on the one hand, and a mournful, echoing backdrop offset by a shy girl's spoken diary on the other.

Many have already mentioned what an impact this album had on a number of prominent artists such as Moby and Radiohead. DJ shadow's influence has reverberated for several years now in the music industry. But for me, I can only attest to what it did for me when seated next to an unreachable girl, in the midst of my quixotic quest, on a gray and rainwashed early spring afternoon.

It was nothing short of an epiphany.

55 of 60 people found the following review helpful:

5.0 out of 5 stars Reintroducing Endtroducing, June 16, 2005

By 

Alec "Alec" (Los Angeles) - See all my reviews
(VINE VOICE)   

This review is from: Endtroducing (Dlx) (Dig) (Spkg) (Audio CD)

This record has been immortalized in the past few years as the crate-diggers and backpackers bible. Every single year, with another list marking the best of the past 10 years, 50 years, and maybe even millenium, Endtroducing has become a musical canon. Whether this allegation is factually true, it has become a canon for an entire generation of people who bought turntables instead of guitars. And rightly so: This disc is THE essential record for sound collages. The rampant sampling of the eighties reached the nineties with such cynicism that with the release of this record changed an entire generation's idea of what a song is supposed to be like. For the youth of today, the music they listen to is inevitably tinged with the influences of this record. DJ Shadow had taken sampling to a point where only keyboards could replicate the intricacy in which he used records.

That being said, Endtroducing stands the test of time, firmly implanting itself in popular cultures lexicon of important records. Endtroducing has far exceeded even the largest expectations: perfect production and album arrangement greeted by overwhelmingly positive reviews and an ever-growing fan base. Some people consider the record an emotional masterpiece, others an aural marthon, and some even think of it as turntablism at its finest. Quite frankly, it is truly the first musically post-modern piece of music in the recording art industry. While certainly neither the first to sample nor investing in a large amount of samples, the direction, focus, and articulation of a generation can be surmised within the record. It is the death and rebirth of the recording industry all at once. Josh Davis captured it perfectly: funk becomes ominous, break-beats become convulsive, instruments are used sparingly, and scratching becomes welcomed. It is a record that cannot be overlooked and cannot be forgotten. Now commemorated in this deluxe edition, we finall get to look at Shadow from the lens by which he viewed the parts that made up his record: antiques destined to die unless someone revives them.

The second disk of redos and remixes is like butter on toast. It may not be the most essential thing to have yet it grants further insight into the scope and variety this record can/would represent. From the decidedly dancable overhaul of "Organ Donor" to Cut Chemist's mayhem of "Number Song," the variety of perspectives and directions the album could have taken is immediately apparent. It is the kaleidascope from which to view the world of Endtroducing, granting variety and intrigue to the many pieces that make up this grand collective.

Coupled with a live performance at the end of the disc, Endtroducing is finally given the proper platform which it deserves. For fans who have all the vinyl, it can be a redux and a compilation by which to listen to some of the most defining music of the decade. For the unassuming viewer, this record is immediately accessible and mandatory. You're cutting yourself short by missing out on this Deluxe Edition.

33 of 35 people found the following review helpful:

5.0 out of 5 stars Splice World, April 25, 1999

By A Customer

This review is from: Endtroducing (Audio CD)

"Entroducing..." is perhaps one of the most amazing albums in the world of music. While an album that is built entirely off of samples may have some think of Puff Daddy's theft of '80's songs, Shadow is far from the sampling of Puff Daddy. Shadow loops interesting samples from forgotten and obscure songs. He layers samples from different records and uses odd effects to create strange soundscapes. If you give this album a listen, you will be hooked. Check out "The Numbers Song" (a Metallica guitar loop mixed with soul and hip-hop records? Where else have you heard that?), "Napalm Brain/Scatter Brain", and "Midnight In A Perfect World". For more Shadow, check out Preemptive Strike which features his first masterpiece "In/Flux" and the entire "What Does Your Soul Look Like" EP. Pick this up and prepare to be amazed.