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Enemy At The Gates (2001 Film)
 
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Enemy At The Gates (2001 Film) [Soundtrack]

James HornerAudio CD
3.3 out of 5 stars  See all reviews (38 customer reviews)

Price: $9.99 & eligible for FREE Super Saver Shipping on orders over $25. Details
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MP3 Download, 12 Songs, 2001 $9.99  
Audio CD, Soundtrack, 2001 $9.99  

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Biography

James Horner is a London-born classical composer best known for his film scores, most notably Titanic.

Horner spent his formative years studying at the Royal College of Music in London, before moving to LA to complete his studies, and then going to teach music theory at UCLA. In 1980 he was approached by director Roger Corman to score the film Battle Beyond the Stars. This was to be the first of… Read more in Amazon's James Horner Store

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Customers buy this album with The Perfect Storm: Original Motion Picture Soundtrack $11.16

Enemy At The Gates (2001 Film) + The Perfect Storm: Original Motion Picture Soundtrack
  • This item: Enemy At The Gates (2001 Film)

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details

  • The Perfect Storm: Original Motion Picture Soundtrack

    In Stock.
    Ships from and sold by Amazon.com.
    Eligible for FREE Super Saver Shipping on orders over $25. Details



Product Details

  • Audio CD (March 13, 2001)
  • Original Release Date: March 16, 2001
  • Number of Discs: 1
  • Format: Soundtrack
  • Label: Sony
  • ASIN: B00005A8H2
  • In-Print Editions: MP3 Download
  • Average Customer Review: 3.3 out of 5 stars  See all reviews (38 customer reviews)
  • Amazon Best Sellers Rank: #128,945 in Music (See Top 100 in Music)

 
1. River Crossing to Stalingrad
2. The Hunter Becomes the Hunted
3. Vassili's Fame Spreads
4. Koulikov
5. The Dream
6. Bitter News
7. The Tractor Factory
8. A Sniper's War
9. Sacha's Risk
10. Betrayal
11. Danilov's Confession
12. Tania (End Credits)

Editorial Reviews

Amazon.com

For many an armchair history buff, the Allied invasion of Europe on D day in 1944 is seen as the decisive European battle of World War II. In reality, the war's turning point may well have been the German army's defeat at Stalingrad in the bitterly cold early months of 1943 after one of history's bloodiest sieges. Director Sergio Leone had planned an epic film version of those events, but he died before he could proceed. A decade later, French director Jean-Jacques Annaud's Enemy at the Gates has brought the saga to the screen in what's said to be the most expensive European production ever mounted. Annaud frames his epic with human dimensions by telling the true tale of dueling German and Soviet snipers, and James Horner's truly epic orchestral and choral soundtrack gives the story its sense of place, both geographically and historically. With nods toward some 20th-century Russian composers, Horner's music is by turns romantic, ominous, and modern, imbuing the drama of Shostakovich and Prokofiev with his own masterful sense of color and tension. He is still best known to general audiences for his hugely successful work on Titanic, but the sheer sweep and power of this score makes that work seem almost like a student's exercise by comparison. Enemy at the Gates is perhaps a once-in-a-lifetime assignment, and Horner admirably rises to the challenge. --Jerry McCulley

 

Customer Reviews

38 Reviews
5 star:
 (8)
4 star:
 (11)
3 star:
 (9)
2 star:
 (5)
1 star:
 (5)
 
 
 
 
 
Average Customer Review
3.3 out of 5 stars (38 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

4 of 4 people found the following review helpful:
5.0 out of 5 stars Score's a bullseye!, April 29, 2001
By 
Chapulina R (Tovarischi Imports, USA/RUS) - See all my reviews
This review is from: Enemy At The Gates (2001 Film) (Audio CD)
Like the film itself, James Horner's soundtrack for "Enemy at the Gates" contains elements of several previous works. I detected segments from other Horner favorites, particularly "Braveheart" and the early "Star Trek" films. That in no way detracts from my enjoyment of this soundtrack. I've seen the film four times already, and I'm convinced the music complements the action perfectly. In fact, Horner's score consistently outshines the screenplay. The film's mood is repeatedly disrupted by banal dialogue, but the powerful and emotional soundtrack successfully maintains the suspense of the sniper duel. Horner's most original composition contains balalaika accompaniment, which conveys needed Russian "feeling" to a film whose characters are played (rather unconvincingly) by Cockney actors. I love the CD. I've played it already a hundred times without tiring of it!
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3 of 3 people found the following review helpful:
4.0 out of 5 stars Still a good soundtrack, especially if you like Russian., April 17, 2001
By A Customer
This review is from: Enemy At The Gates (2001 Film) (Audio CD)
Enemy at the Gates, the movie and the soundtrack, hasn't been getting very many good reviews, and I don't understand why because I thought it was a great movie and a great soundtrack. Maybe its just too far above the heads of the juvinile minds of the cretics who want a movie with lots of noise and fake stuff exploding and dumb actors. .. . Well, anwyways on with the review!Horner seems to be a cheap composer in the fact that he copies a lot of his previous works. Believe it or not, and only a true soundtrack fan like myself would notice this, but in the sountrack to Enemy at the Gates, Horner takes a lot from his 1980's Star Trek Two: The Wrath of Kahn. The light background music played a lot during the film is directly from Star Trek Two. However, the Russian choral parts in the battle scenes are totally wonderful. I thought that this was a great movie, and this is great soundtrack.
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5 of 6 people found the following review helpful:
3.0 out of 5 stars Decent cd, but not an ORIGINAL score, March 2, 2005
By 
J. K. Moser "JKM" (Flemington, New Jersey USA) - See all my reviews
(REAL NAME)   
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This review is from: Enemy At The Gates (2001 Film) (Audio CD)
James Horner's score for Enemy At The Gates is not a bad cd. It has some moments that are dark, and others that are contemplative. His love theme is decent and his chorale pieces are very good and very original. The rest is not. There are parts of this cd that can be interchanged with Horner's scores for the recent Troy or the not so recent Mask of Zorro. When Horner sticks to sounding Russian he does a good job unfortunately he doesn't and like much of his work after Breveheart, his music is recycled. That doesn't mean it's necessarily bad, because it is not. What it does mean is that outside the movie, the listener feels like they've heard the music before and in many cases they have.
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