Customer Reviews

Enemy of the Sun

5 star:		(7)
4 star:		(1)
3 star:		(0)
2 star:		(0)
1 star:		(1)

 

 

From the opening sample of the first track (taken from the film adaptation of Paul Bowles' "The Sheltering Sky") to the seizure-inducing tribal drumming of "Cleanse", "Enemy of the Sun" is a carefully sustained sonic assault of epic proportions. When I first heard this album in high school I have to admit that I was a bit flabbergasted by the sheer ferocity of the dirge-like rhythms emanating from my speakers. Eventually I became more and more acclimated to the thick, viscous wall of sound. Before I knew it the grooves on the record (due to fiscal constraints I had purchased the LP instead of the compact disc) were worn out, forcing the stylus to produce more crackle and hiss than originally intended. I think this record is probably the most cohesive Neurosis album from their entire discography, and is perhaps destined to become a classic of the genre.

But whatever opinion you happen to hold on their recorded output, it must surely pale in comparison to the live-sound experience. They are to be seen to be believed (preferably in a more intimate environment, e.g., a small club).

this was the first Neurosis CD i ever heard. the day i bought it, i put on the cd and lay down on the bed to take a nap. however, i found that i could not fall asleep to this cd. instead i was transported into a nearly lucid state of dreaming although i hadn't even begun to sleep. the music was crawling through my mind like a thousand ants and i was having auditory hallucinations. i thought there were people walking around the room, opening and closing doors in the apartment. my eyes were closed, but i was seeing many, many things. this music is very powerful indeed.

Like many Neurosis cds, I didn't get into this album on the first, second, or even third listen. Neurosis albums take time to fully appreciate but once you do it's more than worth th wait. This album is fantastic. The songs are brilliant and the sound of the album is just perfectly raw. Sometimes I even like this better than "Through Silver in Blood," and if you don't realize that that's an enormous compliment then I suggest you buy that album too.

This album begins with one of the most powerful songs writen by Neurosis. One of the most powerful songs writen ever. The rest of the songs on this album follow suit so well. Neurosis are a blazing band of cerebral-ability and they just conect. There's really no way I can put it other then their music infects you, clearing a path to your subconcious. Neurosis are deeply spiritual bringing to mind the mind expanding qualitys of Tool and similar to them also by being an entire original.

Anyhow to describe the music, I'd say they are a Metal/Industrial hybrid with a tribal feel that brings out a progression in thier music. Like a drum circle in where all of the drummers are unified approaching a peek that enlightens the lot.

Powerful stuff here. Their music is so entirely heavy and cathartic. A fan of Swans would probably have no trouble getting into them. This is not their best album however it is still totaly amazing, inspirational and driving. If you like this album you will then need Neurosis's most dominating album and the album that you will have needed this as an introduction for: "Through Silver In Blood"

Good luck finding a more dynamic and heavier band.

With that voice sample, unsettling with its subtle insinuation, and a portentous bass riff, so begins the apocalyptic _Enemy of the Sun_ by Neurosis, the band's fourth album and greatest up to that point. Where to start? least important and quickest to mention -- the cover-art is classic! one of my favorites.

more interestingly, I think of Neurosis as more an extension of the anger of Swans than an extension of any metal band, with the sort of thematic structure that follows the form we now associate with post-rock. Songs like "Lost", "Raze the Stay", "Cold Ascending", and the title track build laboriously through movement-like sections with sparse orchestration that build to all-out orgies of distorted noise. But where Swans' rage seems to be their main fountainhead, Neurosis' supremely heavy aesthetic and rage is the means, not the end, which itself is an overarching spiritual catharsis. The 15-min percussion jam "Cleanse", which closes the album on an intense meditative note, affirms this. It is all somewhat primitive, brutal, and ritualistic. "Burning Flesh in the Year of the Pig" is not really a song, but instead a series of synth'd noises beneath a sampled description of that famous political protest where a Buddhist monk burned himself alive in the middle of the street in Saigon - this fits powerfully between the second and fourth cut and the overall feel of the album. Listening to _Enemy of the Sun_ is itself a musical self-immolation. "Enemy of the Sun" capitulates the pathos of mental and spiritual exhaustion, with lines like "The suicide of drought for a faith destroyed, we starve with pride and glass in our throats" or

The masks lay fallen, sheltered in the dust
Tearing our flesh amongst wolves
See how they run as we laugh
In lunar horizons there is understanding

Harvest their return
Carry my soul to the sun

At once the music seems to be of this world in which we live, and another world where Neurosis' ambiguous combination of violence and transcendence makes perfect sense.

The music is very heavy in a way few bands compare -- slow and inexorable and ponderous and unforgiving in its forward motion, like the weight of time wearing away an ancient monument. "Lost" starts heavy enough, with just its growling bass intro with hissing cymbals but is soon showered with jarring feedback and leveled by crunching chords. Despite quiet passages throughout "Raze the Sky" song explodes at various times into utter thrashing. The album flows from here without visible seam and is very much a discordant blur without careful attention, especially the extremely distorted and unintelligible madness of "Lexicon" and the roaring climax of "The Time of the Beasts". In addition to the lengthy resolution of "Cleanse" with its 9-man jam of percussion, didgeridoo, and vocal utterances, there are other moments of quiet mystery throughout, like the evocative, beautiful female vocals from "Raze the Sky" that sound like a stolen Hindustani prayer, or the strained weeping of violin and horn in the middle of "The Time of the Beasts", and the aforementioned samples throughout.

Neurosis was one of the first bands one might call "experimental metal" that I started listening to as I branched out from my "prog-metal fanboy" days, and I was easily seduced by their immense creativity, progressive ethos, and sheer heights of power. _Enemy of the Sun_ is their first real masterpiece after the more modest excellence of _Souls at Zero_. Many years and many albums later (Neurosis has most recently put out another masterful studio album, _Given to the Rising_), this is still one of the best albums they've done -- and that says a lot. If you are relatively new to Neurosis and have not heard this, make it the next one you try. It's a lot angrier and more consistently heavy and brutal than albums since _Through Silver in Blood_, and less immediate... but it will absorb you completely when you penetrate its opaque shell. If you have not heard Neurosis... well then. You really should. I mean, if you like Isis or anything people've labeled "post-metal", or any kind of "progressive/experimental metal" _at all_, then you must fill your library with Neurosis cds.

The sound of a band forging a unique musical and spiritual identity within the barren urban landscape of the modern world. Everything here is stripped to the bare essentials, before being reconstructed with layer upon layer of molten violence. None of the band's other albums match the purity and intensity on display right here, nor does anything by Isis, Mogwai, Pelican, nor any of the other bands indebted to this record. Buy it.

"The most dramatic was one day in Saigon, when a buddhist parade started off with a sort of hypnotic chant of the yellow road priests marching along. And then there stepped forward a very frail old man in his seventies who turned out to be this priest of Ponduck, and he assumed the lotus posture and another priest stepped forward and poured gasoline on him. And then suddenly towering flame. The priests and the nuns in the audience moaned and prostrated themselves toward this burning figure. And he sat there unflinching and the smell of gasoline and burning flesh in the air, for ten minutes. The people thought they saw the face of Buddha in the clouds that night"

If on mind altering drugs while listening/experiencing this album, well you're quite f*cked.

That's why I give it a "5" - I'm rating it relative to the other Neurosis CD's I've heard and this is by far the best. "Through Silver In Blood" I believe is the one after this and it jsut sounds too...well...produced. Enemy of the Sun is much more -raw- which is what I like about Neurosis in the first place. Forget about their early semi-punk east-bay origins with arguable mid-atlantic influences. The 20 minute drumming track at the end is incredible.

Neurosis are flat out the most overrated "cult" band that I have ever heard in my life. I don't give a crap if people claim they are so emotionally deep or if spiritually enlightening! You people need to grow up! They are not as special as most people will make them out to be just because they come up with the weirder than average album titles. They are just the same as any other metal band: loud, demonic and with band members so uptight and obnoxious in their hollow heads that they feel entitled to say that they take themselves seriously.
You can ridicule me all you want but I am just trying to counterbalance all the 5 star reviews that this band seem to grab up. Undeserved praise!!!