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Jean-Pierre Melville's second film, made in 1950, became a significant influence among French filmmakers and earned Melville renown as a maverick who could do wonderful things outside his country's studio system. (Melville's independence was a forerunner of that enjoyed later in the decade by New Wave figures such as François Truffaut and Jean-Luc Godard.)
Les Enfants Terribles is based on a 1929 novel by poet and filmmaker Jean Cocteau, who also wrote the script with Melville and according to some people interfered in everything from the casting (the rather stiff male lead was a Cocteau protege) to the photography. Nevertheless, the story of a sister (an outstanding performance by Nicole Stephane) and brother (Edouard Dhermite) who withdraw into their own, insulated world to play out suggestively erotic dramas, has a fluid, lyrical movement that is part of a visionary whole. In some ways a harbinger of the coming pop narcissism of youth culture,
Les Enfants Terribles is also a timeless tale of mythic exploration of existence and purpose.
--Tom Keogh
