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| 1. Prologue / Main Title 3:21 |
| 2. Harry's World 1:03 |
| 3. Warehouse Heist 5:20 |
| 4. Code Blue 1:14 |
| 5. Rooftop Chase 6:02 |
| 6. Raid On Mustafa's 1:17 |
| 7. Kidnap Zap 3:45 |
| 8. Tiffany's Number Eleven 3:18 |
| 9. The Shooting Nun 1:15 |
| 10. Alcatraz Encounter 4:26 |
| 11. Death On The Rock 3:04 |
| 12. Finale (Elegy for Inspector Moore) 2:50 |
| 13. Finale (Alternate) 2:56 |
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
3.0 out of 5 stars
good,
By
Amazon Verified Purchase(What's this?)
This review is from: The Enforcer (Audio CD)
Trivia game: There are five Dirty Harry films, and Lalo Shifrin composed all but one of their soundtracks. Which one?
Well, it is The Enforcer, where Jerry Fielding took the wheel. It is interesting to look at his approach vs. Shifrin's. Shifrin made his Dirty Harry scores funk jazz and ran recurring themes through the soundtracks. Here, Fielding does a jazz score, but has chosen to work with all types of jazz--swing, dramatic swoops, and an absolutely scruptious piece that copies Herbie Hancock's Camelon. Hey, unless you want to go back to a caveperson beating a rock, every great composer is a thief. All the music here ranges from good to excellent, though none of it has the menice of Shifrin's offering for the first, 1971 Dirty Harry film. This might not be Fielding's doing--Dirty Harry movies became more about Calahan's quirks as time went on; wry action fare rather than cage-shaking, question-posing films about how society deals with sociopathology. So you really can't fault Fielding for this score not being the musical attack dog Shifrin assembled for the first movie. But Fielding might have been mistaken when he chose not to use a repeating musical theme to tie this score together. All the ideas are good, and probably worked quite well on screen, but as a score, The Enforcer does not have the instant recognizability of Shrifrin's Dirty Harry work. Still, this has some great music on it, and is a lot of fun. Definatley worth obtaining. Just don't buy it looking for a classic.
2 of 2 people found the following review helpful:
5.0 out of 5 stars
One of the best 'Dirty Harry' soundtracks,
By langleybcguy (Langley, BC, Canada) - See all my reviews
This review is from: The Enforcer (Audio CD)
There is 1 soundtrack of the 'Dirty Harry' films that isn't composed by Eastwood's friend Lalo Schifrin. Well, it's 'The Enforcer', the 3rd in the film series, and it has to be one of the finest soundtracks created for the series. It's based on a jazz-type theme that Clint Eastwood is apparently so fond of, and this figures prominently throughout the tracks. The main title starts off slow with a couple of string cues as Bobby Maxwell kills 2 gas company men for their van, and as the San Francisco skyline appears a blustering brass motif takes over, before delving into the jazz-type theme so common. It's especially prominent in the 'Rooftop Chase' track as Harry & Kate pursue a man who detonated a bomb in a police building; this one seems to have a theme that's definitely '70s with a lively flute melody along with the saxophone & trumpet jazz themes. Different from most of the tracks is the movie's actual end title (Elegy for Inspector Moore); gone here is the lively jazz theme and even missing is Dirty Harry's own motif which figured prominently as the end titles in 'Dirty Harry & 'Magnum Force'. This one's a longer string melody, very somber as the end credits roll. Very solid composition by the late Jerry Fileding; definitely a must-have soundtrack for fans of Dirty Harry. Get this one!
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