In this book, creative writers and critical theorists consider the work of Samuel Beckett from theoretical, postmodern, aesthetic, poetic, and feminist perspectives. Collectively, they search for the hidden political and ethical dimensions of Beckett, an author who might otherwise be considered indifferent to such considerations. Their combined inquiry offers an ethical and political inquest into the entire enterprise of radical experimentalism in twentieth-century literature and culture.
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About the Author
Henry Sussman is Professor in the Department of Comparative Literature at the State University of New York at Buffalo. He is the author of Psyche and Text: The Sublime and the Grandiose in Literature, Psychopathology, and Culture, also published by SUNY Press. Christopher Devenney is Visiting Assistant Professor in the Department of English at Haverford College.
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