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  • Englund: Cello Concerto/Aphorisms (Symphony No. 6)
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Englund: Cello Concerto/Aphorisms (Symphony No. 6)

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Audio CD, June 27, 2000
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Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song TitleArtist Time Price
listen  1. Cello Concerto: I. ModeratoJan-Erik Gustafsson 9:50Album Only
listen  2. Cello Concerto: II. AdagioJan-Erik Gustafsson 7:52$0.99  Buy MP3 
listen  3. Cello Concerto: III. Allegro concisoJan-Erik Gustafsson 5:14$0.99  Buy MP3 
listen  4. Symphony No. 6, "Aphorisms": I. Prologue or logosTampere Philharmonic Choir 7:27$0.99  Buy MP3 
listen  5. Symphony No. 6, "Aphorisms": II. In juncture the wholeTampere Philharmonic Choir 4:31$0.99  Buy MP3 
listen  6. Symphony No. 6, "Aphorisms": III. ScherzoTampere Philharmonic Choir 6:21$0.99  Buy MP3 
listen  7. Symphony No. 6, "Aphorisms": IV. Past those who step into the same streamTampere Philharmonic Choir 3:04$0.99  Buy MP3 
listen  8. Symphony No. 6, "Aphorisms": V. This world orderTampere Philharmonic Choir 3:31$0.99  Buy MP3 
listen  9. Symphony No. 6, "Aphorisms": VI. FinaleTampere Philharmonic Choir 7:45$0.99  Buy MP3 

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Englund: Cello Concerto/Aphorisms (Symphony No. 6) + Piano Concertos 1 & 2
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Product Details

  • Performer: Jan-Erik Gustafsson
  • Orchestra: Tampere Philharmonic Orchestra
  • Conductor: Eri Klas
  • Composer: Einar Englund
  • Audio CD (June 27, 2000)
  • SPARS Code: DDD
  • Number of Discs: 1
  • Label: Ondine
  • ASIN: B00004SYXW
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
  • Amazon Best Sellers Rank: #267,024 in Music (See Top 100 in Music)

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9 of 10 people found the following review helpful By Thomas F. Bertonneau on October 2, 2000
Format: Audio CD
Like Sibelius, whose example he in fact tried to throw off, Einar Englund (1916-1919) stemmed from the minority Swedish-speaking element of the Finnish nation. (So did Nobel Prize winning poet Edith Södergran and so did General Mannerheim, who rallied the Finns against Stalin in the Winter War of 1939-40; Englund saw harrowing combat in that conflict.) I first got to know Englund twenty or more years ago when, on impulse, I bought an imported LP of his First Symphony. The music is mildly modern, closer to Shostakovich and Prokofiev than to Sibelius, but infused throughout by what Yoell, in his book on Scandinavian composers, called "the Nordic sound." Englund's vocabulary is close to that of the Swede Hilding Rosenberg, although Rosenberg was older by about twenty years; there is some use of "expressionist" procedures, and the harmonies are often thick and dissonant, but the music never really departs from a tonal plan and the resolutions are all distinctly key-centered and intuitively satisfying. (Englund disdained serialism.) There is a good deal of vigorous counterpoint; Englund writes a convincing orchestral fugue. But there is also much hovering in the cold and icy depths. (Very Finnish, I can hear my Swedish friends saying; they think about the Finns what we tend to think about them.) In this new CD, Ondine gives us one middle and one late work by the composer: a Cello Concerto from 1954 and a choral symphony called "Aphorisms" (No. 6) from 1984. The First Movement of the Concerto starts out meditatively but soon launches into a rhythmic "Moderato." Commentators call Englund a "neo-classicist," but this strikes me as inaccurate.Read more ›
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