Enter the Void
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A crime gone bad leads to shocking violence and then moments of transcendence in which the movie plunges viewers into death and rebirth like no film has ever done before via mesmerizing camerawork (The New York Times) that make it a dazzling and brutal exercise in cinematic envelope-pushing (New York Post). Stunning audiences around the world, Enter The Void is a cinematic experience like no other.
Top Customer Reviews
Noé has made a career as provocateur. His last few films involve a level of violence, sex and depravity (and a mixture of all three) that anyone could argue is excessive and exploitive. The problem, however, is that Noé is so talented, it can't altogether be dismissed. It reminds of Lars von Trier, and his latest film Antichrist. Enter the Void doesn't represent a marked change in style for Noé. All the base elements are there: sex, drugs, incest, abortion. And it's completely warranted to feel you're owed an explanation as to why you should subject yourself to them. I don't have an answer. But I can say that there are such dazzling flashes of genius sprinkled in throughout the film, that wading through the rest of the bog will be worth it for some. Even though you'll come out of the experience probably feeling dirty, and empty.
Enter the Void is losely based on The Tibetan Book of the Dead, a canon of scripture for Buddhists. It is an instructional manuel filled with directives for those between this life, and their next reincarnation-what they should prepare to experience, and how they should react. Oscar (Nathaniel Brown) is an American, living in Tokyo. Or at least a Noé-esque Tokyo full of drugs and bass-thumbing club music.Read more ›
I part with many critics who say that Noe's cinema is always one of nihilism and strained edginess. I Stand Alone is, in my opinion, the least of his efforts. It coasts on a wanton desire to shock, and suffers for that reason. But Irreversible, especially known for a few graphic scenes (and we all know what they are already), merges this transgression with consequence. Many people forget that, in the rewind that is the movie, we wind up in a bedroom with a naked couple in love. It seems as though the city decided to bleed all over their plans. You don't need to take a graduate level film theory class to see the dissonance. It's an inwardly beautiful world for two lovers; it's a chaotic, inconsiderate turned malevolent one once you step outside.
Likewise with Tokyo and Enter The Void. Tokyo doesn't care, just as Los Angeles, New York, London, and Paris don't care. It is a canvas for loss and disappointment, especially when one is sent there already adrift. And Oscar and Linda have always been adrift. There is no city, no concrete or neon, that is going to replace what's gone.Read more ›
Bound to appeal to only a small subset of film buffs (though to them it should have an intense appeal), 'Enter the Void' is an exploration of the split seconds between life and death, and an experimental trip through method and technique of film-making. Gaspar Noe, the director of 'Irreversible', is the real star here, as this is above all the vision of the helmsman rather than a vehicle for its actors. In fact, several of the key players were first-time unprofessionals, although that made little difference if any toward the film's overall effectiveness. To me, success or failure for this particular sort of film is better measured by how well it communicates its ideas rather than by more traditional yardsticks - but having said that, it's also important to note that a reliance on unusual camera-work, disjointed narrative, and uncommon acting styles is probably going to turn many viewers away from the film before they give the ideas a chance to resonate.
A orphaned young man and his sister, both Westerners, are struggling to get by in Tokyo as a drug dealer and a stripper, respectively. In the early going of the film, the young man, Oscar, is set up for a sting by one of his buyers, and is shot by the police. For the next two hours or so, directer Gaspar Noe envisions the moments prior to death, borrowing heavily on flashback, the effects of the drug DMT, and THE TIBETAN BOOK OF THE DEAD.Read more ›
Most Recent Customer Reviews
ENTER THE VOID, the psychedelic thriller by visionary French maverick Gaspar Noé (IRREVERSIBLE, I STAND ALONE), is a cinematic thrill ride that's... Read more
I'm not giving this 1 star because it's possible Gaspar Noe is a genius filmmaker and I just don't get what he's doing. Possibly. Read morePublished 5 days ago by jodi compton
From my print review
The credits melt into a kaleidoscope of befuddling geometric shapes and spiraling colors. Read more
Just swallow the pill and join the ride. Up there with great artworks which look unflinchingly into the darkest recesses of souls in torment. Read morePublished 3 months ago by A. Sharp
Enter the Void is an amazing film and a unique experience. It is refreshing to watch a film that is challenging and conveys an author's vision. Read morePublished 4 months ago by rbrogan3
Amazing movie. Like nothing else I've seen...except maybe "Waking Life"...Published 4 months ago by Gene Burnett
Absolutely a must see for any type of artist. It is probably the most visually captivating movie I've ever seen in my life. Read morePublished 5 months ago by D. Martinez
Absolutely horrifying, ruined my night and my trip. Worst movie I've ever seenPublished 5 months ago by Alyssa Strawn
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According to blu-ray.com, there are English subtitles.
Jan 6, 2011 by mattd | See all 8 posts
Personally, I'd love some making of featurettes, with visuals like this film has I feel like that's a must.
Jan 16, 2011 by Brian Spies | See all 4 posts
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