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3 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent reference for understanding media business models
This book provides a thorough explanation of the business models of most of the media and entertainment industries - music, radio, TV, even casinos and theme parks. There is both a historical perspective and a presentation of the current state. Most of this information is not available in print or on the net elsewhere.

For example, there's a flowchart that...
Published on May 18, 2008 by robert bleidt - streaming medi...

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4 of 4 people found the following review helpful:
3.0 out of 5 stars No coverage of the live popular music concert industry
Mr. Vogel has created a readable and informative book. The introductory chapters are a comprehensive overview of economics, leisure time, and media, and may be worth the discounted price of the book on their own.

My complaint is that the section on The Music Industry is not up to date. It is a treatise on the Recorded Music industry only, and neglects...
Published on January 23, 2008 by K. J. Lopez


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4 of 4 people found the following review helpful:
3.0 out of 5 stars No coverage of the live popular music concert industry, January 23, 2008
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K. J. Lopez (La Crescenta, Ca. United States) - See all my reviews
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This review is from: Entertainment Industry Economics: A Guide for Financial Analysis (Hardcover)
Mr. Vogel has created a readable and informative book. The introductory chapters are a comprehensive overview of economics, leisure time, and media, and may be worth the discounted price of the book on their own.

My complaint is that the section on The Music Industry is not up to date. It is a treatise on the Recorded Music industry only, and neglects the live music concert industry.

His coverage of live popular music entertainment is literally one paragraph. The live concert industry is now one of the main revenue sources for musical artists, in addition to licensing. The concert industry generates over $10 Billion in revenues from live music performance tickets alone. Live Nation and AEG Live dominate. Madonna signed with Live Nation and not a traditional record label because this is now the focal point of the music industry. Contrary to Mr. Vogel's outdated assertion, recorded music is now often a promotional tool used to get fans to buy concert tickets. This has been the case for nearly a decade.
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3 of 3 people found the following review helpful:
5.0 out of 5 stars Excellent reference for understanding media business models, May 18, 2008
This review is from: Entertainment Industry Economics: A Guide for Financial Analysis (Hardcover)
This book provides a thorough explanation of the business models of most of the media and entertainment industries - music, radio, TV, even casinos and theme parks. There is both a historical perspective and a presentation of the current state. Most of this information is not available in print or on the net elsewhere.

For example, there's a flowchart that explains royalties in the music industry that explained in one glance what would normally require personal discussions with five or ten people to uncover.

There is also information on valuation models and accounting treatments of the industries studied.

Some reviewers called this book dry - but I think the writing is compact, objective, and informative. Also, there are extensive footnotes and references to other sources.

Academic rigor, an analyst's objectivity and practicality, and an underlying enthusiasm for the subject - excellent.
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1 of 3 people found the following review helpful:
4.0 out of 5 stars Smart tutoring, September 8, 2009
This review is from: Entertainment Industry Economics: A Guide for Financial Analysis (Hardcover)
The Knowledge you may collect is useful and the price for it is low for the trough vision you got of it
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Entertainment Industry Economics: A Guide for Financial Analysis
Entertainment Industry Economics: A Guide for Financial Analysis by Harold Vogel (Hardcover - April 23, 2007)
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